{"id":1348,"date":"2014-06-03T18:18:00","date_gmt":"2014-06-03T15:18:00","guid":{"rendered":"http:\/\/ufukonen.com\/tr\/?page_id=1348"},"modified":"2014-06-07T15:26:22","modified_gmt":"2014-06-07T12:26:22","slug":"ses-kayit-muzik-teknolojisi-terimler-sozluk-e","status":"publish","type":"page","link":"https:\/\/www.ufukonen.com\/tr\/ses-kayit-muzik-teknolojisi-terimler-sozluk-e","title":{"rendered":"Terimler S\u00f6zl\u00fc\u011f\u00fc: E – J"},"content":{"rendered":"

\"M\u00fczik<\/a><\/h1>\n

S\u00f6zl\u00fck Ana Sayfa<\/a>\u00a0| Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z: E<\/a> – F<\/a> – G<\/a> – H<\/a> – I<\/a> – \u0130<\/a> – J<\/a><\/p>\n

 <\/p>\n

E<\/h1>\n

 <\/p>\n

EBU<\/p>\n

European Broadcasting Union. Avrupada bulunan radyo ve televizyon yay\u0131nc\u0131lar\u0131 birli\u011fi.<\/p>\n

 <\/p>\n

echo<\/p>\n

Bkz. Eko.<\/p>\n

 <\/p>\n

editorial effects<\/p>\n

Film ve g\u00f6r\u00fcnt\u00fcl\u00fc programlarda, telefon, kap\u0131 zili, alarm gibi sonradan eklenen ses efektleri.<\/p>\n

 <\/p>\n

efekt k\u00fct\u00fcphaneleri<\/p>\n

Bir\u00e7ok efektin bir arada bulundu\u011fu ve genelde CD \u00fczerinde sat\u0131\u015fa sunulan efekt koleksiyonlar\u0131.<\/p>\n

 <\/p>\n

effect libraries<\/p>\n

Bkz. Efekt k\u00fct\u00fcphaneleri.<\/p>\n

 <\/p>\n

eko<\/p>\n

Sesin e\u015fit aral\u0131klarla ve vol\u00fcm olarak giderek azalan bir \u015fekilde birden fazla say\u0131da tekrar etmesi. Ayr\u0131ca bkz. Reverberation ve delay.<\/p>\n

 <\/p>\n

empedans<\/p>\n

Devreden ge\u00e7en alternatif ak\u0131m\u0131n direnci. Ohm cinsinden ifade edilir.<\/p>\n

 <\/p>\n

Enhanced-CD<\/p>\n

\u00dczerinde hem bilgisayarlar taraf\u0131ndan okunabilen veri hem de m\u00fczik CD okuyucular\u0131 taraf\u0131ndan okunabilen ses ve m\u00fczik par\u00e7alar\u0131n\u0131n bulundu\u011fu CD’lere verilen isimdir. Enhanced-CD’ler blue book, CD-Extra, ve CD-Plus olarak da adland\u0131r\u0131l\u0131r.<\/p>\n

 <\/p>\n

EQ<\/p>\n

Bkz. Equalizer.<\/p>\n

 <\/p>\n

equal loudness contours<\/p>\n

1 kHz’de alg\u0131lanan ses seviyesini di\u011fer frekanslarda e\u015fit olarak alg\u0131layabilmek i\u00e7in gerekli olan seviyeleri g\u00f6steren, Fletcher ve Munson ad\u0131nda, insan kula\u011f\u0131n\u0131n hangi frekanslara daha \u00e7ok, hangi frekanslara daha az duyarl\u0131 oldu\u011funu ara\u015ft\u0131ran iki biliminsan\u0131 taraf\u0131ndan geli\u015ftirilen \u00e7izelge. Equal loudness contours, T\u00fcrk\u00e7eye “e\u015fit (alg\u0131lanan) ses seviye \u00e7izgileri” veya “e\u011frileri” olarak \u00e7evrilebilir. Ayr\u0131ca bkz. Fletcher – Munson ve loudness.<\/p>\n

 <\/p>\n

equalizer<\/p>\n

EQ. Sesin frekans dengesi, t\u0131n\u0131s\u0131 (timbre) ve harmonik i\u00e7eri\u011fi (harmonik content) \u00fczerinde de\u011fi\u015fimler yaparak aktif ton kontrol\u00fc sa\u011flayan \u00fcnite. Shelving, grafik (graphic), parametrik (parametric) ve yar\u0131- parametrik (semi-parametric) olmak d\u00f6rt \u00e7e\u015fit EQ vard\u0131r. Shelving EQ se\u00e7ilen belli bir frekans\u0131n alt\u0131nda veya \u00fcst\u00fcnde kalan frekans aral\u0131\u011f\u0131n\u0131 seviye olarak art\u0131r\u0131r veya azalt\u0131r. Grafik EQ’larda sabit frekans noktalar\u0131 bulunur, kullan\u0131c\u0131 sadece bu noktalar\u0131n seviyelerini kontrol edebilir. Yar\u0131-parametrik EQ’larda frekans noktas\u0131 ve seviyesi kullan\u0131c\u0131 taraf\u0131ndan ayarlanabilir. Yar\u0131- parametrik EQ’lar sweep EQ olarak da adland\u0131r\u0131l\u0131r. Parametrik EQ’larda, yar\u0131 parametrik EQ’lara ek olarak bandwidth veya Q olarak adland\u0131r\u0131lan EQ’nun etki etti\u011fi alan\u0131n geni\u015fli\u011fini kontrol eden bir parametre bulunur. Ayr\u0131ca bkz. Bandwidth ve Q.<\/p>\n

 <\/p>\n

erase head<\/p>\n

Bantl\u0131 kay\u0131t cihazlar\u0131ndaki silme kafas\u0131.<\/p>\n

 <\/p>\n

European Broadcasting Union<\/p>\n

Bkz. EBU.<\/p>\n

 <\/p>\n

expander<\/p>\n

Dinamik aral\u0131\u011f\u0131 geni\u015fletmek i\u00e7in kullan\u0131lan cihaz. Ayr\u0131ca bkz. Dynamic range ve signal processors.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

F<\/h1>\n

 <\/p>\n

fade in<\/p>\n

Ses dalgas\u0131n\u0131n seviyesinin belli bir s\u00fcre i\u00e7inde belli bir y\u00fcksekli\u011fe ula\u015fmas\u0131.<\/p>\n

 <\/p>\n

fade out<\/p>\n

Ses dalgas\u0131n\u0131n seviyesinin belli bir s\u00fcre i\u00e7inde azalarak yok olmas\u0131, duyulamaz hale gelmesi.<\/p>\n

 <\/p>\n

far-field monitors<\/p>\n

Uzak alan monit\u00f6rler. Mikserin arkas\u0131nda bir alana standlar \u00fczerine konularak veya duvara g\u00f6m\u00fclerek yerle\u015ftirilen, boyutlar\u0131 yak\u0131n alan monit\u00f6rlere g\u00f6re daha b\u00fcy\u00fck olan dinleme monit\u00f6rleri.<\/p>\n

 <\/p>\n

faz<\/p>\n

Sinyal veya ses dalgalar\u0131n\u0131n \u00e7evrimlerinin referans al\u0131nan zamana g\u00f6re ili\u015fkisidir; derece (\u00b0) cinsinden ifade edilir. Bir \u00e7evrim 360\u00b0’dir.<\/p>\n

 <\/p>\n

feedback<\/p>\n

Geri besleme. Bir cihaz\u0131n \u00e7\u0131k\u0131\u015f\u0131ndaki sinyalin kendi giri\u015fine geri d\u00f6nmesi.<\/p>\n

 <\/p>\n

figure-of-8<\/p>\n

Bkz. Bidirectional.<\/p>\n

 <\/p>\n

filtre<\/p>\n

Pasif ton kontrol\u00fc i\u00e7in kullan\u0131lan cihaz ve devreler. High-pass filter (ya da low-cut filter), low-pass filter (ya da high-cut filter), band-pass filter, band-stop filter ve notch filter olmak \u00fczere be\u015f farkl\u0131 filtre vard\u0131r. High-pass filter alt frekanslar\u0131, low-pass filter ise \u00fcst frekanslar\u0131 filtre eder. Band-pass filter belli bir aral\u0131\u011fa dokunmadan bu aral\u0131k d\u0131\u015f\u0131nda kalan di\u011fer frekanslar\u0131 filtre eder. Band-stop filter belli bir aral\u0131ktaki frekanslar\u0131 filtre eder. Notch filter \u00e7ok k\u00fc\u00e7\u00fck bir aral\u0131ktaki frekanslar\u0131 filtre eder.<\/p>\n

 <\/p>\n

FireWire<\/p>\n

Apple taraf\u0131ndan geli\u015ftirilen veri aktarma protokol\u00fc. FireWire 400 Mb\/s (Megabit\/saniye), FireWire 800 ise 800 Mb\/s veri aktarma h\u0131z\u0131na sahiptir. FireWire IEEE-1394, FireWire 800 de IEEE-1394b standartlar\u0131 ile uyumludur.<\/p>\n

 <\/p>\n

Fletcher – Munson<\/p>\n

\u0130nsan kula\u011f\u0131n\u0131n hangi frekanslara daha \u00e7ok, hangi frekanslara daha az duyarl\u0131 oldu\u011funu inceleyen, bu konu \u00fczerinde ara\u015ft\u0131rma yapan, soyadlar\u0131 Fletcher ve Munson olan iki biliminsan\u0131. Ayr\u0131ca bkz. Loudness ve equal loudness contours.<\/p>\n

 <\/p>\n

floating room<\/p>\n

Y\u00fczen oda. “Oda i\u00e7inde oda” tekni\u011fi ile in\u015fa edilmi\u015f, aralar\u0131nda hava bo\u015flu\u011fu bulunan \u00e7ift taban, tavan ve duvarlardan olu\u015fan ses kay\u0131t odalar\u0131na verilen isim.<\/p>\n

 <\/p>\n

flux<\/p>\n

Manyetik alan g\u00fcc\u00fc.<\/p>\n

 <\/p>\n

foldback<\/p>\n

\u0130ngilizler taraf\u0131ndan kulakl\u0131k ve kulakl\u0131k miksi anlam\u0131nda kullan\u0131lan terim.<\/p>\n

 <\/p>\n

Foley<\/p>\n

Film \u00e7ekimi s\u0131ras\u0131nda kaydedilemeyen veya kaydedilse bile kalite olarak yeterli bulunmayan ses efektlerinin post prod\u00fcksiyon a\u015famas\u0131nda st\u00fcdyoda g\u00f6r\u00fcnt\u00fcye bak\u0131larak ve oyuncular\u0131n hareketleri taklit edilerek tekrar kaydedilmesi. Foley ismi 1940’larda Hollywood’da bu tekni\u011fi pop\u00fcler hale getiren Jack Foley’den gelmektedir.<\/p>\n

 <\/p>\n

formant<\/p>\n

Akustik enstr\u00fcmanlar\u0131n b\u00fcy\u00fckl\u00fcklerine ve \u015fekillerine g\u00f6re olu\u015fan belli sabit rezonans noktalar\u0131, frekanslar\u0131. Akustik bir enstr\u00fcmanda nota de\u011fi\u015ftirildi\u011finde formant sabit kal\u0131r. Dil, sin\u00fcsler ve a\u011f\u0131z yap\u0131s\u0131na ba\u011fl\u0131 olarak insan sesinde de belli rezonans frekanslar\u0131 bulunur.<\/p>\n

 <\/p>\n

fps<\/p>\n

Frames-per-second. Ayr\u0131ca bkz. Frame rate.<\/p>\n

 <\/p>\n

frame rate<\/p>\n

Time code’da bir saniye i\u00e7inde bulunan kare say\u0131s\u0131. Time code formatlar\u0131 kategorize edilirken frame rate temel olarak al\u0131n\u0131r. Birim olarak fps (frames-per-second) kullan\u0131l\u0131r.<\/p>\n

 <\/p>\n

frekans<\/p>\n

Bir saniye i\u00e7indeki titre\u015fim ya da \u00e7evrim (cycle) say\u0131s\u0131. Birim olarak Hertz (Hz) kullan\u0131l\u0131r.<\/p>\n

 <\/p>\n

frequency<\/p>\n

Bkz. Frekans.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

G<\/h1>\n

 <\/p>\n

gate<\/p>\n

Bkz. Noise gate.<\/p>\n

 <\/p>\n

General MIDI<\/p>\n

MIDI protokol\u00fcne 1990 y\u0131l\u0131nda eklenmi\u015f bir enstr\u00fcman setidir. General MIDI’nin amac\u0131, bu set kullan\u0131larak haz\u0131rlanan bir MIDI par\u00e7as\u0131n\u0131n General MIDI \u00f6zelli\u011fine sahip di\u011fer enstr\u00fcmanlarda da ayn\u0131 \u015fekilde \u00e7al\u0131nmas\u0131n\u0131 sa\u011flamakt\u0131r. K\u0131saca GM olarak adland\u0131r\u0131l\u0131r.<\/p>\n

 <\/p>\n

genlik<\/p>\n

Sinyal seviyesinin y\u00fcksekli\u011fi.<\/p>\n

 <\/p>\n

glide<\/p>\n

Bkz. Portamento.<\/p>\n

 <\/p>\n

glissando<\/p>\n

Bkz. Portamento.<\/p>\n

 <\/p>\n

GM<\/p>\n

General MIDI. Ayr\u0131ca bkz. General MIDI.<\/p>\n

 <\/p>\n

gobo<\/p>\n

Seslerin birbirlerine kar\u0131\u015fmas\u0131n\u0131 \u00f6nlemek amac\u0131yla enstr\u00fcmanlar aras\u0131na yerle\u015ftirilen seperasyon panellerine verilen isim.<\/p>\n

 <\/p>\n

grafik EQ<\/p>\n

Bkz. Equalizer.<\/p>\n

 <\/p>\n

graphic EQ<\/p>\n

Bkz. Equalizer.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

H<\/h1>\n

 <\/p>\n

hard effects<\/p>\n

Film ve g\u00f6r\u00fcnt\u00fcl\u00fc programlarda editorial ve principal efektlere verilen genel isim. Ayr\u0131ca bkz. editorial effects ve principal effects.<\/p>\n

 <\/p>\n

head alignment<\/p>\n

Analog bant kay\u0131t cihazlar\u0131n\u0131n kafalar\u0131n\u0131n fiziksel olarak ayarlanmas\u0131 i\u015flemi.<\/p>\n

 <\/p>\n

headphone<\/p>\n

Kulakl\u0131k.<\/p>\n

 <\/p>\n

headphone mix<\/p>\n

Kulakl\u0131k miksi.<\/p>\n

 <\/p>\n

headroom<\/p>\n

Dynamic range ve S\/N Ratio aras\u0131ndaki fark. dB cinsinden ifade edilir. Sinyalde nominal seviyeden (normal \u00e7al\u0131\u015fma seviyesinden) sonra bozulmaya (distortion) girmeden \u00f6nce ka\u00e7 dB marj oldu\u011funu belirtir. Ayr\u0131ca bkz. dynamic range, Signal-to-Noise Ratio, dBm, dBu ve dBV.<\/p>\n

 <\/p>\n

heads out<\/p>\n

Makaral\u0131 analog bantlar\u0131n, band\u0131n ba\u015f taraf\u0131 d\u0131\u015far\u0131da olacak \u015fekilde saklanmas\u0131na verilen isim. Ayr\u0131ca bkz. Tails out ve print-through.<\/p>\n

 <\/p>\n

high-cut filter<\/p>\n

Bkz. Filtre.<\/p>\n

 <\/p>\n

high-pass filter<\/p>\n

Bkz. Filtre.<\/p>\n

 <\/p>\n

High-Z<\/p>\n

Bkz. Z.<\/p>\n

 <\/p>\n

host<\/p>\n

Hem ses hem de MIDI \u00f6zelliklerine sahip ve plug-in’ler sayesinde geni\u015fleyebilen yaz\u0131l\u0131mlara verilen isim.<\/p>\n

 <\/p>\n

Hybrid SACD<\/p>\n

\u00dczerinde red book katman\u0131 bulunan SACD. Bu katman sayesinde SACD herhangi bir standart CD okuyucuda stereo olarak okutulabilir. Ayr\u0131ca bkz. SACD ve Red Book.<\/p>\n

 <\/p>\n

hypercardioid<\/p>\n

Bkz. Unidirectional.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

I<\/h1>\n

 <\/p>\n

I\/O<\/p>\n

Input\/Output. Giri\u015f\/\u00c7\u0131k\u0131\u015f.<\/p>\n

 <\/p>\n

I\/O Module Section<\/p>\n

Mikserin kanallar\u0131n\u0131n oldu\u011fu b\u00f6l\u00fcm. Ayr\u0131ca, bkz. Master Output Section.<\/p>\n

[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

\u0130<\/h1>\n

 <\/p>\n

impedance<\/p>\n

Bkz. Empedans.<\/p>\n

 <\/p>\n

insert point<\/p>\n

Kanaldaki sinyale\u00a0kompres\u00f6r, gate, EQ gibi cihaz veya plug-in’lerin ba\u011flanmas\u0131n\u0131 sa\u011flayan nokta.<\/p>\n

 <\/p>\n

interface jitter<\/p>\n

Birbirine ba\u011fl\u0131 dijital cihazlar aras\u0131nda olu\u015fan zaman bazl\u0131 hata.<\/p>\n

 <\/p>\n

International Music Products Association<\/p>\n

Bkz. NAMM.<\/p>\n

 <\/p>\n

ips Inch-Per-Second.<\/p>\n

\u0130n\u00e7\/Saniye. Bantl\u0131 kay\u0131t sistemlerinde band\u0131n d\u00f6n\u00fc\u015f h\u0131z\u0131 i\u00e7in kullan\u0131lan birim.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

J<\/h1>\n

 <\/p>\n

jack<\/p>\n

Cihazlar\u0131n \u00fczerinde veya kablolar\u0131n ucunda bulunan di\u015fi konnekt\u00f6r.<\/p>\n

 <\/p>\n

Jack Foley<\/p>\n

Bkz. Foley.<\/p>\n

 <\/p>\n

jam sync<\/p>\n

Band\u0131n \u00fczerindeki time code’un jenerasyon kayb\u0131na u\u011frad\u0131\u011f\u0131 veya bozuldu\u011fu durumlarda time code generator taraf\u0131ndan, d\u0131\u015f bir time code kayna\u011f\u0131ndan referans al\u0131narak, band\u0131n \u00fczerine tekrar time code yaz\u0131lmas\u0131.<\/p>\n

 <\/p>\n

jitter<\/p>\n

Analogdan dijitale veya dijitalden analo\u011fa \u00e7evrim s\u0131ras\u0131nda clock ad\u0131 verilen ve \u00f6rnekleme periyotlar\u0131n\u0131 ayarlayan devrenin tam do\u011fru \u00e7al\u0131\u015fmamas\u0131ndan dolay\u0131 ortaya \u00e7\u0131kan zaman bazl\u0131 hata. Sampling jitter olarak da bilinir.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

S\u00f6zl\u00fck Ana Sayfa\u00a0| Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z: E – F – G – H – I – \u0130 – J…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1348","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P3rjsG-lK","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":7391,"url":"https:\/\/www.ufukonen.com\/tr\/telefunken-mikrofon-fabrikasi-2022","url_meta":{"origin":1348,"position":0},"title":"Telefunken Mikrofon Fabrikas\u0131n\u0131 Ziyaret Ediyoruz!","author":"Ufuk Onen","date":"May 8, 2022","format":false,"excerpt":"Telefunken mikrofon fabrikas\u0131na tur d\u00fczenliyoruz! 10 May\u0131s 2022 sal\u0131 g\u00fcn\u00fc saat 19:00'da ba\u015flayacak bu sanal tur, Telefunken m\u00fchendisleri taraf\u0131ndan canl\u0131 olarak ger\u00e7ekle\u015ftirilecek. Tur s\u0131ras\u0131nda m\u00fchendislere soru sorma \u015fans\u0131n\u0131z da olacak. Kat\u0131l\u0131m hem Bilkent \u00dcniversitesi \u00f6\u011frencilerine hem de ilgi duyan herkese a\u00e7\u0131kt\u0131r. Zoom bilgilerini a\u015fa\u011f\u0131da bulabilirsiniz. 10 May\u0131s Sal\u0131, 19:00'da g\u00f6r\u00fc\u015fmek\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Telefunken_Tour_10_May_2022_1280x1280_s.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Telefunken_Tour_10_May_2022_1280x1280_s.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Telefunken_Tour_10_May_2022_1280x1280_s.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Telefunken_Tour_10_May_2022_1280x1280_s.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Telefunken_Tour_10_May_2022_1280x1280_s.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":2325,"url":"https:\/\/www.ufukonen.com\/tr\/ufuk-onen-skmt-mesaj-listesi","url_meta":{"origin":1348,"position":1},"title":"Ufuk \u00d6nen – Mesaj Listesi","author":"Ufuk Onen","date":"December 10, 2015","format":false,"excerpt":"\u00a0 E-posta adresinizi onaylamam\u0131z gerekmektedir. \u00a0 Kay\u0131t i\u015flemini tamamlamak i\u00e7in l\u00fctfen size g\u00f6nderdi\u011fimiz e-postadaki ba\u011flant\u0131y\u0131 t\u0131klay\u0131n\u0131z. Te\u015fekk\u00fcrler! \u00a0 Ufuk \u00d6nen, T\u00fcrkiye'de bir\u00e7ok m\u00fczik alb\u00fcm\u00fc ve benzeri \u00e7al\u0131\u015fmalar\u0131n yap\u0131mc\u0131l\u0131\u011f\u0131n\u0131 ve kay\u0131t m\u00fchendisli\u011fini \u00fcstlenmi\u015f, aralar\u0131nda uluslararas\u0131 festivallerde g\u00f6sterilmi\u015f filmler de olmak \u00fczere T\u00fcrkiye, Avrupa ve Kuzey Amerika tabanl\u0131 200'den fazla g\u00f6rsel-i\u015fitsel projede\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/SKMT_10_basim_2017_1920x1024-1024x546.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/SKMT_10_basim_2017_1920x1024-1024x546.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/SKMT_10_basim_2017_1920x1024-1024x546.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":3485,"url":"https:\/\/www.ufukonen.com\/tr\/skmt-10-yasina-basti","url_meta":{"origin":1348,"position":2},"title":"Ses Kay\u0131t ve M\u00fczik Teknolojileri 10 Ya\u015f\u0131na Bast\u0131! D\u00fc\u015f\u00fcncelerinizi ve Foto\u011fraflar\u0131n\u0131z\u0131 Di\u011fer Okuyucular ile Payla\u015fmak \u0130ster misiniz?","author":"Ufuk Onen","date":"November 23, 2017","format":false,"excerpt":"Ses Kay\u0131t ve M\u00fczik Teknolojileri (SKMT) adl\u0131 kitab\u0131m\u0131 yazarken b\u00f6yle bir kitaba T\u00fcrkiye'nin ihtiyac\u0131 oldu\u011fundan hi\u00e7 \u015f\u00fcphem yoktu. B\u00fcy\u00fck bir a\u00e7\u0131\u011f\u0131 kapataca\u011f\u0131na inan\u0131yordum. Kap\u0131s\u0131n\u0131 \u00e7ald\u0131\u011f\u0131m yay\u0131nevleri ise farkl\u0131 d\u00fc\u015f\u00fcn\u00fcyordu... Baz\u0131lar\u0131 \"satmaz\" gerek\u00e7esiyle nazik\u00e7e geri \u00e7evirdi, di\u011ferleri de \"kim okusun b\u00f6yle kitab\u0131\" dedi. Daha sonra \u00c7itlembik Yay\u0131nlar\u0131'n\u0131n kap\u0131s\u0131n\u0131 \u00e7ald\u0131m. Zarife \u00d6zt\u00fcrk,\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/SKMT_10_basim_2017_1920x1024.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/SKMT_10_basim_2017_1920x1024.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/SKMT_10_basim_2017_1920x1024.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/SKMT_10_basim_2017_1920x1024.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/SKMT_10_basim_2017_1920x1024.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/SKMT_10_basim_2017_1920x1024.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":1356,"url":"https:\/\/www.ufukonen.com\/tr\/ses-kayit-muzik-teknolojisi-terimler-sozluk-s","url_meta":{"origin":1348,"position":3},"title":"Terimler S\u00f6zl\u00fc\u011f\u00fc: S – Z","author":"Ufuk Onen","date":"June 3, 2014","format":false,"excerpt":"S\u00f6zl\u00fck Ana Sayfa\u00a0|\u00a0Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z: S - T - U - V - W - X - Y - Z \u00a0 S \u00a0 S\/N Ratio Bkz. Signal-to-Noise Ratio. \u00a0 S\/PDIF Sony\/Philips Digital Interface. Sony ve Philips firmalar\u0131 taraf\u0131ndan geli\u015ftirilen dijital ses aktarma protokol\u00fcd\u00fcr. \u00a0 SACD Super Audio Compact Disc.\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"M\u00fczik Teknolojisi M\u00fczik Prod\u00fcksiyonu ve Ses Kay\u0131t Terimler S\u00f6zl\u00fc\u011f\u00fc","src":"https:\/\/i0.wp.com\/ufukonen.com\/tr\/wp-content\/uploads\/Terimler_Sozlugu-02.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ufukonen.com\/tr\/wp-content\/uploads\/Terimler_Sozlugu-02.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/ufukonen.com\/tr\/wp-content\/uploads\/Terimler_Sozlugu-02.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1352,"url":"https:\/\/www.ufukonen.com\/tr\/ses-kayit-muzik-teknolojisi-terimler-sozluk-k","url_meta":{"origin":1348,"position":4},"title":"Terimler S\u00f6zl\u00fc\u011f\u00fc: K – R","author":"Ufuk Onen","date":"June 3, 2014","format":false,"excerpt":"S\u00f6zl\u00fck Ana Sayfa\u00a0|\u00a0Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z: K - L - M - N - O - \u00d6 - P - Q - R \u00a0 K \u00a0 kafa ayar\u0131 Analog bant kay\u0131t cihazlar\u0131n\u0131n kafalar\u0131n\u0131n fiziksel olarak ayarlanmas\u0131. \u0130ngilizcede head alignment olarak adland\u0131r\u0131l\u0131r. \u00a0 kalibrasyon Analog bant kay\u0131t sistemlerinde, belli standartlar dahilinde\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"M\u00fczik Teknolojisi M\u00fczik Prod\u00fcksiyonu ve Ses Kay\u0131t Terimler S\u00f6zl\u00fc\u011f\u00fc","src":"https:\/\/i0.wp.com\/ufukonen.com\/tr\/wp-content\/uploads\/Terimler_Sozlugu-02.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/ufukonen.com\/tr\/wp-content\/uploads\/Terimler_Sozlugu-02.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/ufukonen.com\/tr\/wp-content\/uploads\/Terimler_Sozlugu-02.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":3393,"url":"https:\/\/www.ufukonen.com\/tr\/sanal-gerceklik-icin-ses-ambisonics-format-b","url_meta":{"origin":1348,"position":5},"title":"Sanal Ger\u00e7eklik \u0130\u00e7in Ses: Ambisonics Format-B","author":"Ufuk Onen","date":"October 23, 2017","format":false,"excerpt":"Ge\u00e7ti\u011fimiz son birka\u00e7 y\u0131l i\u00e7inde VR (virtual reality \/ sanal ger\u00e7eklik) uygulamalar\u0131 ve donan\u0131mlar\u0131 ile Facebook ve YouTube \u00fczerinde payla\u015f\u0131lan 360\u02da videolar \u00e7ok pop\u00fcler hale geldi. Durum b\u00f6yle olunca \u00fc\u00e7 boyutlu (360\u02da) ses de \u00f6nemli hale geldi. E\u011fer ses \u00fczerine \u00e7al\u0131\u015f\u0131yorsan\u0131z, \u015fu ana kadar bu d\u00fcnyaya girmemi\u015f olsan\u0131z bile yak\u0131n\u2026","rel":"","context":"Similar post","block_context":{"text":"Similar post","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Ambisonics_Virtual_Reality_720x405.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Ambisonics_Virtual_Reality_720x405.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Ambisonics_Virtual_Reality_720x405.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Ambisonics_Virtual_Reality_720x405.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/pages\/1348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/comments?post=1348"}],"version-history":[{"count":8,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/pages\/1348\/revisions"}],"predecessor-version":[{"id":1421,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/pages\/1348\/revisions\/1421"}],"wp:attachment":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media?parent=1348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}