{"id":1352,"date":"2014-06-03T18:18:11","date_gmt":"2014-06-03T15:18:11","guid":{"rendered":"http:\/\/ufukonen.com\/tr\/?page_id=1352"},"modified":"2015-12-23T21:49:00","modified_gmt":"2015-12-23T19:49:00","slug":"ses-kayit-muzik-teknolojisi-terimler-sozluk-k","status":"publish","type":"page","link":"https:\/\/www.ufukonen.com\/tr\/ses-kayit-muzik-teknolojisi-terimler-sozluk-k","title":{"rendered":"Terimler S\u00f6zl\u00fc\u011f\u00fc: K – R"},"content":{"rendered":"

\"M\u00fczik<\/a><\/h1>\n

S\u00f6zl\u00fck Ana Sayfa<\/a>\u00a0|\u00a0Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z: K<\/a> – L<\/a> – M<\/a> – N<\/a> – O<\/a> – \u00d6<\/a> – P<\/a> – Q<\/a> – R<\/a><\/p>\n

 <\/p>\n

K<\/h1>\n

 <\/p>\n

kafa ayar\u0131<\/p>\n

Analog bant kay\u0131t cihazlar\u0131n\u0131n kafalar\u0131n\u0131n fiziksel olarak ayarlanmas\u0131. \u0130ngilizcede head alignment olarak adland\u0131r\u0131l\u0131r.<\/p>\n

 <\/p>\n

kalibrasyon<\/p>\n

Analog bant kay\u0131t sistemlerinde, belli standartlar dahilinde kay\u0131t yapmak veya farkl\u0131 bir makinede kaydedilmi\u015f bir band\u0131 di\u011fer bir makinede kaydedildi\u011fi gibi okutmak ve de kullan\u0131lan banttan m\u00fcmk\u00fcn olan en iyi performans\u0131 alabilmek i\u00e7in yap\u0131lan seviye ayarlar\u0131na verilen isim.<\/p>\n

 <\/p>\n

kanal kay\u0131t<\/p>\n

Bir veya birka\u00e7 ses kayna\u011f\u0131n\u0131n kaydedilip daha sonra bu kay\u0131tlar dinlenirken di\u011fer ses kaynaklar\u0131n\u0131n da \u00f6nce kaydedilenlerle e\u015f zamanl\u0131 (senkronize) olacak \u015fekilde ayr\u0131 ses kanallar\u0131 halinde banda veya diske kaydedilmesi.<\/p>\n

 <\/p>\n

kapasitif mikrofon<\/p>\n

Bkz. condenser<\/p>\n

 <\/p>\n

kelime uzunlu\u011fu<\/p>\n

Bkz. Word length.<\/p>\n

 <\/p>\n

k\u0131r\u0131lma<\/p>\n

Bkz. refraction.<\/p>\n

 <\/p>\n

k\u0131r\u0131n\u0131m<\/p>\n

Bkz. diffraction.<\/p>\n

 <\/p>\n

kompres\u00f6r<\/p>\n

Belirlenen bir seviye \u00fczerine \u00e7\u0131kan sinyalleri belirlenen bir oranda azaltarak dinamik aral\u0131\u011f\u0131 daraltan, \u00e7\u0131k\u0131\u015f seviyesini dengeli bir hale getiren, compression i\u015flemini ger\u00e7ekle\u015ftiren ve otomatik vol\u00fcm kontrol\u00fc sa\u011flayan cihaz.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

L<\/h1>\n

 <\/p>\n

latency<\/p>\n

Bilgisayar tabanl\u0131 ve di\u011fer dijital sistemlerde sinyalin sisteme giri\u015finde ve \u00e7\u0131k\u0131\u015f\u0131nda olu\u015fan gecikmeye verilen isim. Milisaniye cinsinden ifade edilir.<\/p>\n

 <\/p>\n

lavalier<\/p>\n

Eskiden konu\u015fmac\u0131lar\u0131n boyunlar\u0131na kolye gibi tak\u0131lan mikrofonlara verilen isim. Daha sonra anlam geni\u015flemi\u015f ve lavalier ad\u0131 giysilere ili\u015ftirilebilen t\u00fcm k\u00fc\u00e7\u00fck mikrofonlar i\u00e7in kullan\u0131lmaya ba\u015flan\u0131lm\u0131\u015ft\u0131r. Dilimizde yaka mikrofonu olarak adland\u0131r\u0131lmaktad\u0131r.<\/p>\n

 <\/p>\n

leakage<\/p>\n

S\u0131z\u0131nt\u0131. Ayn\u0131 anda birden fazla enstr\u00fcman\u0131 farkl\u0131 kanallara kaydederken, bir enstr\u00fcman\u0131n sesinin ba\u015fka bir enstr\u00fcman\u0131n \u00f6n\u00fcndeki mikrofon taraf\u0131ndan al\u0131n\u0131p kaydedilmesi. Leakage sadece st\u00fcdyo kay\u0131tlar\u0131nda de\u011fil, konser seslendirme sistemlerinde de problem yarat\u0131r.<\/p>\n

 <\/p>\n

legato<\/p>\n

Notalar\u0131 ba\u011fl\u0131 olarak \u00e7almak anlam\u0131nda kullan\u0131lan m\u00fczikal terim. Nefesli enstr\u00fcmanlarda tek bir \u00fcfleme ile, gitarda tek bir pena vuru\u015fu ve bunu takip eden hammer-on ve pull-off hareketleriyle ya da yayl\u0131 enstr\u00fcmanlarda tek ar\u015fe hareketi ile birka\u00e7 notan\u0131n arka arkaya \u00e7al\u0131nmas\u0131 olarak \u00f6rneklenebilir.<\/p>\n

 <\/p>\n

LFE<\/p>\n

Low Frequency Effects; sinema ses sistemlerinde patlamalar gibi alt frekanslar\u0131 yo\u011fun sesler i\u00e7in \u00f6zel olarak ayr\u0131lm\u0131\u015f, genellikle 5-120 Hz aras\u0131ndaki bir aral\u0131kta sinyal ta\u015f\u0131yan \u00f6zel kanal. Bu kanaldaki sinyal sistemde bulunan subwoofer’a g\u00f6nderilir.<\/p>\n

 <\/p>\n

Lightpipe Alesis<\/p>\n

firmas\u0131 taraf\u0131ndan geli\u015ftirilen, ilk \u00f6nce ADAT kay\u0131t cihazlar\u0131 \u00fczerinde daha sonra standart olarak bir\u00e7ok cihaz \u00fczerinde kullan\u0131lan, 8 dijital ses kanal\u0131 ta\u015f\u0131yabilen veri aktarma protokol\u00fc.<\/p>\n

 <\/p>\n

limiter<\/p>\n

Sinyalde ani olu\u015fan y\u00fcksek seviyeli noktalar\u0131 kesen cihaz. Bu noktalar peak olarak adland\u0131r\u0131l\u0131r.<\/p>\n

 <\/p>\n

looping<\/p>\n

Bkz. ADR.<\/p>\n

 <\/p>\n

loudness<\/p>\n

Alg\u0131lanan ses seviyesi. Loudness sesin fiziki bir \u00f6zelli\u011fi de\u011fildir. Genelde ses \u015fiddeti, ses bas\u0131n\u00e7 seviyesi veya ses seviyesi ile kar\u0131\u015ft\u0131r\u0131l\u0131r. Ayr\u0131ca bkz. Fletcher – Munson ve equal loudness contours.<\/p>\n

 <\/p>\n

low-cut filter<\/p>\n

Bkz. Filtre.<\/p>\n

 <\/p>\n

low-pass filter<\/p>\n

Bkz. Filtre.<\/p>\n

 <\/p>\n

Low-Z<\/p>\n

Bkz. Z.<\/p>\n

[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

M<\/h1>\n

 <\/p>\n

MAS<\/p>\n

MOTU Audio System. MOTU taraf\u0131ndan geli\u015ftirilen real-time olarak Digital Performer alt\u0131nda \u00e7al\u0131\u015fan plug-in format\u0131.<\/p>\n

 <\/p>\n

MADI<\/p>\n

Multichannel Digital Audio Interface. 1991’de yay\u0131nlan\u0131p 2003, 2008 ve 2010 y\u0131llar\u0131nda revize edilen AES10 standard\u0131na dayal\u0131 olarak SSL (Solid State Logic), AMS-Neve, Mitsubishi ve Sony taraf\u0131ndan geli\u015ftirilmi\u015f dijital ses aktarma protokol\u00fc.<\/p>\n

 <\/p>\n

master output section<\/p>\n

Mikser \u00fczerinde, aux master, submaster fader, main mix fader ve di\u011fer genel kontrollerin bulundu\u011fu b\u00f6l\u00fcm.<\/p>\n

 <\/p>\n

matched pair<\/p>\n

Fabrikada arka arkaya \u00fcretilmi\u015f ayn\u0131 model iki mikrofona verilen isim.<\/p>\n

 <\/p>\n

MD<\/p>\n

MiniDisc. 2.5″ \u00e7ap\u0131nda magneto-optical ad\u0131 verilen, hem manyetik hem de optik prensipler ta\u015f\u0131yan disk kullanan dijital kay\u0131t format\u0131.<\/p>\n

 <\/p>\n

MDM<\/p>\n

Modular Digital Multitrack. Mod\u00fcler dijital kanal kay\u0131t sistemleri. Tascam taraf\u0131ndan geli\u015ftirilen DTRS ve Alesis taraf\u0131ndan geli\u015ftirilen ADAT formatlar\u0131n\u0131n verilen genel isim.<\/p>\n

 <\/p>\n

MIDI<\/p>\n

Musical Intrument Digital Interface. Elektronik enstr\u00fcmanlar, bilgisayarlar, sequencer’lar ve bu standard\u0131 destekleyen di\u011fer t\u00fcm elektronik ve dijital cihazlar aras\u0131nda m\u00fczikal performans ve cihaz kontrol\u00fc gibi bilgilerin ak\u0131\u015f\u0131n\u0131 ve payla\u015f\u0131m\u0131n\u0131 sa\u011flayan dijital bir veri aktar\u0131m protokol\u00fc.<\/p>\n

 <\/p>\n

MIDI Ara birimi<\/p>\n

Bkz. MIDI Interface.<\/p>\n

 <\/p>\n

MIDI Interface<\/p>\n

MIDI arabirimi. Bilgisayar ve MIDI cihazlar\u0131 aras\u0131nda MIDI veri ve mesajlar\u0131n\u0131n transferleri i\u00e7in kullan\u0131lan arabirim.<\/p>\n

 <\/p>\n

MIDI time code<\/p>\n

Time code’u MIDI mesaj\u0131na \u00e7eviren protokol. K\u0131saca MTC olarak adland\u0131r\u0131l\u0131r.<\/p>\n

 <\/p>\n

mic preamp<\/p>\n

Bkz. Mikrofon preamplifikat\u00f6r\u00fc.<\/p>\n

 <\/p>\n

mikrofon preamplifikat\u00f6r\u00fc<\/p>\n

Mikrofon sinyalini line sinyal seviyesine y\u00fckselten cihaz veya devre. \u0130ngilizcede microphone preamplifier ya da k\u0131saca mic preamp veya mic pre olarak adland\u0131r\u0131l\u0131r.<\/p>\n

 <\/p>\n

mini konnekt\u00f6r<\/p>\n

Walkman ve mp3 player gibi portatif m\u00fczik dinleme cihazlar\u0131 ile profesyonel olmayan video kameralar ve bilgisayar ses kartlar\u0131nda yayg\u0131n olarak kullan\u0131lan konnekt\u00f6r. Genelde \u015fase ve iki iletkenden olu\u015fur ve dengesiz stereo sinyal i\u00e7in kullan\u0131l\u0131r ancak \u015fase ve tek iletkenden olu\u015fan ve mono dengesiz sinyal i\u00e7in kullan\u0131lan modelleri de mevcuttur. Mini jack ve konnekt\u00f6rler 1\/8″ (3.1 mm) ve 3.5 mm olarak ikiye ayr\u0131l\u0131rlar.<\/p>\n

 <\/p>\n

monophonic<\/p>\n

Ayn\u0131 anda sadece tek bir ses veya nota \u00e7alabilme \u00f6zelli\u011fi.<\/p>\n

 <\/p>\n

MPEG Motion Picture Experts Group.<\/p>\n

Dijital ses ve g\u00f6r\u00fcnt\u00fc dosyalar\u0131 i\u00e7in s\u0131k\u0131\u015ft\u0131rma kodlar\u0131 \u00fczerinde \u00e7al\u0131\u015fan ve bunlar\u0131 uluslararas\u0131 standartlar haline getiren ISO (International Organization for Standardization) b\u00fcnyesindeki \u00e7al\u0131\u015fma grubu.<\/p>\n

 <\/p>\n

MTC Bkz.<\/p>\n

MIDI time code.<\/p>\n

 <\/p>\n

multiband kompres\u00f6r<\/p>\n

Sinyali frekans aral\u0131klar\u0131na b\u00f6len ve her frekans aral\u0131\u011f\u0131n\u0131 ayr\u0131 ayr\u0131 compress eden cihaz. Ayr\u0131ca bkz. crossover noktalar\u0131, compression ve kompres\u00f6r.<\/p>\n

 <\/p>\n

multitimbral<\/p>\n

MIDI enstr\u00fcmanlar\u0131nda ayn\u0131 anda birden fazla kanaldan veri al\u0131p bu kanallardaki b\u00f6l\u00fcmleri farkl\u0131 sesler kullanarak \u00e7alabilme \u00f6zelli\u011fi.<\/p>\n

 <\/p>\n

multitrack<\/p>\n

\u0130kiden fazla kanala kay\u0131t yapabilen kay\u0131t cihazlar\u0131na verilen isim.<\/p>\n

 <\/p>\n

multitrack recording<\/p>\n

Bkz. Kanal Kay\u0131t.<\/p>\n

 <\/p>\n

Musical Instrument Digital Interface<\/p>\n

Bkz. MIDI.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

N<\/h1>\n

 <\/p>\n

Nagra<\/p>\n

Film setleri ve d\u0131\u015f \u00e7ekimlerde yap\u0131lan diyalog ve di\u011fer ses kay\u0131tlar\u0131 i\u00e7in profesyoneller taraf\u0131ndan yayg\u0131n olarak kullan\u0131lan bir ses kay\u0131t format\u0131d\u0131r. Nagra firman\u0131n ismi olmas\u0131na ra\u011fmen bu isim bir kay\u0131t format\u0131 olarak kabul edilmektedir.<\/p>\n

 <\/p>\n

NAMM<\/p>\n

M\u00fczik \u00fcr\u00fcnleri \u00fcreten firmalar\u0131n olu\u015fturdu\u011fu uluslararas\u0131 bir topluluk. NAMM ilk ba\u015fta National Association of Music Merchants olarak kurulmu\u015f daha sonra ismini International Music Products Association olarak de\u011fi\u015ftirmi\u015ftir ancak k\u0131saltma (NAMM) ayn\u0131 kalm\u0131\u015ft\u0131r.<\/p>\n

 <\/p>\n

National Association of Music Merchants<\/p>\n

Bkz. NAMM.<\/p>\n

 <\/p>\n

National Television Standards Committee Bkz.<\/p>\n

NTSC.<\/p>\n

 <\/p>\n

nearfield monitors<\/p>\n

Yak\u0131n alan monit\u00f6rler. Dinleyiciye veya dinleme noktas\u0131na yak\u0131n mesafede yerle\u015ftirilen k\u00fc\u00e7\u00fck boyutlu monit\u00f6rler. G\u00fcn\u00fcm\u00fczde kullan\u0131m\u0131 \u00e7ok yayg\u0131n oldu\u011fu i\u00e7in ses kay\u0131t d\u00fcnyas\u0131nda st\u00fcdyo ya da referans monit\u00f6r\u00fc denildi\u011finde genelde yak\u0131n alan monit\u00f6rler anla\u015f\u0131l\u0131r.<\/p>\n

 <\/p>\n

noise gate<\/p>\n

Belirlenen bir seviye \u00fczerindeki sinyalleri hi\u00e7bir i\u015flem yapmadan ve hi\u00e7bir de\u011fi\u015fikli\u011fe u\u011fratmadan ge\u00e7iren ancak sinyal seviyesi belirlenen seviye alt\u0131na d\u00fc\u015ft\u00fc\u011f\u00fcnde \u00e7\u0131k\u0131\u015f\u0131n\u0131 kapatan ya da \u00e7\u0131k\u0131\u015f seviyesini kullan\u0131c\u0131 taraf\u0131ndan belirlenen d\u00fczeyde azaltan cihaz.<\/p>\n

 <\/p>\n

noise-shaped dither<\/p>\n

Dithering i\u015flemi s\u0131ras\u0131nda g\u00fcr\u00fclt\u00fcy\u00fc insan kula\u011f\u0131n\u0131n hassas oldu\u011fu ve olmad\u0131\u011f\u0131 frekans b\u00f6lgelerine g\u00f6re uygulayan geli\u015fmi\u015f bir dithering tekni\u011fidir.<\/p>\n

 <\/p>\n

non real-time\u00a0DSP<\/p>\n

Yap\u0131lan i\u015flemlerin direkt olarak ses dosyas\u0131na veya non-destructive sistemlerde ayr\u0131 bir dosya olarak yaz\u0131ld\u0131\u011f\u0131 dijital sinyal i\u015fleme \u015fekli.<\/p>\n

 <\/p>\n

notch filter<\/p>\n

Bkz. Filtre.<\/p>\n

 <\/p>\n

NTSC<\/p>\n

National Television Standarts Committee. Amerikan ulusal televizyon standartlar\u0131 komitesi.<\/p>\n

 <\/p>\n

nW\/m<\/p>\n

nanoWeber\/metre. Analog bant kay\u0131t cihazlar\u0131n\u0131n kalibrasyonunda kullan\u0131lan manyetik alan g\u00fcc\u00fcn\u00fc \u00f6l\u00e7me birimi. Ayr\u0131ca bkz. Kalibrasyon.<\/p>\n

 <\/p>\n

Nyquist Theorem<\/p>\n

Harry Nyquist taraf\u0131ndan geli\u015ftirilen bu teoriye g\u00f6re dijital ortamda kaydedilebilecek ve \u00fcretilebilecek en y\u00fcksek frekans, sample rate’in %45-%50’\u0131 kadar olabilir.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

O<\/h1>\n

 <\/p>\n

octave<\/p>\n

Bkz. Oktav.<\/p>\n

 <\/p>\n

ohm<\/p>\n

Empedans i\u00e7in kullan\u0131lan birim. Ayr\u0131ca bkz. Empedans.<\/p>\n

 <\/p>\n

oktav<\/p>\n

2:1 frekans oran\u0131. Bir frekans\u0131n bir oktav \u00fcst\u00fc kendisi \u00e7arp\u0131 iki; bir oktav alt\u0131 ise kendisi b\u00f6l\u00fc ikidir.<\/p>\n

 <\/p>\n

omnidirectional (mikrofon)<\/p>\n

T\u00fcm y\u00f6nlerden gelen seslere e\u015fit \u015fekilde duyarl\u0131 pick-up pattern. Ayr\u0131ca bkz. pick-up pattern; polar pattern;\u00a0unidirectional; bidirectional.<\/p>\n

 <\/p>\n

open reel<\/p>\n

Makara bant.<\/p>\n

 <\/p>\n

Orange Book<\/p>\n

Veri depolamak amac\u0131yla kullan\u0131lan ve bilgisayarlar taraf\u0131ndan okunabilen CD format\u0131.<\/p>\n

 <\/p>\n

oscillator<\/p>\n

Se\u00e7ilen frekans ile periyodik sinyal \u00fcreten elektronik devre veya cihaz. Analog synthesizer ve test sinyali \u00fcreten cihazlarda kullan\u0131l\u0131r.<\/p>\n

 <\/p>\n

otomasyon<\/p>\n

Bkz. Automation.<\/p>\n

 <\/p>\n

outboard gear<\/p>\n

D\u0131\u015f \u00fcnite (cihaz veya devre) \u015feklindeki sinyal i\u015flemcilere verilen isim. Bu cihaz ve devreler outboard processors olarak da adland\u0131r\u0131l\u0131r. Ayr\u0131ca bkz. Signal processors.<\/p>\n

 <\/p>\n

outboard processor<\/p>\n

Bkz. Outboard gear.<\/p>\n

 <\/p>\n

overdubbing<\/p>\n

Daha \u00f6nce kaydedilmi\u015f sesleri dinlerken ba\u015fka bir sesi ayr\u0131 bir kanala daha \u00f6nceki kaydedilenlerle e\u015f zamanl\u0131 olacak \u015fekilde kaydetme i\u015flemine verilen isim.<\/p>\n

[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

\u00d6<\/h1>\n

 <\/p>\n

\u00f6rnekleme oran\u0131<\/p>\n

Bkz. Sample rate.<\/p>\n

[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

P<\/h1>\n

 <\/p>\n

panlamak<\/p>\n

Sinyali stereo miks i\u00e7inde tam sa\u011f, tam sol veya sa\u011f ve sol kanallar aras\u0131nda herhangi bir yere yat\u0131rmak.<\/p>\n

 <\/p>\n

parametric EQ<\/p>\n

Bkz. Equalizer.<\/p>\n

 <\/p>\n

patchbay<\/p>\n

Telefon teknolojisi k\u00f6kenli, st\u00fcdyoda t\u00fcm cihazlar\u0131n giri\u015f ve \u00e7\u0131k\u0131\u015flar\u0131n\u0131n topland\u0131\u011f\u0131 panel.<\/p>\n

 <\/p>\n

patchcord<\/p>\n

Patchbay \u00fczerinde ba\u011flant\u0131 yapmak i\u00e7in kullan\u0131lan k\u0131sa kablolara verilen isim.<\/p>\n

 <\/p>\n

PCM<\/p>\n

Bkz. Pulse Code Modulation.<\/p>\n

 <\/p>\n

PCM-VCR<\/p>\n

Pulse Code Modulation – Video Cassette Recorder. Analog\/ Dijital ve Dijital\/Analog \u00e7eviriciler ile video kaset cihaz\u0131ndan olu\u015fan bir sistemdir. Dijitale \u00e7evrilen ses U-Matic format\u0131ndaki 3\/4″ geni\u015fli\u011findeki video bant \u00fczerine yaz\u0131l\u0131r. DAT’\u0131n yayg\u0131nla\u015fmas\u0131ndan \u00f6nce alb\u00fcm master’lar\u0131 i\u00e7in kullan\u0131lm\u0131\u015ft\u0131r.<\/p>\n

 <\/p>\n

PD<\/p>\n

Mitsubishi taraf\u0131ndan geli\u015ftirilmi\u015f, sabit kafa teknolojisine sahip, \u00fcretimden kalkm\u0131\u015f dijital kay\u0131t format\u0131.<\/p>\n

 <\/p>\n

peak<\/p>\n

Sinyal seviyesinin en \u00fcst\u00a0(maksimum) noktas\u0131. Pozitif peak de\u011feri ve s\u0131f\u0131r noktas\u0131 aras\u0131ndaki fark peak value (peak de\u011feri); pozitif ve negatif peak de\u011ferleri aras\u0131ndaki fark ise peak-to-peak value (iki peak noktas\u0131 aras\u0131ndaki de\u011fer) olarak adland\u0131r\u0131l\u0131r.<\/p>\n

 <\/p>\n

period<\/p>\n

Bkz. Periyot.<\/p>\n

 <\/p>\n

periyot<\/p>\n

Ses dalgas\u0131n\u0131n bir \u00e7evrimini tamamlamas\u0131 i\u00e7in gereken s\u00fcre.\u00a0Saniye cinsinden ifade edilir.<\/p>\n

 <\/p>\n

phantom center<\/p>\n

Stereo sistemlerde orta kanal. Stereo sistemlerde, sa\u011f ve sol hoparl\u00f6rlerin birle\u015fmesi ile olu\u015fturulan orta kanal dinleyici \u00fczerinde sanki ortada \u00fc\u00e7\u00fcnc\u00fc bir hoparl\u00f6r varm\u0131\u015f gibi bir izlenim yarat\u0131r. Bu sebepten dolay\u0131 orta kanal phantom (hayalet) center olarak adland\u0131r\u0131l\u0131r.<\/p>\n

 <\/p>\n

phantom power<\/p>\n

11-48 Volt aras\u0131nda de\u011fi\u015fen, mikser veya ayr\u0131 bir g\u00fc\u00e7 \u00fcnitesi taraf\u0131ndan mikrofon kablosu arac\u0131l\u0131\u011f\u0131 ile mikrofona g\u00f6nderilen enerji. Condenser mikrofonlar i\u00e7in kullan\u0131l\u0131r.<\/p>\n

 <\/p>\n

phase<\/p>\n

Bkz. Faz.<\/p>\n

 <\/p>\n

phono konnekt\u00f6r<\/p>\n

Bkz. RCA konnekt\u00f6r.<\/p>\n

 <\/p>\n

pick-up pattern<\/p>\n

Mikrofonun hangi y\u00f6n veya y\u00f6nlerden gelen ses dalgalar\u0131na duyarl\u0131 oldu\u011fu. Mikrofonun sesi alma veya sesi duyma \u015fekli.<\/p>\n

 <\/p>\n

pitch shifter<\/p>\n

Sesin perdesini (pitch) de\u011fi\u015ftiren cihaz.<\/p>\n

 <\/p>\n

plate reverb<\/p>\n

Metal plakalar\u0131n titre\u015fimi ile elde edilen mekanik bir reverb sim\u00fclasyon tekni\u011fi. Ayr\u0131ca bkz. reverberation ve reverb.<\/p>\n

 <\/p>\n

plug<\/p>\n

Erkek tip konnekt\u00f6r.<\/p>\n

 <\/p>\n

polar pattern<\/p>\n

Mikrofonun pick-up pattern’\u0131n\u0131n grafi\u011fe d\u00f6k\u00fclm\u00fc\u015f hali. Polar response olarak da adland\u0131r\u0131l\u0131r. Ayr\u0131ca bkz. Pick-up pattern.<\/p>\n

 <\/p>\n

polar response<\/p>\n

Bkz. Polar pattern.<\/p>\n

 <\/p>\n

polyphonic<\/p>\n

Ayn\u0131 anda birden fazla ses veya nota \u00e7alabilme \u00f6zelli\u011fi.<\/p>\n

 <\/p>\n

portamento<\/p>\n

\u0130ki nota aras\u0131nda pitch’in belirli bir h\u0131zda y\u00fckselerek ya da al\u00e7alarak ge\u00e7i\u015f yapmas\u0131. Glissando veya glide olarak da adland\u0131r\u0131l\u0131r.<\/p>\n

 <\/p>\n

post production<\/p>\n

Bkz. Post prod\u00fcksiyon.<\/p>\n

 <\/p>\n

post prod\u00fcksiyon<\/p>\n

Film ve m\u00fczik prod\u00fcksiyonlar\u0131n\u0131n son a\u015famas\u0131 i\u00e7in kullan\u0131lan geni\u015f anlaml\u0131 bir terimdir.<\/p>\n

 <\/p>\n

PPQN Parts-Per-Quarter-Note.<\/p>\n

Bkz. Resolution (MIDI).<\/p>\n

 <\/p>\n

principal effects<\/p>\n

Film ve g\u00f6r\u00fcnt\u00fcl\u00fc programlarda, ses tasar\u0131mc\u0131lar\u0131 taraf\u0131ndan ger\u00e7ekle\u015ftirilen patlama, \u00e7arp\u0131\u015fma gibi ses efektleridir. Ayr\u0131ca bkz. Sound design ve sound designer.<\/p>\n

 <\/p>\n

print-through<\/p>\n

Band\u0131n makarada sar\u0131l\u0131 durumdayken bir kat\u0131ndaki manyetizmin hemen d\u0131\u015f\u0131ndaki kat\u0131na ge\u00e7mesi, etki etmesi. Bunu \u00f6nlemek i\u00e7in analog makaral\u0131 bantlar band\u0131n son taraf\u0131 d\u0131\u015far\u0131da olacak \u015fekilde saklan\u0131r. Ayr\u0131ca bkz. Tails out ve heads out.<\/p>\n

 <\/p>\n

pro gear (veya equipment)<\/p>\n

Profesyonel cihazlara verilen isim.<\/p>\n

 <\/p>\n

production sound<\/p>\n

Film ve g\u00f6r\u00fcnt\u00fcl\u00fc program prod\u00fcksiyonlar\u0131nda \u00e7ekim s\u0131ras\u0131nda sette kaydedilen sesler.<\/p>\n

 <\/p>\n

prosumer<\/p>\n

Profesyonel ve ev tipi cihazlar aras\u0131nda kalan yar\u0131- profesyonel cihazlara verilen isim.<\/p>\n

 <\/p>\n

proximity effect<\/p>\n

Yak\u0131nl\u0131k etkisi. Cardioid ve bidirectional mikrofonlar\u0131n ses kayna\u011f\u0131na yakla\u015ft\u0131k\u00e7a alt frekanslar\u0131 daha fazla ve daha vurgulu olarak \u00fcretmesi. Ayr\u0131ca bkz. Pick-up pattern; polar pattern; unidirectional; bidirectional.<\/p>\n

 <\/p>\n

psikoakustik i\u015flemciler<\/p>\n

Bkz. Psychoacoustic processors.<\/p>\n

 <\/p>\n

psychoacoustic processors<\/p>\n

Psikoakustik i\u015flemciler. Sesin beyin taraf\u0131ndan nas\u0131l alg\u0131land\u0131\u011f\u0131n\u0131 etkileyen sinyal i\u015flemciler. Ayr\u0131ca bkz. Sinyal i\u015flemciler.<\/p>\n

 <\/p>\n

Pulse Code Modulation<\/p>\n

PCM. Analog sinyalin belli periyotlarda \u00f6rneklenip, quantize edilip, ikili say\u0131 sisteminde dijital olarak temsil edilmesi.<\/p>\n

 <\/p>\n

punch-in \/ punch-out<\/p>\n

Herhangi bir kanaldaki bir hatay\u0131 d\u00fczeltmek amac\u0131yla, m\u00fczik akarken sadece hatal\u0131 b\u00f6l\u00fcm\u00fcn ba\u015f\u0131nda kayda girme i\u015flemine punch-in, hatal\u0131 b\u00f6l\u00fcm\u00fcn sonunda kay\u0131ttan \u00e7\u0131kma i\u015flemine ise punch-out ad\u0131 verilir.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

Q<\/h1>\n

 <\/p>\n

Q<\/p>\n

EQ’nun etkili oldu\u011fu frekans aral\u0131\u011f\u0131n\u0131n geni\u015fli\u011fi; iki cut-off noktas\u0131 aras\u0131nda kalan \u00e7an e\u011frisinin geni\u015fli\u011fi. Q, oktav cinsinden ifade edilen bandwidth’in farkl\u0131 bir \u015fekilde ifade edilmesidir. Q, “quality factor” (kalite fakt\u00f6r\u00fc) anlam\u0131na gelmektedir. Bandwidth ve Q ters orant\u0131l\u0131d\u0131r; bandwidth oktav olarak art\u0131k\u00e7a Q de\u011feri k\u00fc\u00e7\u00fcl\u00fcr, bandwidth oktav olarak darald\u0131k\u00e7a Q de\u011feri b\u00fcy\u00fcr. Ayr\u0131ca bkz. Equalizer ve cut-off frequency.<\/p>\n

 <\/p>\n

quantization<\/p>\n

Analog sinyaldeki voltaj de\u011ferlerinin dijital sistemde temsil edilen de\u011ferlere \u00e7evrilmesidir.<\/p>\n

 <\/p>\n

QuickTime<\/p>\n

Apple firmas\u0131 taraf\u0131ndan geli\u015ftirilen dijital video, ses, animasyon ve grafik platformu. Macintosh bilgisayarlar\u0131n yan\u0131 s\u0131ra Windows alt\u0131nda da \u00e7al\u0131\u015fmaktad\u0131r.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

R<\/h1>\n

 <\/p>\n

RCA konnekt\u00f6r<\/p>\n

\u015ease ve tek iletkenden olu\u015fan konnekt\u00f6r. Dengesiz sinyal i\u00e7in kullan\u0131l\u0131r. Kaset\u00e7alar, cd player ve benzeri ev tipi cihazlar\u0131n yan\u0131 s\u0131ra S\/PDIF giri\u015f ve \u00e7\u0131k\u0131\u015f kap\u0131lar\u0131 i\u00e7in de kullan\u0131l\u0131r.<\/p>\n

 <\/p>\n

R-DAT<\/p>\n

Rotary-Digital Audio Tape. Bkz. DAT.<\/p>\n

 <\/p>\n

real-time DSP<\/p>\n

Ger\u00e7ek zamanl\u0131 dijital ses i\u015fleme.<\/p>\n

 <\/p>\n

reamp (reamping)<\/p>\n

Gitar sinyalini do\u011frudan (herhangi bir amplifikat\u00f6r veya sinyal i\u015flemciden ge\u00e7irmeden) kaydedip daha sonra kuru olarak kaydedilmi\u015f sinyali gitar amplifikat\u00f6r veya sinyal i\u015flemcilere g\u00f6nderip tekrar kaydetmek. 1960’lardan bu yana kullan\u0131lan bu tekni\u011fi g\u00fcn\u00fcm\u00fczde plug-in’ler yard\u0131m\u0131yla ger\u00e7ekle\u015ftirmek \u00e7ok kolay hale gelmi\u015ftir.<\/p>\n

 <\/p>\n

recall<\/p>\n

Bkz. Snapshot recall.<\/p>\n

 <\/p>\n

record\/sync head<\/p>\n

Bantl\u0131 analog kanal kay\u0131t cihazlar\u0131nda bulunan hem kay\u0131t hem de okuma i\u015flemlerini senkronize olarak yapabilen kafa. Overdubbing i\u015flemi s\u0131ras\u0131nda kullan\u0131l\u0131r.<\/p>\n

 <\/p>\n

recording console<\/p>\n

\u0130ngilizcede kay\u0131t mikserlerine verilen isim.<\/p>\n

 <\/p>\n

Recording Industry Association of America<\/p>\n

K\u0131sa ad\u0131 RIAA olan, Amerika’da plak firmalar\u0131n\u0131 temsil eden bir meslek birli\u011fi. Amerika’da, yasal yollarla sat\u0131\u015f\u0131 yap\u0131lan alb\u00fcmlerin %90’\u0131 bu birli\u011fin \u00fcyeleri oldu\u011fu firmalar taraf\u0131ndan \u00fcretilmekte ve\/veya da\u011f\u0131t\u0131lmaktad\u0131r. Ayr\u0131ca bu birlik alt\u0131n ve platin plak \u00f6d\u00fcllerini onaylar ve verir.<\/p>\n

 <\/p>\n

Red Book<\/p>\n

Ses ve m\u00fczik CD format\u0131na verilen isim.<\/p>\n

 <\/p>\n

reflection<\/p>\n

Ses dalgalar\u0131n\u0131n yans\u0131mas\u0131.<\/p>\n

 <\/p>\n

refraction<\/p>\n

K\u0131r\u0131lma. Ses dalgalar\u0131n\u0131n yay\u0131lma h\u0131z\u0131n\u0131n ortam de\u011fi\u015fikli\u011fine ba\u011fl\u0131 olarak artmas\u0131 veya azalmas\u0131 ve bu sebepten dolay\u0131 dalgalar\u0131n k\u0131r\u0131lmas\u0131 ve y\u00f6n de\u011fi\u015ftirmesi. \u00d6rnek olarak ses dalgalar\u0131 havadan s\u0131v\u0131 bir ortama ge\u00e7erse, dalgalar bu ortam de\u011fi\u015fikli\u011fine ba\u011fl\u0131 olarak k\u0131r\u0131l\u0131p y\u00f6n de\u011fi\u015ftirirler. Refraction, genellikle diffraction (k\u0131r\u0131n\u0131m) ile kar\u0131\u015ft\u0131r\u0131l\u0131r.<\/p>\n

 <\/p>\n

repro head<\/p>\n

Bantl\u0131 kay\u0131t sistemlerinde bulunan okuma kafas\u0131. Repro, reproduce (yeniden meydana getirmek, temsil etmek, tekrarlamak) s\u00f6zc\u00fc\u011f\u00fcn\u00fcn k\u0131saltmas\u0131 olarak kullan\u0131lmaktad\u0131r.<\/p>\n

 <\/p>\n

resolution (MIDI)<\/p>\n

\u00c7\u00f6z\u00fcn\u00fcrl\u00fck. Sequencer \u00fczerinde par\u00e7an\u0131n temposu BPM, beats-per-minute (dakikadaki vuru\u015f say\u0131s\u0131) olarak ayarlan\u0131r, ancak sequencer i\u015flem yaparken vuru\u015f aralar\u0131n\u0131 \u00e7ok daha k\u00fc\u00e7\u00fck b\u00f6l\u00fcmlere ay\u0131r\u0131r. Buna resolution veya PPQN (parts-per-quarter note; her \u00e7eyrek nota i\u00e7in b\u00f6l\u00fcm say\u0131s\u0131) ad\u0131 verilir.<\/p>\n

 <\/p>\n

reverb<\/p>\n

Reverberation ya da k\u0131saca\u00a0reverb sim\u00fclasyonu yapan cihazlara verilen isim.<\/p>\n

 <\/p>\n

reverberation<\/p>\n

Yans\u0131ma, yank\u0131lanma. Sesin bir mek\u221a\u00a2ndaki binlerce ve rasgele olu\u015fan yans\u0131malar\u0131 ile meydana gelen akustik olu\u015fum. Ayr\u0131ca bkz. Delay ve eko.<\/p>\n

 <\/p>\n

ReWire<\/p>\n

Propellerhead firmas\u0131 taraf\u0131ndan geli\u015ftirilmi\u015f, iki program aras\u0131nda veri ak\u0131\u015f\u0131 sa\u011flayan bir protokold\u00fcr. Yayg\u0131n olarak Reason ile Pro Tools veya Cubase gibi bir host program\u0131 birlikte kullanmak i\u00e7in kullan\u0131l\u0131r. Host program\u0131n sequencer’\u0131nda kay\u0131tl\u0131 notalar Rewire \u00fczerinden Reason’\u0131n i\u00e7indeki sampler veya synth’lere \u00e7ald\u0131r\u0131labilir, bu sampler veya synth’lerin \u00e7\u0131k\u0131\u015flar\u0131 Reason i\u00e7inde mikslenebilir ya da ayr\u0131 kanallar halinde host program\u0131n mikserine ta\u015f\u0131nabilir.<\/p>\n

 <\/p>\n

RIAA<\/p>\n

Bkz. Recording Industry Association of America.<\/p>\n

 <\/p>\n

riding the fader<\/p>\n

Fader’\u0131 s\u00fcrmek; ses seviyelerini fader ile ayarlamak, seviye olarak d\u00fc\u015f\u00fck yerleri a\u00e7\u0131p, y\u00fcksek yerleri k\u0131smak i\u00e7in kullan\u0131lan terim. Compression’a alternatif olarak kullan\u0131l\u0131r. Ayr\u0131ca bkz. Compression ve kompres\u00f6r.<\/p>\n

 <\/p>\n

RMS<\/p>\n

Root-Mean-Square. Sinyalin belli bir s\u00fcre i\u00e7inde elde edilen ortalama genlik de\u011feridir. Ses sinyalinde ortalama seviye de\u011ferleri kendi i\u00e7lerinde fazla farkl\u0131l\u0131k g\u00f6stermez ancak peak de\u011ferleri s\u00fcrekli de\u011fi\u015fir. Sinyalin belli bir s\u00fcre i\u00e7indeki genel y\u00fcksekli\u011fini hesaplamak i\u00e7in RMS de\u011feri kullan\u0131l\u0131r. RMS de\u011feri, peak de\u011ferinin 2’nin karek\u00f6k\u00fcne b\u00f6l\u00fcnmesi ile bulunur; di\u011fer bir deyi\u015fle RMS de\u011feri, peak de\u011ferinin 0.707 kat\u0131d\u0131r.<\/p>\n

 <\/p>\n

room tone<\/p>\n

Oda tonu. Odan\u0131n veya bir mekan\u0131n, i\u00e7inde ba\u015fka sesler yokken bo\u015f ve sessiz haliyle kaydedilmesi. Room tone, post prod\u00fcksiyon a\u015famas\u0131nda de\u011fi\u015ftirilen ve eklenen diyaloglar\u0131n alt\u0131na veya aralar\u0131na d\u00f6\u015fenerek seste s\u00fcreklilik sa\u011flan\u0131r ya da ses kanal\u0131nda silinen b\u00f6l\u00fcmlerin yerine eklenerek seste bo\u015fluk olmas\u0131 \u00f6nlenir.<\/p>\n

 <\/p>\n

Root-Mean-Square<\/p>\n

Bkz. RMS.<\/p>\n

 <\/p>\n

Rotary Head Digital Audio Recorder<\/p>\n

D\u00f6ner kafal\u0131 dijital ses kay\u0131t cihaz\u0131.<\/p>\n

 <\/p>\n

RTAS<\/p>\n

Real Time Audio Suite. Digidesign taraf\u0131ndan geli\u015ftirilen real-time olarak Pro Tools alt\u0131nda \u00e7al\u0131\u015fan plug-in format\u0131.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

S\u00f6zl\u00fck Ana Sayfa\u00a0|\u00a0Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z: K – L – M – N – O – \u00d6 – P –…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_mi_skip_tracking":false,"spay_email":""},"jetpack_shortlink":"https:\/\/wp.me\/P3rjsG-lO","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1337,"url":"https:\/\/www.ufukonen.com\/tr\/ses-kayit-muzik-teknolojisi-terimler-sozluk-a","url_meta":{"origin":1352,"position":0},"title":"Terimler S\u00f6zl\u00fc\u011f\u00fc: A – D","date":"June 3, 2014","format":false,"excerpt":"S\u00f6zl\u00fck Ana Sayfa\u00a0|\u00a0Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z:\u00a0A - B - C - \u00c7 - D \u00a0 A \u00a0 AAX Avid Audio Extension. Avid taraf\u0131ndan geli\u015ftirilen real-time olarak Pro Tools alt\u0131nda \u00e7al\u0131\u015fan plug-in format\u0131. \u00a0 A\/D Analog\/Digital. Analogdan dijital \u00e7evirme, ge\u00e7i\u015f i\u015flemi. \u00a0 A\/D Converter Bkz. Analog\/Digital Converter. \u00a0 absorption Ses dalgalar\u0131n\u0131n\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1356,"url":"https:\/\/www.ufukonen.com\/tr\/ses-kayit-muzik-teknolojisi-terimler-sozluk-s","url_meta":{"origin":1352,"position":1},"title":"Terimler S\u00f6zl\u00fc\u011f\u00fc: S – Z","date":"June 3, 2014","format":false,"excerpt":"S\u00f6zl\u00fck Ana Sayfa\u00a0|\u00a0Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z: S - T - U - V - W - X - Y - Z \u00a0 S \u00a0 S\/N Ratio Bkz. Signal-to-Noise Ratio. \u00a0 S\/PDIF Sony\/Philips Digital Interface. Sony ve Philips firmalar\u0131 taraf\u0131ndan geli\u015ftirilen dijital ses aktarma protokol\u00fcd\u00fcr. \u00a0 SACD Super Audio Compact Disc.\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1348,"url":"https:\/\/www.ufukonen.com\/tr\/ses-kayit-muzik-teknolojisi-terimler-sozluk-e","url_meta":{"origin":1352,"position":2},"title":"Terimler S\u00f6zl\u00fc\u011f\u00fc: E – J","date":"June 3, 2014","format":false,"excerpt":"S\u00f6zl\u00fck Ana Sayfa\u00a0| Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z: E - F - G - H - I - \u0130 - J \u00a0 E \u00a0 EBU European Broadcasting Union. Avrupada bulunan radyo ve televizyon yay\u0131nc\u0131lar\u0131 birli\u011fi. \u00a0 echo Bkz. Eko. \u00a0 editorial effects Film ve g\u00f6r\u00fcnt\u00fcl\u00fc programlarda, telefon, kap\u0131 zili, alarm gibi\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8344,"url":"https:\/\/www.ufukonen.com\/tr\/skmt-egitim","url_meta":{"origin":1352,"position":3},"title":"Ses Kay\u0131t ve M\u00fczik Teknolojileri E\u011fitim Program\u0131","date":"October 29, 2024","format":false,"excerpt":"\u00dcniversitelerin m\u00fczik teknolojileri b\u00f6l\u00fcmlerine haz\u0131rlanan adaylara y\u00f6nelik temel bilgiler ve portfolyo odakl\u0131 bir \u00e7evrim i\u00e7i (online) e\u011fitim grubu olu\u015fturuyorum. 2007'den bu yana binlerce ses\/m\u00fczik teknolojisi profesyoneli, ilk kitab\u0131m \"SES KAYIT VE M\u00dcZ\u0130K TEKNOLOJ\u0130LER\u0130\" ile mesle\u011fine ad\u0131m att\u0131. 2007'den bu yana, binlerce m\u00fczik teknolojisi \u00f6\u011frencisi yine bu kitap ile \u00f6\u011frenimine ba\u015flad\u0131.\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/SKMT_00_Header.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2325,"url":"https:\/\/www.ufukonen.com\/tr\/ufuk-onen-skmt-mesaj-listesi","url_meta":{"origin":1352,"position":4},"title":"Ufuk \u00d6nen – Mesaj Listesi","date":"December 10, 2015","format":false,"excerpt":"\u00a0 E-posta adresinizi onaylamam\u0131z gerekmektedir. \u00a0 Kay\u0131t i\u015flemini tamamlamak i\u00e7in l\u00fctfen size g\u00f6nderdi\u011fimiz e-postadaki ba\u011flant\u0131y\u0131 t\u0131klay\u0131n\u0131z. 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Dengesiz sinyal i\u00e7in kullan\u0131l\u0131r. \u0130smini geli\u015ftirildi\u011fi teknoloji (telefon) ve \u00e7ap\u0131ndan (\u00e7eyrek in\u00e7) alm\u0131\u015ft\u0131r. 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