{"id":1337,"date":"2014-06-03T18:17:50","date_gmt":"2014-06-03T15:17:50","guid":{"rendered":"http:\/\/ufukonen.com\/tr\/?page_id=1337"},"modified":"2014-06-07T15:23:14","modified_gmt":"2014-06-07T12:23:14","slug":"ses-kayit-muzik-teknolojisi-terimler-sozluk-a","status":"publish","type":"page","link":"https:\/\/www.ufukonen.com\/tr\/ses-kayit-muzik-teknolojisi-terimler-sozluk-a","title":{"rendered":"Terimler S\u00f6zl\u00fc\u011f\u00fc: A – D"},"content":{"rendered":"

\"M\u00fczik<\/a><\/h1>\n

S\u00f6zl\u00fck Ana Sayfa<\/a>\u00a0|\u00a0Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z:\u00a0A<\/a> – B<\/a> – C<\/a> – \u00c7<\/a> – D<\/a><\/p>\n

 <\/p>\n

<\/h1>\n

A<\/h1>\n

 <\/p>\n

AAX Avid Audio Extension.<\/p>\n

Avid taraf\u0131ndan geli\u015ftirilen real-time olarak Pro Tools alt\u0131nda \u00e7al\u0131\u015fan plug-in format\u0131.<\/p>\n

 <\/p>\n

A\/D Analog\/Digital.<\/p>\n

Analogdan dijital \u00e7evirme, ge\u00e7i\u015f i\u015flemi.<\/p>\n

 <\/p>\n

A\/D Converter<\/p>\n

Bkz. Analog\/Digital Converter.<\/p>\n

 <\/p>\n

absorption<\/p>\n

Ses dalgalar\u0131n\u0131n emilmesi.<\/p>\n

 <\/p>\n

AC-3<\/p>\n

Dolby taraf\u0131ndan geli\u015ftirilen 5.1 surround ses format\u0131. Dolby Digital olarak da bilinir.<\/p>\n

 <\/p>\n

acoustic chamber<\/p>\n

Fayans, beton gibi sert y\u00fczeyli duvarlardan olu\u015fan ve reverb sim\u00fclasyonu i\u00e7in kullan\u0131lan oda. Odan\u0131n i\u00e7ine bir hoparl\u00f6r yerle\u015ftirilir, reverb verilmek istenen sinyal mikserden bu hoparl\u00f6re g\u00f6nderilir, odan\u0131n i\u00e7indeki yans\u0131mal\u0131 ses bir mikrofon arac\u0131l\u0131\u011f\u0131 ile kaydedilir.<\/p>\n

 <\/p>\n

ADAT Alesis Digital Audio Tape.<\/p>\n

Alesis taraf\u0131ndan geli\u015ftirilen ve S-VHS video band\u0131 \u00fczerine 8 kanal dijital ses kayd\u0131 yapabilen sistem. Bu sistemde birden fazla makineyi birbirine ba\u011flayarak kanal say\u0131s\u0131n\u0131 artt\u0131rmak m\u00fcmk\u00fcnd\u00fcr.<\/p>\n

 <\/p>\n

ADAT I\/O<\/p>\n

Bkz. Lightpipe.<\/p>\n

 <\/p>\n

ADAT Lightpipe<\/p>\n

Bkz. Lightpipe.<\/p>\n

 <\/p>\n

ADR<\/p>\n

Automatic Dialog Replacement. Otomatik diyalog de\u011fi\u015ftirme. Film veya g\u00f6r\u00fcnt\u00fcl\u00fc bir program i\u00e7in, sette kaydedilen diyaloglar\u0131n st\u00fcdyoda tekrar kaydedilmesi i\u015flemineverilen isimdir. ADR, T\u00fcrk\u00e7ede dublaj olarak bilinir. Bu i\u015flemde oyuncular bir yandan ekranda filmi seyrederken di\u011fer bir yandan diyaloglar\u0131 g\u00f6r\u00fcnt\u00fcdeki dudak hareketlerine uyacak \u015fekilde tekrar kaydederler. ADR i\u00e7in \u0130ngilizcede kullan\u0131lan di\u011fer terimler dubbing ve looping’dir.<\/p>\n

 <\/p>\n

AES<\/p>\n

Audio Engineering Society. Bir\u00e7ok \u00fclkede temsilcilikleri bulunan uluslararas\u0131 ses m\u00fchendisleri derne\u011fi.<\/p>\n

 <\/p>\n

AES\/EBU<\/p>\n

AES ve EBU taraf\u0131ndan geli\u015ftirilen dijital ses aktarma protokol\u00fc. Ayr\u0131ca bkz. AES ve EBU.<\/p>\n

 <\/p>\n

aftertouch<\/p>\n

MIDI enstr\u00fcman\u0131nda nota bas\u0131l\u0131yken nota \u00fczerinde uygulanan ek bas\u0131n\u00e7 bilgilerini i\u00e7eren MIDI mesaj\u0131. Bu bilgi vibrato gibi bir mod\u00fclasyonu tetiklemek i\u00e7in kullan\u0131l\u0131r.<\/p>\n

 <\/p>\n

alansal i\u015flemciler<\/p>\n

Bkz. Spatial processors.<\/p>\n

 <\/p>\n

alias frekanslar<\/p>\n

Bkz. Alias Frequencies.<\/p>\n

 <\/p>\n

alias frequencies<\/p>\n

Sample rate’in yar\u0131s\u0131ndan b\u00fcy\u00fck frekanslara verilen isim. \u00d6rnek olarak 48 kHz sample rate ile \u00e7\u0131l\u0131\u015f\u0131rken 24 kHz’in \u00fczerindeki frekanslar alias frequencies olarak adland\u0131r\u0131l\u0131r.<\/p>\n

 <\/p>\n

alignment<\/p>\n

Bkz. Kalibrasyon.<\/p>\n

 <\/p>\n

ambiance<\/p>\n

Ambiyans. Film ve g\u00f6r\u00fcnt\u00fcl\u00fc programlarda arka plan sesler i\u00e7in kullan\u0131lan terim.<\/p>\n

 <\/p>\n

amplitude<\/p>\n

Bkz. Genlik<\/p>\n

 <\/p>\n

Analog\/ Dijital \u00e7evirici<\/p>\n

Analog sinyali dijitale \u00e7eviren devre veya cihaz.<\/p>\n

 <\/p>\n

Analog\/Digital converter<\/p>\n

Analog\/Dijital \u00e7evirici. Analog sinyali dijitale \u00e7eviren devre veya cihaz.<\/p>\n

 <\/p>\n

anechoic chamber<\/p>\n

Akustik \u00f6l\u00e7\u00fcm ve ses cihazlar\u0131n\u0131 test etme amac\u0131 i\u00e7in kullan\u0131lan yans\u0131mas\u0131z odalar.<\/p>\n

 <\/p>\n

antialiasing filter<\/p>\n

Alias frekanslar\u0131 kesmek i\u00e7in kullan\u0131lan filtre.<\/p>\n

 <\/p>\n

attenuation pad<\/p>\n

Bkz. Attenuator.<\/p>\n

 <\/p>\n

attenuator<\/p>\n

Sinyal seviyesini azaltan devre veya cihaz.<\/p>\n

 <\/p>\n

AU<\/p>\n

Bkz. Audio Units.<\/p>\n

 <\/p>\n

Audiobus<\/p>\n

iOS \u00fczerinde \u00e7al\u0131\u015fan ses ve m\u00fczik programlar\u0131 aras\u0131nda sinyal ak\u0131\u015f\u0131 sa\u011flayan bir uygulama; dijital sinyal aktar\u0131m protokol\u00fc.<\/p>\n

 <\/p>\n

Audio Engineering Society<\/p>\n

Bkz. AES.<\/p>\n

 <\/p>\n

audio post production<\/p>\n

Bkz. Ses post prod\u00fcksiyonu.<\/p>\n

 <\/p>\n

Audio Units<\/p>\n

Apple taraf\u0131ndan geli\u015ftirilen real-time plug-in format\u0131. Logic alt\u0131nda kullan\u0131lmaktad\u0131r.<\/p>\n

 <\/p>\n

Automatic Dialog Replacement<\/p>\n

Bkz. ADR.<\/p>\n

 <\/p>\n

automation<\/p>\n

Mikserin \u00fczerinde yap\u0131lm\u0131\u015f olan ayarlar\u0131n bir k\u0131sm\u0131n\u0131 veya t\u00fcm\u00fcn\u00fc ve de bu ayarlar\u0131n miks i\u00e7indeki de\u011fi\u015fimlerini hat\u0131rlayan ve tekrar edebilen sistem.<\/p>\n

[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

B<\/h1>\n

 <\/p>\n

balanced signal<\/p>\n

Dengeli sinyal. \u015ease ve iki iletkenden olu\u015fan kablo ve konnekt\u00f6rle ta\u015f\u0131nan ve faz farkl\u0131l\u0131\u011f\u0131na ba\u011fl\u0131 olarak voltaj farkl\u0131l\u0131klar\u0131 ile g\u00fcr\u00fclt\u00fcy\u00fc kesen sinyal.<\/p>\n

 <\/p>\n

band-pass filter<\/p>\n

Bkz. Filtre.<\/p>\n

 <\/p>\n

band-stop filter<\/p>\n

Bkz. Filtre.<\/p>\n

 <\/p>\n

bandwidth<\/p>\n

EQ’nun etkili oldu\u011fu frekans aral\u0131\u011f\u0131n\u0131n geni\u015fli\u011fi. Oktav cinsinden ifade edilir. Ayr\u0131ca bkz. equalizer ve Q.<\/p>\n

 <\/p>\n

bantam konnekt\u00f6r<\/p>\n

Bkz. TT konnekt\u00f6r.<\/p>\n

 <\/p>\n

bidirectional (mikrofon)<\/p>\n

Hem \u00f6nden hem de arkadan gelen seslere duyarl\u0131 pick-up pattern. Polar pattern’\u0131 “8” \u015feklini \u00e7a\u011fr\u0131\u015ft\u0131rd\u0131\u011f\u0131 i\u00e7in figure-of-8 olarak da adland\u0131r\u0131l\u0131r. Ayr\u0131ca bkz. pick-up pattern; polar pattern; omnidirectional; unidirectional.<\/p>\n

 <\/p>\n

binary code<\/p>\n

\u0130kili say\u0131 sistemi.<\/p>\n

 <\/p>\n

binaural<\/p>\n

\u0130nsan kafas\u0131 \u015feklinde plastik bir obje \u00fczerine, insan\u0131n kulaklar\u0131n\u0131n bulundu\u011fu yere gelecek \u015fekilde konumland\u0131r\u0131lm\u0131\u015f iki mikrofon ile ger\u00e7ekle\u015ftirilen kay\u0131t tekni\u011fi.<\/p>\n

 <\/p>\n

bit depth<\/p>\n

Dijital kelimelerdeki bit say\u0131s\u0131.<\/p>\n

 <\/p>\n

Blue Book<\/p>\n

Bkz. Enhanced-CD.<\/p>\n

 <\/p>\n

Blu-ray<\/p>\n

DVD’nin devam\u0131 olarak tasarlanm\u0131\u015f, bir\u00e7ok b\u00fcy\u00fck bilgisayar ve elektronik firmas\u0131n\u0131n \u00fcye oldu\u011fu Blu-ray Disc Association adl\u0131 grup taraf\u0131ndan y\u00fcksek \u00e7\u00f6z\u00fcn\u00fcrl\u00fckl\u00fc video ve veri depolama ama\u00e7l\u0131 kullan\u0131mlara y\u00f6nelik olarak geli\u015ftirilmi\u015f optik disk format\u0131.<\/p>\n

 <\/p>\n

Blumlein<\/p>\n

Ad\u0131n\u0131 yarat\u0131c\u0131s\u0131 olan Alan Dower Blumlein’dan alan, iki bidirectional (figure-of-8) mikrofon ile uygulanan stereo mikrofonlama tekni\u011fi.<\/p>\n

 <\/p>\n

boom<\/p>\n

Film veya video \u00e7ekimlerinde ses kay\u0131tlar\u0131 i\u00e7in uzun bir metal veya fiberglas \u00e7ubuk arac\u0131l\u0131\u011f\u0131 ile kamera a\u00e7\u0131s\u0131n\u0131n d\u0131\u015f\u0131nda kalacak \u015fekilde yukar\u0131dan sark\u0131t\u0131lan, a\u015fa\u011f\u0131dan veya yanlardan tutulan mikrofon sistemi; bu sistem ile ger\u00e7ekle\u015ftirilen mikrofonlama tekni\u011fi. Bu teknikte genellikle shotgun mikrofonlar kullan\u0131l\u0131r.<\/p>\n

 <\/p>\n

bouncing<\/p>\n

Birka\u00e7 kanaldaki sesleri bir veya daha fazla kanala miksleme veya aktarma i\u015flemine verilen isim.<\/p>\n

 <\/p>\n

breakout box<\/p>\n

\u00dczerinde analog ve\/veya dijital giri\u015f ve \u00e7\u0131k\u0131\u015flar bulunan ve bir data kablosuyla bilgisayara ya da bilgisayara tak\u0131l\u0131 ses kart\u0131na ba\u011flanan kutulara veya 19″ geni\u015fli\u011findeki rack tipi \u00fcnitelere verilen isim.<\/p>\n

 <\/p>\n

bus<\/p>\n

Bir veya daha fazla kanal veya kaynaktan gelen sinyalleri birle\u015ftirip ta\u015f\u0131yan kablo veya yol. Mikserin kanallar\u0131 \u00fczerinde sinyal yukar\u0131dan a\u015fa\u011f\u0131ya dikey bir \u015fekilde akar. Bus, sinyali mikserin kanallar\u0131 aras\u0131nda yatay olarak ta\u015f\u0131r. Buss olarak da adland\u0131r\u0131l\u0131r.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

C<\/h1>\n

 <\/p>\n

calibration<\/p>\n

Bkz. Kalibrasyon.<\/p>\n

 <\/p>\n

capstan<\/p>\n

Analog bant kay\u0131t cihazlar\u0131nda band\u0131n kafalar\u0131n \u00fczerinden sabit bir h\u0131zla ge\u00e7mesini sa\u011flayan motor.<\/p>\n

 <\/p>\n

cardioid<\/p>\n

Bkz. Unidirectional.<\/p>\n

 <\/p>\n

CD-R<\/p>\n

CD-Recordable. Tek sefer kaydedilebilen CD’lere verilen isim.<\/p>\n

 <\/p>\n

CD-RW<\/p>\n

CD-Rewritable. \u00dczerlerine bir\u00e7ok defa kay\u0131t yap\u0131labilen CD’lere verilen isim.<\/p>\n

 <\/p>\n

channel<\/p>\n

Mikser \u00fczerindeki kanallara verilen isim.<\/p>\n

 <\/p>\n

channel strip<\/p>\n

(1) Mikserin \u00fczerindeki kanala verilen isim. (2) Mikserin \u00fczerinde bulunan kanallardan esinlenerek tasarlanm\u0131\u015f, \u00fczerinde mikrofon preamplifikat\u00f6r\u00fc, EQ ve dinamik i\u015flemciler bulunan cihaz.<\/p>\n

 <\/p>\n

Channel Voice<\/p>\n

M\u00fczikal performansla ilgili olan MIDI mesajlar\u0131. Channel Voice, MIDI mesajlar\u0131 aras\u0131nda en \u00e7ok kullan\u0131lan mesajlard\u0131r. Note On, Note Off, Channel Pressure (Channel Aftertouch), Polyphonic Key Pressure (Polyphonic Aftertouch), Control Change, Program Change ve Pitch Bend olmak \u00fczere toplam yedi adet channel voice mesaj\u0131 vard\u0131r.<\/p>\n

 <\/p>\n

click track<\/p>\n

Metronom kanal\u0131.<\/p>\n

 <\/p>\n

coincident<\/p>\n

\u0130ki mikrofonun aralar\u0131nda mesafe olmayacak \u015fekilde, yan yana olarak kullan\u0131ld\u0131\u011f\u0131 stereo mikrofonlama tekniklerine verilen genel isim. Ayr\u0131ca bkz. Spaced pair.<\/p>\n

 <\/p>\n

combing<\/p>\n

Bir\u00e7ok defa ve farkl\u0131 kanallara kaydedilmi\u015f bir sesin veya enstr\u00fcman\u0131n istenilen b\u00f6l\u00fcmlerinin tek bir kanalda toplanmas\u0131 i\u015flemine verilen isim.<\/p>\n

 <\/p>\n

compression<\/p>\n

Sinyalde y\u00fcksek seviyeli yerlerin k\u0131s\u0131larak dinamik aral\u0131\u011f\u0131n daralt\u0131lmas\u0131 i\u015flemi. Ayr\u0131ca bkz. Kompres\u00f6r<\/p>\n

 <\/p>\n

compressor<\/p>\n

Bkz. Kompres\u00f6r<\/p>\n

 <\/p>\n

condenser<\/p>\n

Kaps\u00fcl\u00fc i\u00e7inde ince metal bir diyafram ve backplate ad\u0131 verilen ikinci bir levha bulunan, elektrostatik prensibine g\u00f6re \u00e7al\u0131\u015fan mikrofon. T\u00fcrk\u00e7ede kapasitif mikrofon olarak adland\u0131r\u0131l\u0131r.<\/p>\n

 <\/p>\n

conductor<\/p>\n

\u0130letken.<\/p>\n

 <\/p>\n

console<\/p>\n

Bkz. Recording console.<\/p>\n

 <\/p>\n

consumer gear (veya equipment)<\/p>\n

Ev tipi cihazlara verilen isim.<\/p>\n

 <\/p>\n

crossfade<\/p>\n

Bir ses dalgas\u0131 fade out edilirken di\u011fer ses dalgas\u0131n\u0131n fade in edilmesi. Fade in ve fade out s\u0131ras\u0131nda iki ses dalgas\u0131 \u00fcst \u00fcste biner. X-fade olarak da adland\u0131r\u0131l\u0131r. Crossfade, edit noktalar\u0131nda atlamalar\u0131 \u00f6nlemek i\u00e7in \u00e7ok k\u0131sa s\u00fcrelerde kullan\u0131labilece\u011fi gibi iki par\u00e7ay\u0131 uzunca birbirine ba\u011flamak ve di\u011fer benzer ama\u00e7lar i\u00e7in de kullan\u0131labilir. Ayr\u0131ca bkz. fade in ve fade out.<\/p>\n

 <\/p>\n

crossover<\/p>\n

Sinyali frekans aral\u0131klar\u0131na b\u00f6l\u00fcp da\u011f\u0131tan devre veya cihaz.<\/p>\n

 <\/p>\n

crossover noktalar\u0131<\/p>\n

Sinyalin frekans olarak aral\u0131klara b\u00f6l\u00fcnd\u00fc\u011f\u00fc noktalar.<\/p>\n

 <\/p>\n

cue mix<\/p>\n

Kulakl\u0131k miksi.<\/p>\n

 <\/p>\n

cut-off frequency<\/p>\n

Kesme frekans\u0131. EQ ve filtrelerde sinyalin 3 dB azald\u0131\u011f\u0131 nokta. Turnover frequency olarak da adland\u0131r\u0131l\u0131r.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

\u00c7<\/h1>\n

 <\/p>\n

\u00e7ok kanall\u0131 kay\u0131t<\/p>\n

Bkz. Kanal kay\u0131t.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

D<\/h1>\n

 <\/p>\n

D\/A<\/p>\n

Digital\/Analog. Dijitalden analo\u011fa \u00e7evirme, ge\u00e7i\u015f i\u015flemi.<\/p>\n

 <\/p>\n

D\/A Converter<\/p>\n

Bkz. Digital\/Analog Converter.<\/p>\n

 <\/p>\n

dalga boyu<\/p>\n

Ses dalgalar\u0131n\u0131n boyu; sesin yay\u0131lma h\u0131z\u0131n\u0131n frekans\u0131na b\u00f6l\u00fcnmesi ile bulunur. Metre veya feet cinsinden ifade edilir.<\/p>\n

 <\/p>\n

damping factor<\/p>\n

G\u00fc\u00e7 amplifikat\u00f6r\u00fcn\u00fcn hoparl\u00f6r\u00fcn ileri ve geriye olan hareketlerini nas\u0131l ne ne kadar iyi kontrol etti\u011fi ile ilgili olan de\u011fer. Damping factor de\u011ferleri \u00f6zellikle alt frekanslar i\u00e7in tasarlanm\u0131\u015f b\u00fcy\u00fck \u00e7apl\u0131 hoparl\u00f6rler a\u00e7\u0131s\u0131ndan \u00f6nemlidir.<\/p>\n

 <\/p>\n

DASH<\/p>\n

Digital Audio Stationary Head. Sony, Studer ve Matsushita firmalar\u0131 taraf\u0131ndan geli\u015ftirilmi\u015f, sabit kafa teknolojisine sahip profesyonel bir dijital ses kay\u0131t format\u0131d\u0131r.<\/p>\n

 <\/p>\n

DAT<\/p>\n

Digital Audio Tape. D\u00f6ner kafa sistemine sahip dijital ses kay\u0131t cihaz\u0131. \u0130lk tasarland\u0131\u011f\u0131nda ad\u0131 R-DAT (Rotary-Digital Audio Tape) olarak d\u00fc\u015f\u00fcn\u00fclm\u00fc\u015ft\u00fc. 1980’lerin son y\u0131llar\u0131nda yayg\u0131n bir \u015fekilde kullan\u0131lmaya ba\u015flam\u0131\u015ft\u0131r. DAT, PCM-VCR format\u0131n\u0131n kompakt hale getirilmi\u015f \u015fekli olarak da d\u00fc\u015f\u00fcn\u00fclebilir. Ayr\u0131ca bkz. PCM-VCR.<\/p>\n

 <\/p>\n

DAW<\/p>\n

Digital Audio Workstation. Bilgisayar tabanl\u0131 olarak \u00e7al\u0131\u015fan hardware ve software konfig\u00fcrasyonundan olu\u015fan hard disk kay\u0131t sistemlerine verilen isim. \u00fczerinde mikser bulunan kompakt hard disk kay\u0131t sistemleri de DAW olarak adland\u0131r\u0131l\u0131r.<\/p>\n

dB<\/p>\n

Bkz. Desibel.<\/p>\n

 <\/p>\n

dBFS<\/p>\n

Decibel Full Scale. Dijital sistemlerde sinyal y\u00fcksekli\u011fi skalas\u0131d\u0131r. 0 dBFS, sistemde m\u00fcmk\u00fcn olan en y\u00fcksek seviyeyi temsil eder. 0 dBFS alt\u0131nda kalan di\u011fer de\u011ferler 20 dBFS, -40 dBFS gibi eksi say\u0131larla ifade edilir.<\/p>\n

 <\/p>\n

dBm<\/p>\n

Eski profesyonel analog cihazlar i\u00e7in kullan\u0131lan sinyal seviyesi birimidir. dBm, 600 Ohm’da, 1 mW’\u0131 referans olarak al\u0131r. 0 dBm, 0.775 Volt’a e\u015fittir. Eski profesyonel cihazlar\u0131n normal \u00e7al\u0131\u015fma seviyesi +4 dBm’dir (1.228 Volt).<\/p>\n

 <\/p>\n

dBu<\/p>\n

Decibels unterminated. Modern profesyonel cihazlar i\u00e7in kullan\u0131lan sinyal seviyesi birimidir. 0 dBm, herhangi bir empedansta, 0.775 Volt’a e\u015fittir. Modern profesyonel cihazlar\u0131n normal \u00e7al\u0131\u015fma seviyesi +4 dBu’dur (1.228 Volt).<\/p>\n

 <\/p>\n

dBV<\/p>\n

Yar\u0131-profesyonel ve ev tipi cihazlar i\u00e7in kullan\u0131lan sinyal seviyesi birimidir. 0 dBV, 1 Volt’a e\u015fittir. Yar\u0131-profesyonel ve ev tip cihazlar\u0131n normal \u00e7al\u0131\u015fma seviyesi -10 dBV’dir (0.316 Volt).<\/p>\n

 <\/p>\n

DCC<\/p>\n

Digital Compact Cassette. Ev tipi olarak tasarlanm\u0131\u015f, analog kasete alternatif olarak piyasaya s\u00fcr\u00fclm\u00fc\u015f fakat tutulmam\u0131\u015f ve art\u0131k kullan\u0131lmayan bir formatt\u0131r. Bant d\u00f6n\u00fc\u015f h\u0131z\u0131 analog kasetlerle ayn\u0131d\u0131r (1 7\/8 ips).<\/p>\n

 <\/p>\n

Decibel<\/p>\n

Full Scale Bkz. dBFS.<\/p>\n

 <\/p>\n

Decca Tree<\/p>\n

Orkestra kay\u0131tlar\u0131 i\u00e7in kullan\u0131lan, aral\u0131kl\u0131 yerle\u015ftirilmi\u015f bir \u00e7ift mikrofon (spaced pair) ve buna ek olarak bir de orta mikrofon ile uygulanan mikrofonlama tekni\u011fi.<\/p>\n

 <\/p>\n

de-esser<\/p>\n

Belirlenen frekansta seviye olarak y\u00fcksek gelen sinyalleri azaltan, frekans kontroll\u00fc kompres\u00f6r. SI, \u015eI, FI gibi seslerin a\u015f\u0131r\u0131 vurgulanmas\u0131 ile ortaya \u00e7\u0131kan sibilans (sibilance) problemini azaltmak veya ortadan kald\u0131rmak i\u00e7in kullan\u0131l\u0131r. Ayr\u0131ca bkz. kompres\u00f6r ve sibilance.<\/p>\n

 <\/p>\n

delay<\/p>\n

Gecikme. Bir sesin belli bir gecikmeyle bir defa tekrar etmesi. Ayr\u0131ca bkz. Reverberation ve eko.<\/p>\n

 <\/p>\n

demagger<\/p>\n

Bkz. Demagnetizer.<\/p>\n

 <\/p>\n

demagnetizer<\/p>\n

Analog bant kay\u0131t cihazlar\u0131nda, band\u0131n makinenin i\u00e7inden ge\u00e7erken metal par\u00e7alar \u00fczerinde yaratt\u0131\u011f\u0131 manyetik alan\u0131 temizlemek i\u00e7in kullan\u0131lan cihaz. K\u0131saca demagger olarak adland\u0131r\u0131l\u0131r.<\/p>\n

 <\/p>\n

demagnetizing<\/p>\n

Analog bant kay\u0131t cihazlar\u0131nda, band\u0131n makinenin i\u00e7inden ge\u00e7erken metal par\u00e7alar \u00fczerinde yaratt\u0131\u011f\u0131 manyetik alan\u0131n temizlenmesine verilen isim. Bu i\u015flem demagnetizer veya demagger ad\u0131 verilen bir cihazla yap\u0131l\u0131r.<\/p>\n

 <\/p>\n

dengeli sinyal<\/p>\n

Bkz. Balanced Signal.<\/p>\n

 <\/p>\n

dengesiz sinyal<\/p>\n

Bkz. Unbalanced Signal.<\/p>\n

 <\/p>\n

desibel<\/p>\n

Ses ve sinyal \u00f6l\u00e7\u00fcmleri i\u00e7in kullan\u0131lan logaritmik bir birim. Logaritmik olmas\u0131 sebebi ile bu birimi kullanarak \u00e7ok b\u00fcy\u00fck de\u011ferleri k\u00fc\u00e7\u00fck de\u011ferlerle ifade etmek m\u00fcmk\u00fcnd\u00fcr. Desibel kendi ba\u015f\u0131na bir de\u011fer de\u011fildir; iki de\u011ferin oran\u0131n\u0131 ifade etmek kullan\u0131l\u0131r. K\u0131saltma olarak dB kullan\u0131l\u0131r.<\/p>\n

 <\/p>\n

Deutsche Industrie Normung<\/p>\n

Bkz. DIN.<\/p>\n

 <\/p>\n

Deutsches Institut f\u00fcr Normung<\/p>\n

Bkz. DIN.<\/p>\n

 <\/p>\n

DI Box<\/p>\n

Direct Injection Box. Dengesiz sinyali dengeli sinyale ve y\u00fcksek empedansl\u0131 bir kayna\u011f\u0131 d\u00fc\u015f\u00fck empedansa \u00e7eviren cihaz veya \u00fcnite.<\/p>\n

 <\/p>\n

DIN<\/p>\n

Deutsche Industrie Normung veya Deutsches Institut f\u00fcr Normung. Alman standartlar enstit\u00fcs\u00fc.<\/p>\n

 <\/p>\n

diffraction<\/p>\n

K\u0131r\u0131n\u0131m. Ses dalgalar\u0131n\u0131n yay\u0131l\u0131m s\u0131ras\u0131nda bir obje veya y\u00fczey gibi bir engel ile kar\u015f\u0131la\u015ft\u0131\u011f\u0131nda do\u011frultular\u0131n\u0131 de\u011fi\u015ftirmesi ve engelin \u00e7evresinde e\u011filmesi veya b\u00fck\u00fclmesi.<\/p>\n

 <\/p>\n

diffusion<\/p>\n

Ses dalgalar\u0131n\u0131n k\u0131r\u0131larak yans\u0131mas\u0131, da\u011f\u0131lmas\u0131.<\/p>\n

 <\/p>\n

Digital Audio Workstation<\/p>\n

Bkz. DAW.<\/p>\n

 <\/p>\n

Digital Signal Processor<\/p>\n

Bkz. DSP.<\/p>\n

 <\/p>\n

Digital\/Analog converter<\/p>\n

Dijital\/Analog \u00e7evirici. Dijital olarak temsil edilen ses sinyalini analog sinyale \u00e7eviren devre veya cihaz.<\/p>\n

 <\/p>\n

digitizing<\/p>\n

Analog sinyali dijitale \u00e7evirme i\u015flemine verilen isim.<\/p>\n

 <\/p>\n

dijital kelime uzunlu\u011fu<\/p>\n

Bkz. Word Length.<\/p>\n

 <\/p>\n

Dijital\/Analog \u00e7evirici<\/p>\n

Dijital olarak temsil edilen ses sinyalini analog sinyale \u00e7eviren devre veya cihaz.<\/p>\n

 <\/p>\n

dinamik alan<\/p>\n

Bkz. Dynamic range.<\/p>\n

 <\/p>\n

dinamik mikrofon<\/p>\n

\u0130\u00e7inde bir diyafram ve bu diyaframa ba\u011fl\u0131 olarak bir m\u0131knat\u0131s etraf\u0131na oturtulmu\u015f \u00e7ok ince tel ile sar\u0131lm\u0131\u015f bir bobin bulunan, ses dalgalar\u0131n\u0131 (akustik enerjiyi) bu d\u00fczenek ile elektrik sinyaline d\u00f6n\u00fc\u015ft\u00fcren cihaz.<\/p>\n

 <\/p>\n

Direct Injection Box<\/p>\n

Bkz. DI Box.<\/p>\n

 <\/p>\n

Direct Stream Digital<\/p>\n

Bkz. DSD.<\/p>\n

 <\/p>\n

DirectX<\/p>\n

Microsoft taraf\u0131ndan multimedya ama\u00e7l\u0131 olarak geli\u015ftirilmi\u015f bir plug-in format\u0131d\u0131r; profesyonel olarak Sonar alt\u0131nda kullan\u0131lmaktad\u0131r.<\/p>\n

 <\/p>\n

Dither<\/p>\n

Bit say\u0131s\u0131n\u0131n azalt\u0131lmas\u0131 (truncation) i\u015fleminde ortaya \u00e7\u0131kan bozulmalar\u0131 \u00f6nlemek ve de quantization hatalar\u0131n\u0131 ve yetersizliklerini telafi etmek i\u00e7in kullan\u0131lan, dijital kelime i\u00e7indeki alt bit’lere geli\u015fig\u00fczel uygulanan say\u0131larla ortaya \u00e7\u0131kan white noise sinyalidir.<\/p>\n

 <\/p>\n

Dolby Digital<\/p>\n

Bkz. AC-3.<\/p>\n

 <\/p>\n

downmixing<\/p>\n

Bkz. SMART Content.<\/p>\n

 <\/p>\n

dry\/wet<\/p>\n

Dry (kuru), efektsiz sinyal, wet (\u0131slak) ise efektli sinyal i\u00e7in kullan\u0131lan terimlerdir. Reverb, delay gibi efekt cihazlar\u0131 \u00fczerinde efektli ve efektsiz sinyallerin birbirleri aras\u0131ndaki denge genelde \u201a\u00c4\u00f2mix’ parametresi ile ve y\u00fczde (%) cinsinden ifade edilir. %100 wet sadece efektli sinyal, %100 dry sadece kuru sinyal anlam\u0131na gelmektedir, di\u011fer bir deyi\u015fle %100 dry konumunda efekt yoktur.<\/p>\n

 <\/p>\n

DSD<\/p>\n

Direct Stream Digital. 1-bit delta-sigma modulation ad\u0131 verilen bir sistem ile kay\u0131ps\u0131z s\u0131k\u0131\u015ft\u0131rma yapabilen ve SACD i\u00e7in kullan\u0131lan teknoloji. Ayr\u0131ca bkz. SACD.<\/p>\n

 <\/p>\n

DSP<\/p>\n

(1) Digital Signal Processing. Dijital sinyal i\u015fleme. (2) Digital Signal Processor. Dijital sinyal i\u015flemci. Ayr\u0131ca bkz. Signal processors.<\/p>\n

 <\/p>\n

DTRS<\/p>\n

Digital Tape Recording System. Tascam taraf\u0131ndan geli\u015ftirilen ve Hi-8 video band\u0131 \u00fczerine 8 kanal dijital ses kayd\u0131 yapabilen sistem. Bu sistemde birden fazla makineyi birbirine ba\u011flayarak kanal say\u0131s\u0131n\u0131 art\u0131rmak m\u00fcmk\u00fcnd\u00fcr.<\/p>\n

 <\/p>\n

dubbing<\/p>\n

Bkz. ADR.<\/p>\n

 <\/p>\n

dublaj<\/p>\n

Bkz. ADR.<\/p>\n

 <\/p>\n

DVD<\/p>\n

Digital Video Disc veya Digital Versatile Disc. Sony ve Philips taraf\u0131ndan geli\u015ftirilen Multimedia CD (MMCD) ve Toshiba, Matsushita ve Time-Warner ortakl\u0131\u011f\u0131 ile geli\u015ftirilen Super Density Digital Video Disc (SD-DVD) formatlar\u0131n\u0131n birle\u015ftirilmesi ile olu\u015fturulan dijital format.<\/p>\n

 <\/p>\n

dynamic range<\/p>\n

Dinamik alan. Sinyalde g\u00fcr\u00fclt\u00fc e\u015fi\u011fi ile distortion (bozulma) aras\u0131nda kalan alan, aral\u0131k. dB cinsinden ifade edilir. Ayr\u0131ca bkz. Signal-to-Noise Ratio ve headroom.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

S\u00f6zl\u00fck Ana Sayfa\u00a0|\u00a0Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z:\u00a0A – B – C – \u00c7 – D   A   AAX Avid Audio…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_mi_skip_tracking":false,"spay_email":""},"jetpack_shortlink":"https:\/\/wp.me\/P3rjsG-lz","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1352,"url":"https:\/\/www.ufukonen.com\/tr\/ses-kayit-muzik-teknolojisi-terimler-sozluk-k","url_meta":{"origin":1337,"position":0},"title":"Terimler S\u00f6zl\u00fc\u011f\u00fc: K – R","date":"June 3, 2014","format":false,"excerpt":"S\u00f6zl\u00fck Ana Sayfa\u00a0|\u00a0Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z: K - L - M - N - O - \u00d6 - P - Q - R \u00a0 K \u00a0 kafa ayar\u0131 Analog bant kay\u0131t cihazlar\u0131n\u0131n kafalar\u0131n\u0131n fiziksel olarak ayarlanmas\u0131. \u0130ngilizcede head alignment olarak adland\u0131r\u0131l\u0131r. \u00a0 kalibrasyon Analog bant kay\u0131t sistemlerinde, belli standartlar dahilinde\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1356,"url":"https:\/\/www.ufukonen.com\/tr\/ses-kayit-muzik-teknolojisi-terimler-sozluk-s","url_meta":{"origin":1337,"position":1},"title":"Terimler S\u00f6zl\u00fc\u011f\u00fc: S – Z","date":"June 3, 2014","format":false,"excerpt":"S\u00f6zl\u00fck Ana Sayfa\u00a0|\u00a0Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z: S - T - U - V - W - X - Y - Z \u00a0 S \u00a0 S\/N Ratio Bkz. Signal-to-Noise Ratio. \u00a0 S\/PDIF Sony\/Philips Digital Interface. Sony ve Philips firmalar\u0131 taraf\u0131ndan geli\u015ftirilen dijital ses aktarma protokol\u00fcd\u00fcr. \u00a0 SACD Super Audio Compact Disc.\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8474,"url":"https:\/\/www.ufukonen.com\/tr\/2024-daw-survey","url_meta":{"origin":1337,"position":2},"title":"9th Annual 2024 Turkish DAW Usage Survey","date":"January 22, 2025","format":false,"excerpt":"The results of the 9th Annual Turkish DAW Usage Survey are in! This year\u2019s survey, which was open from November 18, 2024, to January 16, 2025, gathered responses from 1,247 participants. Compared to previous years, the 2024 survey results reveal some notable differences\u2014and, in my opinion, are quite intriguing! The\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/2024_DAW_Survey_Results.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1348,"url":"https:\/\/www.ufukonen.com\/tr\/ses-kayit-muzik-teknolojisi-terimler-sozluk-e","url_meta":{"origin":1337,"position":3},"title":"Terimler S\u00f6zl\u00fc\u011f\u00fc: E – J","date":"June 3, 2014","format":false,"excerpt":"S\u00f6zl\u00fck Ana Sayfa\u00a0| Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z: E - F - G - H - I - \u0130 - J \u00a0 E \u00a0 EBU European Broadcasting Union. Avrupada bulunan radyo ve televizyon yay\u0131nc\u0131lar\u0131 birli\u011fi. \u00a0 echo Bkz. Eko. \u00a0 editorial effects Film ve g\u00f6r\u00fcnt\u00fcl\u00fc programlarda, telefon, kap\u0131 zili, alarm gibi\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3485,"url":"https:\/\/www.ufukonen.com\/tr\/skmt-10-yasina-basti","url_meta":{"origin":1337,"position":4},"title":"Ses Kay\u0131t ve M\u00fczik Teknolojileri 10 Ya\u015f\u0131na Bast\u0131! D\u00fc\u015f\u00fcncelerinizi ve Foto\u011fraflar\u0131n\u0131z\u0131 Di\u011fer Okuyucular ile Payla\u015fmak \u0130ster misiniz?","date":"November 23, 2017","format":false,"excerpt":"Ses Kay\u0131t ve M\u00fczik Teknolojileri (SKMT) adl\u0131 kitab\u0131m\u0131 yazarken b\u00f6yle bir kitaba T\u00fcrkiye'nin ihtiyac\u0131 oldu\u011fundan hi\u00e7 \u015f\u00fcphem yoktu. B\u00fcy\u00fck bir a\u00e7\u0131\u011f\u0131 kapataca\u011f\u0131na inan\u0131yordum. Kap\u0131s\u0131n\u0131 \u00e7ald\u0131\u011f\u0131m yay\u0131nevleri ise farkl\u0131 d\u00fc\u015f\u00fcn\u00fcyordu... Baz\u0131lar\u0131 \"satmaz\" gerek\u00e7esiyle nazik\u00e7e geri \u00e7evirdi, di\u011ferleri de \"kim okusun b\u00f6yle kitab\u0131\" dedi. Daha sonra \u00c7itlembik Yay\u0131nlar\u0131'n\u0131n kap\u0131s\u0131n\u0131 \u00e7ald\u0131m. Zarife \u00d6zt\u00fcrk,\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/SKMT_10_basim_2017_1920x1024.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/pages\/1337"}],"collection":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/comments?post=1337"}],"version-history":[{"count":21,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/pages\/1337\/revisions"}],"predecessor-version":[{"id":1419,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/pages\/1337\/revisions\/1419"}],"wp:attachment":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media?parent=1337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}