{"id":1356,"date":"2014-06-03T18:18:32","date_gmt":"2014-06-03T15:18:32","guid":{"rendered":"http:\/\/ufukonen.com\/tr\/?page_id=1356"},"modified":"2014-06-07T15:29:31","modified_gmt":"2014-06-07T12:29:31","slug":"ses-kayit-muzik-teknolojisi-terimler-sozluk-s","status":"publish","type":"page","link":"https:\/\/www.ufukonen.com\/tr\/ses-kayit-muzik-teknolojisi-terimler-sozluk-s","title":{"rendered":"Terimler S\u00f6zl\u00fc\u011f\u00fc: S – Z"},"content":{"rendered":"

\"M\u00fczik<\/a><\/h1>\n

S\u00f6zl\u00fck Ana Sayfa<\/a>\u00a0|\u00a0Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z: S<\/a> – T<\/a> – U<\/a> – V<\/a> – W<\/a> – X<\/a> – Y<\/a> – Z<\/a><\/p>\n

 <\/p>\n

S<\/h1>\n

 <\/p>\n

S\/N Ratio<\/p>\n

Bkz. Signal-to-Noise Ratio.<\/p>\n

 <\/p>\n

S\/PDIF<\/p>\n

Sony\/Philips Digital Interface. Sony ve Philips firmalar\u0131 taraf\u0131ndan geli\u015ftirilen dijital ses aktarma protokol\u00fcd\u00fcr.<\/p>\n

 <\/p>\n

SACD<\/p>\n

Super Audio Compact Disc. Sony ve Philips taraf\u0131ndan standart m\u00fczik CD’lerinin yerini almas\u0131 amac\u0131yla geli\u015ftirilmi\u015f bir formatt\u0131r. SACD ilk ba\u015fta stereo olarak planlanm\u0131\u015f daha sonra hem stereo hem de surround olarak geli\u015ftirilmi\u015ftir. SACD okuyucular\u0131n\u0131n mekanik sistemleri DVD okuyucular\u0131 ile ayn\u0131d\u0131r fakat SACD di\u011fer dijital kay\u0131t formatlar\u0131ndan farkl\u0131 olarak DSD s\u0131k\u0131\u015ft\u0131rma sistemi kullan\u0131r. Ayr\u0131ca bkz. DSD ve Hybrid SACD.<\/p>\n

 <\/p>\n

sample rate<\/p>\n

\u00d6rnekleme (sampling) s\u0131ras\u0131nda bir saniye i\u00e7inde al\u0131nan \u00f6rneklerin say\u0131s\u0131. Birim olarak kHz cinsinden ifade edilir. 44.1 kHz saniyede 44,100 \u00f6rnek; 48 kHz saniyede 48,000 \u00f6rnek; 96 kHz ise saniyede 96,000 \u00f6rnek al\u0131nd\u0131\u011f\u0131 anlam\u0131na gelir.<\/p>\n

 <\/p>\n

sampler<\/p>\n

Haf\u0131zas\u0131ndaki sesleri tek bir komutla an\u0131nda okuyabilen ve m\u00fczikal olarak transpoze edebilen cihaz veya plug-in.<\/p>\n

 <\/p>\n

sampling<\/p>\n

Analog sinyalin dijitale \u00e7evrilirken \u00f6rneklenmesi.<\/p>\n

 <\/p>\n

sampling jitter<\/p>\n

Bkz. Jitter.<\/p>\n

 <\/p>\n

sampling rate<\/p>\n

Bkz. Sample rate.<\/p>\n

 <\/p>\n

SCMS<\/p>\n

Bkz. Serial Copy Management System.<\/p>\n

 <\/p>\n

score<\/p>\n

Bir film veya g\u00f6r\u00fcnt\u00fcl\u00fc bir program i\u00e7in bir besteci taraf\u0131ndan g\u00f6r\u00fcnt\u00fcyle senkron olarak, g\u00f6r\u00fcnt\u00fc ve \u00f6yk\u00fcy\u00fc destekleyecek ve tamamlayacak bir \u015fekilde yaz\u0131lan ve genelde s\u00f6zs\u00fcz olan m\u00fcziklere verilen isim.<\/p>\n

 <\/p>\n

semi-parametric EQ<\/p>\n

Bkz. Equalizer.<\/p>\n

 <\/p>\n

semi-pro gear (veya equipment)<\/p>\n

Yar\u0131-profesyonel cihazlara verilen isim. Ayr\u0131ca bkz. Prosumer.<\/p>\n

 <\/p>\n

semitone<\/p>\n

Yar\u0131m m\u00fczikal ses.<\/p>\n

 <\/p>\n

senkronizasyon<\/p>\n

\u0130ki veya daha fazla ses ve \/ veya g\u00f6r\u00fcnt\u00fc cihaz\u0131n\u0131n transport kontrollerinin ve okuma h\u0131zlar\u0131n\u0131n birbirleriyle e\u015fle\u015ftirilerek tek bir sistem gibi \u00e7al\u0131\u015ft\u0131r\u0131lmas\u0131. Senkronizasyon, time code ile ger\u00e7ekle\u015ftirilir. Ayr\u0131ca bkz. Time code.<\/p>\n

 <\/p>\n

sensitivity<\/p>\n

Hassasiyet. Bir hoparl\u00f6r\u00fcn 1 Watt g\u00fc\u00e7 ile 1 metrede (1 W @ 1 m) \u00fcretebildi\u011fi ses \u015fiddeti seviyesi. dB SPL cinsinden ifade edilir.<\/p>\n

 <\/p>\n

sequencer<\/p>\n

Performans, kontrol, zamanlama, tempo, tempo de\u011fi\u015fiklikleri, par\u00e7an\u0131n ba\u015f\u0131 ve sonu ve di\u011fer t\u00fcm MIDI verilerini\u00a0kaydeden, daha sonra bu verilerin kullan\u0131c\u0131 taraf\u0131ndan edit edilmesini sa\u011flayan cihaz veya yaz\u0131l\u0131m.<\/p>\n

 <\/p>\n

sequencing<\/p>\n

Sequencer \u00fczerine performans, kontrol, zamanlama, tempo, tempo de\u011fi\u015fiklikleri, par\u00e7an\u0131n ba\u015f\u0131 ve sonu ve di\u011fer t\u00fcm MIDI verilerinin kaydedilmesi ve kaydedilen bilgilerin edit edilmesi i\u015flemine verilen isim. Ayr\u0131ca bkz. Sequencer.<\/p>\n

 <\/p>\n

Serial Copy Management System<\/p>\n

RIAA ve CBS Technology Center taraf\u0131ndan geli\u015ftirilen, DAT ve CD gibi dijital formatlar\u0131n kopyalanmas\u0131n\u0131 \u00f6nleyen, ad\u0131n\u0131n k\u0131saltmas\u0131 SCMS olan sistem.<\/p>\n

 <\/p>\n

ses<\/p>\n

Titre\u015fen cisimlerin etkisiyle meydana gelen dalgalar\u0131n i\u015fitme organ\u0131 \u00fczerinde yaratt\u0131\u011f\u0131 duyum. Ayr\u0131ca bkz. Ses dalgalar\u0131.<\/p>\n

 <\/p>\n

ses bas\u0131n\u00e7 seviyesi<\/p>\n

Ses dalgalar\u0131n\u0131n belli bir alanda yaratt\u0131\u011f\u0131 bas\u0131nc\u0131n seviyesi; pascal (pa) ya da dyne\/cm2 birimleri ile ifade edilir.<\/p>\n

 <\/p>\n

ses dalgalar\u0131<\/p>\n

Titre\u015fen cisimlerin etkisiyle meydana gelen dalgalar.<\/p>\n

 <\/p>\n

ses post prod\u00fcksiyonu<\/p>\n

Film ve video i\u00e7in ses post prod\u00fcksiyonu. \u0130ngilizcede audio post production ya da k\u0131saca audio post olarak adland\u0131r\u0131l\u0131r. Bu a\u015famada sette kaydedilen diyalog ve sesler st\u00fcdyoya getirilir, edit edilir, gerekti\u011finde baz\u0131 diyaloglar st\u00fcdyoda tekrar kaydedilir, ses efektleri ve m\u00fczik eklenir, son olarak da seslerin miksi yap\u0131l\u0131r. T\u00fcm bu i\u015fler g\u00f6r\u00fcnt\u00fcye senkron olarak ger\u00e7ekle\u015ftirilir. Ayr\u0131ca bkz. Post prod\u00fcksiyon.<\/p>\n

 <\/p>\n

ses rengi<\/p>\n

Bkz. T\u0131n\u0131.<\/p>\n

 <\/p>\n

sesin h\u0131z\u0131<\/p>\n

Ses dalgalar\u0131n\u0131n yay\u0131l\u0131m h\u0131z\u0131 hava i\u00e7inde 21\u00ac\u221eC s\u0131cakl\u0131kta saniyede yakla\u015f\u0131k 344 metredir. Ses h\u0131z\u0131 i\u00e7in birim olarak metre\/saniye kullan\u0131ld\u0131\u011f\u0131nda s\u0131cakl\u0131k \u00b0C cinsinden; birim olarak feet\/saniye kullan\u0131ld\u0131\u011f\u0131nda ise s\u0131cakl\u0131k Fahrenheit (\u00b0F) cinsinden al\u0131n\u0131r. Feet\/saniye birimi kullan\u0131l\u0131rken ses h\u0131z\u0131 ortalama 1130 feet\/saniye olarak kabul edilir. Ses dalgalar\u0131n\u0131n yay\u0131l\u0131m h\u0131z\u0131 bulunulan ortama g\u00f6re de\u011fi\u015fir. Ses dalgalar\u0131, s\u0131v\u0131 ve kat\u0131larda havada oldu\u011fundan daha h\u0131zl\u0131 yol al\u0131r.<\/p>\n

 <\/p>\n

SFX<\/p>\n

Sound effects. Ses efektleri i\u00e7in kullan\u0131lan k\u0131saltma.<\/p>\n

 <\/p>\n

shelving<\/p>\n

EQ Bkz. Equalizer.<\/p>\n

 <\/p>\n

sibilance<\/p>\n

\u0130nsan sesinde FI, SI ve \u015eI gibi seslerin istenmeyen seviyede vurgulanmas\u0131.<\/p>\n

 <\/p>\n

sidechain<\/p>\n

Kompres\u00f6r \u00fczerinde bulunan kontrol devresidir; cihaza ne zaman hangi kapasitede \u00e7al\u0131\u015fmas\u0131 gerekti\u011fini s\u00f6yler.<\/p>\n

 <\/p>\n

signal processors<\/p>\n

Sinyal i\u015flemciler. Sinyali i\u015fleyen, de\u011fi\u015ftiren cihaz, devre ve bilgisayar yaz\u0131l\u0131mlar\u0131na verilen isim.<\/p>\n

 <\/p>\n

Signal-to-Error Ratio<\/p>\n

Quantization i\u015flemi s\u0131ras\u0131nda olu\u015fabilecek hatalar\u0131n sinyaldeki oran\u0131d\u0131r.<\/p>\n

 <\/p>\n

Signal-to-Noise Ratio<\/p>\n

S\/N Ratio.<\/p>\n

 <\/p>\n

Sinyalin g\u00fcr\u00fclt\u00fcye oran\u0131.<\/p>\n

Sinyalde g\u00fcr\u00fclt\u00fc e\u015fi\u011fi ile nominal seviye (normal \u00e7al\u0131\u015fma seviyesi) aras\u0131nda kalan alan. Ayr\u0131ca bkz. Dynamic range, headroom, dBm, dBu ve dBV.<\/p>\n

 <\/p>\n

sinyal i\u015flemciler<\/p>\n

Bkz. Signal processors.<\/p>\n

 <\/p>\n

slope<\/p>\n

EQ ve filtrelerde sinyalin cut-off noktas\u0131ndan itibaren bir oktavda ka\u00e7 dB azald\u0131\u011f\u0131. Ayr\u0131ca bkz. Cut-off frequency, equalizer ve filtre.<\/p>\n

 <\/p>\n

SMART content<\/p>\n

DVD’nin oynat\u0131ld\u0131\u011f\u0131 sistemde surround ses \u00f6zelli\u011fi bulunmamas\u0131 durumda ses kanallar\u0131n\u0131 stereo’ya indirgeyen sistem. Bu indirgeme i\u015flemine downmixing ad\u0131 verilir.<\/p>\n

 <\/p>\n

SMF<\/p>\n

Bkz. Standard MIDI File.<\/p>\n

 <\/p>\n

SMPTE<\/p>\n

Society of Motion Picture and Television Engineers. Sinema ve televizyon end\u00fcstrisinde teknik standardizasyon ve e\u011fitim \u00e7al\u0131\u015fmalar\u0131 ger\u00e7ekle\u015ftiren topluluk.<\/p>\n

 <\/p>\n

snapshot recall<\/p>\n

Dijital ve dijital kontroll\u00fc analog mikserler \u00fczerinde bulunan, fader, eq ve di\u011fer kontrollerin ayarlar\u0131n\u0131 haf\u0131zaya alan ve sonradan kullan\u0131c\u0131 taraf\u0131ndan haf\u0131zadan \u00e7a\u011f\u0131r\u0131lmas\u0131n\u0131 sa\u011flayan bir \u00f6zellik.<\/p>\n

 <\/p>\n

Society of Motion Picture and Television Engineers<\/p>\n

Bkz. SMPTE.<\/p>\n

 <\/p>\n

Sony\/Philips Digital Interface<\/p>\n

Bkz. S\/PDIF.<\/p>\n

 <\/p>\n

sound<\/p>\n

Bkz. Ses.<\/p>\n

 <\/p>\n

sound design<\/p>\n

Ses tasar\u0131m\u0131.<\/p>\n

 <\/p>\n

sound designer<\/p>\n

Ses tasar\u0131mc\u0131s\u0131. Ses efektleri tasarlayan, yaratan, projenin t\u00fcm ses efektlerinden ve genelde projenin ses b\u00f6l\u00fcm\u00fcnden sorumlu olan, teknik bilgisi ve yarat\u0131c\u0131l\u0131\u011f\u0131 g\u00fc\u00e7l\u00fc profesyonel.<\/p>\n

 <\/p>\n

sound level meter<\/p>\n

Ses \u015fiddeti seviyesini \u00f6l\u00e7en cihaz. SPL (Sound Pressure Level) meter olarak da adland\u0131r\u0131l\u0131r.<\/p>\n

 <\/p>\n

sound lock area<\/p>\n

St\u00fcdyolarda iki kap\u0131 aras\u0131nda kalan ve y\u00fczeylerine y\u00fcksek oranda emici maddeler uygulanm\u0131\u015f bo\u015flu\u011fa verilen isim.<\/p>\n

 <\/p>\n

sound pressure level<\/p>\n

Bkz. Ses bas\u0131n\u00e7 seviyesi.<\/p>\n

 <\/p>\n

sound waves<\/p>\n

Bkz. Ses dalgalar\u0131.<\/p>\n

 <\/p>\n

soundtrack<\/p>\n

Film veya g\u00f6r\u00fcnt\u00fcl\u00fc herhangi bir program\u0131n, voice-over ve\/veya diyalog, ses efektleri ve m\u00fczik dahil olmak \u00fczere, t\u00fcm seslerini i\u00e7eren ses kanal\u0131.<\/p>\n

 <\/p>\n

spaced pair<\/p>\n

\u0130ki mikrofonun aralar\u0131nda mesafe olacak \u015fekilde kullan\u0131ld\u0131\u011f\u0131 stereo mikrofonlama tekni\u011fi. Ayr\u0131ca bkz. Coincident.<\/p>\n

 <\/p>\n

spatial processors<\/p>\n

Alansal i\u015flemciler. Sesin stereo veya \u00fc\u00e7 boyutlu alan i\u00e7inde yerle\u015fimleri \u00fczerinde etki eden sinyal i\u015flemciler. Ayr\u0131ca bkz. Sinyal i\u015flemciler.<\/p>\n

 <\/p>\n

speed of sound<\/p>\n

Bkz. Sesin h\u0131z\u0131.<\/p>\n

 <\/p>\n

SPL meter<\/p>\n

Sound Pressure Level meter. Bkz. Sound level meter.<\/p>\n

 <\/p>\n

splitter<\/p>\n

Sinyali aktif olarak kay\u0131ps\u0131z bir \u015fekilde ikiye veya daha fazla say\u0131ya b\u00f6len devre ve cihazlar.<\/p>\n

 <\/p>\n

spring reverb<\/p>\n

Yaylar\u0131n titre\u015fimi ile elde edilen mekanik bir reverb sim\u00fclasyon tekni\u011fi. Ayr\u0131ca bkz. Reverberation ve reverb.<\/p>\n

 <\/p>\n

squawker<\/p>\n

Mid sesler (orta frekanslar) i\u00e7in kullan\u0131lan hoparl\u00f6r.<\/p>\n

 <\/p>\n

Standard MIDI File<\/p>\n

Standart MIDI dosyas\u0131. MIDI verilerini farkl\u0131 platformlar ve programlar aras\u0131nda transfer edebilmek i\u00e7in geli\u015ftirilmi\u015f dosya format\u0131. K\u0131saca SMF olarak adland\u0131r\u0131l\u0131r.<\/p>\n

 <\/p>\n

Stationary Head Digital Audio Recorder<\/p>\n

Sabit kafal\u0131 dijital ses kay\u0131t cihaz\u0131.<\/p>\n

 <\/p>\n

stem<\/p>\n

Miksteki \u00f6nemli sinyal gruplar\u0131na verilen isim. \u00d6rnek olarak baz\u0131 m\u00fczik kay\u0131tlar\u0131 mastering’e stereo yerine davul, bas, vokaller ve di\u011fer enstr\u00fcmanlar olmak \u00fczere kendi i\u00e7inde dengeleri farkl\u0131 gruplar halinde g\u00f6nderilir. Di\u011fer bir deyi\u015fle miks, stereo tek bir dosya yerine (e\u011fer d\u00f6rt grup varsa) d\u00f6rt ayr\u0131 stereo dosya olarak g\u00f6nderilir. Her bir gruba stem ad\u0131 verilir. Mastering s\u0131ras\u0131nda i\u015flemler bu gruplar \u00fczerinde yap\u0131l\u0131r ve son a\u015fama olarak bu gruplar iki kanala (stereo formata) indirgenir. Film mikslerinde efektler, diyaloglar ve m\u00fczik i\u00e7in farkl\u0131 farkl\u0131 gruplar (stem) kullan\u0131l\u0131r. Bu gruplar miksin son a\u015famas\u0131nda birle\u015ftirilir ve stereo, 5.1 ya da 7.1 gibi istenilen bir formatta son miks elde edilir.<\/p>\n

 <\/p>\n

stingers<\/p>\n

Film ve g\u00f6r\u00fcnt\u00fcl\u00fc programlarda, makinelerden \u00e7\u0131kan bip sesleri gibi arka plan seslerin \u00fczerine yerle\u015ftirilen k\u00fc\u00e7\u00fck efektler.<\/p>\n

 <\/p>\n

subwoofer<\/p>\n

Alt-bas sesler i\u00e7in kullan\u0131lan hoparl\u00f6r.<\/p>\n

 <\/p>\n

Super Audio Compact Disc<\/p>\n

Bkz.SACD.<\/p>\n

 <\/p>\n

supercardioid<\/p>\n

Bkz. Unidirectional<\/p>\n

 <\/p>\n

sweep EQ<\/p>\n

Bkz. Equalizer.<\/p>\n

 <\/p>\n

sync<\/p>\n

\u0130ngilizcede synchronization i\u00e7in kullan\u0131lan k\u0131saltma. Ayr\u0131ca bkz. Synchronization ve time code.<\/p>\n

 <\/p>\n

synchronization<\/p>\n

Bkz. Senkronizasyon.<\/p>\n

 <\/p>\n

synchronizer<\/p>\n

Master konumundaki ses veya g\u00f6r\u00fcnt\u00fc cihaz\u0131ndan gelen time code do\u011frultusunda slave konumundaki ses ve g\u00f6r\u00fcnt\u00fc cihazlar\u0131n\u0131n transportlar\u0131n\u0131 kontrol eden, slave konumundaki cihazlar\u0131 master konumundaki cihaza senkronize eden alet.<\/p>\n

 <\/p>\n

synthesizer<\/p>\n

Osilat\u00f6r gibi bir ham ses kayna\u011f\u0131ndan ba\u015flayarak \u00e7e\u015fitli sinyal i\u015fleme s\u00fcre\u00e7leri yoluyla ses sinyalleri \u00fcretebilen bir sistem ya da m\u00fczik enstr\u00fcman\u0131.<\/p>\n

[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

T<\/h1>\n

 <\/p>\n

tails out<\/p>\n

Makaral\u0131 analog bantlar\u0131n, print-through problemini \u00f6nlemek i\u00e7in, band\u0131n son taraf\u0131 d\u0131\u015far\u0131da olacak \u015fekilde saklanmas\u0131na verilen isim. Ayr\u0131ca bkz. Print-Through ve Heads Out.<\/p>\n

 <\/p>\n

talkback<\/p>\n

St\u00fcdyo ve monit\u00f6r odas\u0131 aras\u0131nda ileti\u015fim kurmak i\u00e7in kullan\u0131lan sistem.<\/p>\n

 <\/p>\n

tape delay<\/p>\n

Analog makara bant kay\u0131t cihaz\u0131 ile elde edilen delay efekti. Profesyonel makara bant kay\u0131t cihazlar\u0131n\u0131n \u00fczerinde kay\u0131t kafas\u0131ndan ba\u015fka, yap\u0131lan kayd\u0131 monit\u00f6r etmek, dinlemek i\u00e7in bir de okuma kafas\u0131 bulunur. Bu kafa bant ak\u0131\u015f y\u00f6n\u00fcnde kay\u0131t kafas\u0131ndan sonrad\u0131r ve dolay\u0131s\u0131yla giri\u015f sinyali ile okuma kafas\u0131 \u00fczerinden monit\u00f6r edilen banttaki kay\u0131tl\u0131 sinyal aras\u0131nda gecikme fark\u0131 olu\u015fur. Bu gecikme makinenin modeli ve se\u00e7ilen bant kay\u0131t h\u0131z\u0131na g\u00f6re yakla\u015f\u0131k 60-400 milisaniye aras\u0131nda de\u011fi\u015fir.<\/p>\n

 <\/p>\n

TDIF<\/p>\n

Tascam Digital Interface. Tascam firmas\u0131 taraf\u0131ndan geli\u015ftirilen dijital ses aktarma protokol\u00fc.<\/p>\n

 <\/p>\n

THD<\/p>\n

Bkz. Total Harmonic Distortion.<\/p>\n

 <\/p>\n

Thunderbolt<\/p>\n

Apple ve Intel taraf\u0131ndan geli\u015ftirilen ve 2011 y\u0131l\u0131nda kullan\u0131ma a\u00e7\u0131lan veri transfer ve donan\u0131m (hardware) ba\u011flant\u0131 protokol\u00fcd\u00fcr. Veri aktar\u0131m h\u0131z\u0131 10 Gbit\/s’dir (10 Gigabit\/saniye). Thunderbolt ile daisy chain y\u00f6ntemini kullanarak alt\u0131 farkl\u0131 cihaz\u0131 bilgisayara ba\u011flamak m\u00fcmk\u00fcnd\u00fcr.<\/p>\n

 <\/p>\n

t\u0131n\u0131<\/p>\n

Farkl\u0131 m\u00fczik enstr\u00fcmanlar\u0131n\u0131n \u00e7\u0131kartt\u0131\u011f\u0131 seslerin ay\u0131rt edilmesini sa\u011flayan \u00f6zellik. Bu \u00f6zellik sayesinde ayn\u0131 ses \u015fiddetinde ve ayn\u0131 perdeden \u00e7alan farkl\u0131 enstr\u00fcmanlar kula\u011fa t\u00fcm\u00fcyle de\u011fi\u015fik gelebilir. T\u0131n\u0131 olmasayd\u0131 ayn\u0131 notadan \u00e7alan t\u00fcm enstr\u00fcmanlar tek bir enstr\u00fcman olarak alg\u0131lan\u0131rd\u0131. T\u0131n\u0131, ses rengi olarak da adland\u0131r\u0131l\u0131r.<\/p>\n

 <\/p>\n

timbre<\/p>\n

Bkz. T\u0131n\u0131.<\/p>\n

 <\/p>\n

time code<\/p>\n

Zaman\u0131 saat (hour), dakika (minute), saniye (second) ve kare (frame) olarak b\u00f6l\u00fcmlere ay\u0131ran, ses ve g\u00f6r\u00fcnt\u00fc cihazlar\u0131na kay\u0131tl\u0131 program i\u00e7erisinde zaman olarak nerede olmalar\u0131 gerekti\u011fi bilgisini veren, senkronizasyon i\u00e7in kullan\u0131lan adres bilgisi kodu.<\/p>\n

 <\/p>\n

time code generator<\/p>\n

Time code \u00fcreten ve yazan cihaz.<\/p>\n

 <\/p>\n

time code restriping<\/p>\n

Bant \u00fczerindeki mevcut time code’u silip tekrar time code kaydetme i\u015flemi.<\/p>\n

 <\/p>\n

time code striping<\/p>\n

Banda time code kaydetme i\u015flemi.<\/p>\n

Total Harmonic Distortion<\/p>\n

THD.Sinyalde \u00fcst harmoniklerin eklenmesiyle olu\u015fan bozulmalar\u0131n sinyal i\u00e7indeki oran\u0131. y\u00fczde (%) olarak ifade edilir.<\/p>\n

 <\/p>\n

track<\/p>\n

Kay\u0131t cihaz\u0131 \u00fczerindeki kanallara verilen isim.<\/p>\n

 <\/p>\n

transducer<\/p>\n

Bir \u015fekildeki enerjiyi ba\u015fka bir \u015fekildeki enerjiye d\u00f6n\u00fc\u015ft\u00fcren cihaz.<\/p>\n

 <\/p>\n

transmission<\/p>\n

Ses dalgalar\u0131n\u0131n bir y\u00fczeyin i\u00e7inde ge\u00e7mesi. Ayr\u0131ca bkz. Transmission loss.<\/p>\n

 <\/p>\n

transmission loss<\/p>\n

Ses dalgalar\u0131n\u0131n bir y\u00fczeyin i\u00e7inden ge\u00e7erken meydana gelen enerji kayb\u0131. Ayr\u0131ca bkz. Transmission.<\/p>\n

 <\/p>\n

trigger (davul ve perk\u00fcsyon)<\/p>\n

Vurmal\u0131 enstr\u00fcmanlar\u0131n derilerine yap\u0131\u015ft\u0131r\u0131lan veya tutturulan, vuru\u015flar\u0131 hem zamanlama hem de \u015fiddet olarak MIDI verisine \u00e7eviren cihazlar. MIDI verisi olarak kaydedilen performans bir sampler veya synthesizer \u00fczerindeki seslerle kullan\u0131labilir.<\/p>\n

 <\/p>\n

truncation<\/p>\n

Bit say\u0131s\u0131n\u0131n azalt\u0131lmas\u0131 i\u015flemine verilen isim.<\/p>\n

 <\/p>\n

TT (Tiny Telephone) konnekt\u00f6r<\/p>\n

Tek iletkenli ve \u00e7ift iletkenli modelleri mevcuttur. \u00c7ap\u0131 0.173 in\u00e7tir. Telefon teknolojisi k\u00f6kenlidir; ad\u0131n\u0131 da buradan almaktad\u0131r.<\/p>\n

 <\/p>\n

turnover frequency<\/p>\n

Bkz. Cut-off frequency.<\/p>\n

 <\/p>\n

tweeter<\/p>\n

Tiz sesler (\u00fcst frekanslar) i\u00e7in kullan\u0131lan hoparl\u00f6r.<\/p>\n

 <\/p>\n

two-track<\/p>\n

Bkz. 2-track.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

U<\/h1>\n

 <\/p>\n

UDF<\/p>\n

Universal Disc Format. CD ve DVD’ler taraf\u0131ndan kullan\u0131lan dosya format\u0131. Bu format Macintosh, Windows, DOS ve Unix sistemleri taraf\u0131ndan da okunabilir.<\/p>\n

 <\/p>\n

unbalanced signal<\/p>\n

Dengesiz sinyal. \u015ease ve tek iletkenden olu\u015fan kablo ve konnekt\u00f6rlerle ta\u015f\u0131nan sinyal.<\/p>\n

 <\/p>\n

unidirectional (mikrofon)<\/p>\n

\u00d6nden gelen seslere duyarl\u0131, yanlardan ve arkadan gelen seslere daha az duyarl\u0131 pick-up pattern. Cardioid, supercardioid ve hypercardioid olmak \u00fczere \u00fc\u00e7 farkl\u0131 \u00e7e\u015fidi vard\u0131r. Cardioid ad\u0131 polar pattern’\u0131n kalp \u015feklini \u00e7a\u011fr\u0131\u015ft\u0131rmas\u0131ndan gelmektedir. Ayr\u0131ca bkz. Pick-up pattern; polar pattern; omnidirectional; bidirectional.<\/p>\n

 <\/p>\n

Universal Disc Format<\/p>\n

Bkz. UDF.<\/p>\n

 <\/p>\n

USB<\/p>\n

Universal Serial Bus. Bilgisayara d\u0131\u015f donan\u0131mlar ba\u011flamak i\u00e7in kullan\u0131lan veri aktar\u0131m protokol\u00fc. USB 1 y\u00fcksek h\u0131zda (full-speed) \u00e7al\u0131\u015fan donan\u0131mlar i\u00e7in 12 Mb\/s (Megabit\/saniye), d\u00fc\u015f\u00fck h\u0131zda \u00e7al\u0131\u015fan (low-speed) donan\u0131mlar i\u00e7in 1.5 Mb\/s h\u0131zlar\u0131nda veri aktar\u0131m\u0131 sa\u011flar. USB 2 i\u00e7in bu de\u011fer 480 Mb\/s, USB 3 i\u00e7in ise 5 Gb\/s (Gigabit\/saniye) olarak geli\u015ftirilmi\u015ftir. Teorik olarak bir USB kap\u0131s\u0131na 127 farkl\u0131 cihaz ba\u011flanabilir fakat pratik olarak bu say\u0131ya ula\u015fmak pek m\u00fcmk\u00fcn de\u011fildir.<\/p>\n

[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

V<\/h1>\n

 <\/p>\n

velocity (MIDI)<\/p>\n

MIDI notalar\u0131n\u0131n \u015fiddeti veya vol\u00fcm olarak seviyesi. Velocity de\u011ferleri 0 ile 127 aras\u0131nda de\u011fi\u015fir.<\/p>\n

 <\/p>\n

velocity<\/p>\n

Bkz. Sesin h\u0131z\u0131.<\/p>\n

 <\/p>\n

voice-over<\/p>\n

G\u00f6r\u00fcnt\u00fcn\u00fcn \u00fczerine bindirilen, oyuncular\u0131n dudak hareketleriyle senkronize olmayan monolog veya diyalog ya da bir spiker taraf\u0131ndan seslendirilen anlat\u0131m veya anonslara verilen isim.<\/p>\n

 <\/p>\n

VST<\/p>\n

Virtual Studio Technology. Steinberg taraf\u0131ndan geli\u015ftirilen real-time olarak \u00e7al\u0131\u015fan plug-in format\u0131.<\/p>\n

 <\/p>\n

VU metre<\/p>\n

Volume Unit meter. Analog cihazlarda sinyal seviyesini \u00f6l\u00e7en i\u011fneli \u00fcniteler. Modern cihazlarda bunlar yerlerini ledli g\u00f6stergelere b\u0131rakm\u0131\u015flard\u0131r. Hem i\u011fneli hem de ledli g\u00f6stergelerde 0 VU (s\u0131f\u0131r) normal seviye olarak kabul edilir.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

W<\/h1>\n

 <\/p>\n

walla<\/p>\n

Film ve g\u00f6r\u00fcnt\u00fcl\u00fc programlarda, kalabal\u0131k mekanlarda bir\u00e7ok insan\u0131n konu\u015fmas\u0131yla ortaya \u00e7\u0131kan, arada bir iki kelime d\u0131\u015f\u0131nda anla\u015f\u0131labilirli\u011fi olmayan arka plan sesler.<\/p>\n

 <\/p>\n

waveform<\/p>\n

Ses dalgalar\u0131n\u0131 veya sinyali temsil eden grafiklere verilen isim.<\/p>\n

 <\/p>\n

wavelength<\/p>\n

Bkz. Dalga boyu.<\/p>\n

 <\/p>\n

wet<\/p>\n

Bkz. dry\/wet<\/p>\n

 <\/p>\n

wild<\/p>\n

G\u00f6r\u00fcnt\u00fcyle senkronize olmadan kaydedilen seslere verilen isim. Film ve g\u00f6r\u00fcnt\u00fcl\u00fc programlar i\u00e7in haz\u0131rlanan ses efektleri genelde bu \u015fekilde kaydedilip daha sonra g\u00f6r\u00fcnt\u00fcye e\u015flenir.<\/p>\n

 <\/p>\n

windscreen<\/p>\n

A\u00e7\u0131k havada kay\u0131t yaparken r\u00fczgardan kaynaklanan g\u00fcr\u00fclt\u00fcleri \u00f6nlemek i\u00e7in mikrofon \u00fczerine tak\u0131lan filtre.<\/p>\n

 <\/p>\n

woofer<\/p>\n

Bas sesler (alt frekanslar) i\u00e7in kullan\u0131lan hoparl\u00f6r.<\/p>\n

 <\/p>\n

word clock<\/p>\n

Dijital cihazlar\u0131n senkronizasyonu i\u00e7in kullan\u0131lan ve sample rate’i esas alan sinyal. Ayr\u0131ca bkz. Sample rate.<\/p>\n

 <\/p>\n

word length<\/p>\n

Dijital kelime uzunlu\u011fu. Kelime i\u00e7indeki bit say\u0131s\u0131 artt\u0131k\u00e7a kelime uzunlu\u011fu da artar.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

X<\/h1>\n

 <\/p>\n

XLR konnekt\u00f6r<\/p>\n

\u015ease ve iki iletkenden olu\u015fur. Mikrofonlar ve profesyonel cihazlarda dengeli sinyal ve de AES\/EBU protokol\u00fc ile \u00e7al\u0131\u015fan cihazlar\u0131n sinyal giri\u015f ve \u00e7\u0131k\u0131\u015f kap\u0131lar\u0131 i\u00e7in kullan\u0131l\u0131r.<\/p>\n

 <\/p>\n

XY<\/p>\n

\u0130ki cardioid mikrofon ile uygulanan stereo mikrofonlama tekni\u011fi.<\/p>\n

[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

Y<\/h1>\n

 <\/p>\n

yaka mikrofonlar\u0131<\/p>\n

Bkz. Lavalier.<\/p>\n

 <\/p>\n

yar\u0131-parametrik EQ<\/p>\n

Bkz. Equalizer.<\/p>\n

 <\/p>\n

y\u00fczen oda<\/p>\n

Bkz. Floating room.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n

 <\/p>\n

Z<\/h1>\n

 <\/p>\n

Z<\/p>\n

Empedans i\u00e7in kullan\u0131lan sembol. High-Z y\u00fcksek empedans, low-Z d\u00fc\u015f\u00fck empedans anlam\u0131na gelir. Z, empedans birimi de\u011fildir; empedans birimi Ohm’dur. Ayr\u0131ca bkz. Empedans.<\/p>\n

\u00a0[ba\u015fa d\u00f6nmek i\u00e7in t\u0131klay\u0131n\u0131z]<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

S\u00f6zl\u00fck Ana Sayfa\u00a0|\u00a0Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z: S – T – U – V – W – X – Y –…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_mi_skip_tracking":false,"spay_email":""},"jetpack_shortlink":"https:\/\/wp.me\/P3rjsG-lS","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1348,"url":"https:\/\/www.ufukonen.com\/tr\/ses-kayit-muzik-teknolojisi-terimler-sozluk-e","url_meta":{"origin":1356,"position":0},"title":"Terimler S\u00f6zl\u00fc\u011f\u00fc: E – J","date":"June 3, 2014","format":false,"excerpt":"S\u00f6zl\u00fck Ana Sayfa\u00a0| Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z: E - F - G - H - I - \u0130 - J \u00a0 E \u00a0 EBU European Broadcasting Union. Avrupada bulunan radyo ve televizyon yay\u0131nc\u0131lar\u0131 birli\u011fi. \u00a0 echo Bkz. Eko. \u00a0 editorial effects Film ve g\u00f6r\u00fcnt\u00fcl\u00fc programlarda, telefon, kap\u0131 zili, alarm gibi\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1337,"url":"https:\/\/www.ufukonen.com\/tr\/ses-kayit-muzik-teknolojisi-terimler-sozluk-a","url_meta":{"origin":1356,"position":1},"title":"Terimler S\u00f6zl\u00fc\u011f\u00fc: A – D","date":"June 3, 2014","format":false,"excerpt":"S\u00f6zl\u00fck Ana Sayfa\u00a0|\u00a0Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z:\u00a0A - B - C - \u00c7 - D \u00a0 A \u00a0 AAX Avid Audio Extension. Avid taraf\u0131ndan geli\u015ftirilen real-time olarak Pro Tools alt\u0131nda \u00e7al\u0131\u015fan plug-in format\u0131. \u00a0 A\/D Analog\/Digital. Analogdan dijital \u00e7evirme, ge\u00e7i\u015f i\u015flemi. \u00a0 A\/D Converter Bkz. Analog\/Digital Converter. \u00a0 absorption Ses dalgalar\u0131n\u0131n\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1352,"url":"https:\/\/www.ufukonen.com\/tr\/ses-kayit-muzik-teknolojisi-terimler-sozluk-k","url_meta":{"origin":1356,"position":2},"title":"Terimler S\u00f6zl\u00fc\u011f\u00fc: K – R","date":"June 3, 2014","format":false,"excerpt":"S\u00f6zl\u00fck Ana Sayfa\u00a0|\u00a0Harflere atlamak i\u00e7in t\u0131klay\u0131n\u0131z: K - L - M - N - O - \u00d6 - P - Q - R \u00a0 K \u00a0 kafa ayar\u0131 Analog bant kay\u0131t cihazlar\u0131n\u0131n kafalar\u0131n\u0131n fiziksel olarak ayarlanmas\u0131. \u0130ngilizcede head alignment olarak adland\u0131r\u0131l\u0131r. \u00a0 kalibrasyon Analog bant kay\u0131t sistemlerinde, belli standartlar dahilinde\u2026","rel":"","context":"Similar post","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/pages\/1356"}],"collection":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/comments?post=1356"}],"version-history":[{"count":10,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/pages\/1356\/revisions"}],"predecessor-version":[{"id":1424,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/pages\/1356\/revisions\/1424"}],"wp:attachment":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media?parent=1356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}