{"id":103,"date":"2012-06-02T20:15:08","date_gmt":"2012-06-02T17:15:08","guid":{"rendered":"http:\/\/blog.ufukonen.com\/?p=103"},"modified":"2013-03-23T22:09:33","modified_gmt":"2013-03-23T20:09:33","slug":"mastering-ve-itunes","status":"publish","type":"post","link":"https:\/\/www.ufukonen.com\/tr\/mastering-ve-itunes.html","title":{"rendered":"Mastering ve iTunes"},"content":{"rendered":"

\"itunes11-store\"<\/p>\n

Y\u0131llar boyunca m\u00fczi\u011fin da\u011f\u0131t\u0131m\u0131 ve sat\u0131\u015f\u0131 plak, kaset ve CD’lerle yap\u0131ld\u0131. Son y\u0131llarda prestij i\u00e7in veya koleksiyoncular ile merakl\u0131lar\u0131na y\u00f6nelik olarak \u00fcretilenleri saymazsak, plak tarih oldu. Kaset de bitti; buna en \u00e7ok sevinenlerden biri benimdir herhalde. CD hala var ancak 10 sene \u00f6ncesiyle kar\u015f\u0131la\u015ft\u0131rd\u0131\u011f\u0131m\u0131zda sat\u0131\u015f\u0131 olduk\u00e7a fazla d\u00fc\u015fm\u00fc\u015f durumda. Bug\u00fcn art\u0131k dominant format dijital dosyalar. Bilgisayar\u0131m\u0131zda, mobil m\u00fczik dinleme cihazlar\u0131m\u0131zda, telefonlar\u0131m\u0131zda hatta arabalar\u0131m\u0131zda m\u00fczi\u011fi dijital dosyalardan dinliyoruz.<\/p>\n

 <\/p>\n

Mastering Tart\u0131\u015fmas\u0131<\/strong><\/p>\n

Eskiden mastering i\u015flemi plak, CD ve baz\u0131 \u00fclkelerde (\u00f6zellikle plak sonras\u0131 CD’ye ge\u00e7i\u015fte ekonomik nedenlerden dolay\u0131 arada kalan \u00fclkelerde) kasete g\u00f6re yap\u0131l\u0131rd\u0131 \u00e7\u00fcnk\u00fc m\u00fczi\u011fin sat\u0131\u015fa sunuldu\u011fu, dinleyicinin m\u00fczi\u011fi radyo ve televizyon harici dinleyebilece\u011fi formatlar ya da di\u011fer bir deyi\u015fle “ortamlar” (‘media’) bunlard\u0131. Son y\u0131llarda dijital dosyalar\u0131n dominant format haline gelmesi mastering m\u00fchendisleri aras\u0131nda ve genel olarak m\u00fczik end\u00fcstrisi i\u00e7inde \u015fu tart\u0131\u015fmay\u0131 g\u00fcndeme getirdi: Par\u00e7alar\u0131n veya alb\u00fcmlerin mastering’i dijital dosyalar i\u00e7in ayr\u0131 ve\/veya farkl\u0131 bir \u015fekilde mi yap\u0131lmal\u0131? Bu tart\u0131\u015fmada baz\u0131lar\u0131 ayr\u0131 bir mastering yap\u0131lmas\u0131n\u0131 savundu di\u011ferleri ise mastering’i yap\u0131lm\u0131\u015f bir par\u00e7an\u0131n veya alb\u00fcm\u00fcn iyi kodlanm\u0131\u015f (‘encode’ edilmi\u015f) bir MP3 ya da AAC kopyas\u0131n\u0131n yeterli oldu\u011funu… Tart\u0131\u015fma bitmi\u015f de\u011fil, s\u00fcr\u00fcyor. Ge\u00e7enlerde Apple farkl\u0131 bir \u015fekilde bu tart\u0131\u015fmaya dahil oldu.<\/p>\n

 <\/p>\n

Apple ve iTunes<\/strong><\/p>\n

Apple konusuna ge\u00e7meden \u00f6nce yukar\u0131da kulland\u0131\u011f\u0131m ‘dijital dosya’ terimine a\u00e7\u0131klama getirmek istiyorum. Bilgisayarda, telefonda ya da benzeri bir cihazda m\u00fczik dinlemek dedi\u011fimizde genelde akl\u0131m\u0131za MP3 format\u0131 geliyor ama \u015funu da unutmamak laz\u0131m, Apple MP3 format\u0131n\u0131 de\u011fil, AAC (Advanced Audio Coding) format\u0131n\u0131 tercih ediyor. Apple’\u0131n ne tercih etti\u011fi \u00e7ok mu \u00f6nemli! Asl\u0131nda, evet. Apple, teknolojiye y\u00f6n veren ve bir bak\u0131ma, dolayl\u0131 olarak, g\u00fcn\u00fcm\u00fcz\u00fcn m\u00fczi\u011fi ve k\u00fclt\u00fcr\u00fc \u00fczerinde etkisi olan bir firma. Belki bu \u015fekilde s\u00f6ylenince g\u00f6receli gelebilir ama rakamlara bakt\u0131\u011f\u0131m\u0131zda Apple’\u0131n ger\u00e7ekten g\u00fc\u00e7l\u00fc oldu\u011funu g\u00f6r\u00fcyoruz. D\u00fcnyada \u015fu anda 250 milyondan fazla iOS cihaz var. Apple, iTunes Store \u00fczerinden 50 \u00fclkeye 16 milyardan fazla par\u00e7a sat\u0131\u015f\u0131 yapm\u0131\u015f. Bu rakamlar\u0131 g\u00f6z \u00f6n\u00fcne ald\u0131\u011f\u0131m\u0131zda AAC’nin olduk\u00e7a g\u00fc\u00e7l\u00fc konumda bulunan bir format oldu\u011funu, ‘dijital dosya’ teriminin sadece MP3’\u00fc kapsamad\u0131\u011f\u0131n\u0131 anl\u0131yoruz.<\/p>\n

 <\/p>\n

AAC (Advanced Audio Coding)<\/strong><\/p>\n

AAC, aynen MP3 gibi, bir s\u0131k\u0131\u015ft\u0131rma (‘compression’) ve kodlama (‘encoding’) format\u0131. iTunes Store, 2003 y\u0131l\u0131nda katalo\u011fundaki par\u00e7alar\u0131 128 kbps AAC format\u0131nda sat\u0131\u015fa sunmu\u015ftu ve ilk y\u0131lda 100 milyondan fazla par\u00e7a satm\u0131\u015ft\u0131. Apple, art\u0131k VBR 256 kbps AAC format\u0131n\u0131 tercih ediyor ve bu formattaki yeni katalo\u011funu iTunes Plus olarak adland\u0131r\u0131yor. VBR 256 kbps AAC format\u0131, 44.1 kHz sample rate (‘\u00f6rnekleme say\u0131s\u0131’ veya ‘\u00f6rnekleme oran\u0131’ ve 256 kbps bit rate kullan\u0131yor.<\/p>\n

Standart CD’ler s\u0131k\u0131\u015ft\u0131r\u0131lmam\u0131\u015f ve kay\u0131ps\u0131z bir format olan PCM (Pulse Code Modulation) ile \u00e7al\u0131\u015f\u0131r. CD’ler 44.1 kHz \u00f6rnekleme say\u0131s\u0131 (bir saniyede 44100 adet \u00f6rnek) ve 16-bit bit depth’e (‘bit derinli\u011fine’) sahiptir. Burada ‘bit depth ve ‘bit rate’ terimleri kar\u0131\u015ft\u0131rmamak gerekir. Bit depth, sesin dinamik alan\u0131 ile ilgilidir; bit depth ne kadar y\u00fcksek olursa sesin dinamik alan\u0131 da o kadar geni\u015f olur. Bit rate ise saniyede kullan\u0131lan veri ile ilgili olup sample rate ve bit depth \u00fczerinden hesaplan\u0131r. Apple’\u0131n iTunes Plus i\u00e7in tercih etti\u011fi AAC format\u0131nda bit rate, hedef olarak 256 kilobit\/saniye oran\u0131ndad\u0131r fakat bu oran sabit de\u011fil, de\u011fi\u015fkendir, VBR k\u0131saltmas\u0131 da buradan gelmektedir: Variable Bit Rate – De\u011fi\u015fken Bit Oran\u0131. VBR’da basit i\u015flemler i\u00e7in daha az, komplike i\u015flemler i\u00e7in ise daha \u00e7ok say\u0131da bit kullan\u0131l\u0131r, bu sayede dosya boyutu sabit bit oran\u0131 ile kodlanm\u0131\u015f dosyalara g\u00f6re daha k\u00fc\u00e7\u00fck olur.<\/p>\n

Apple’\u0131n AAC encoding (‘kodlama’) i\u015fi iki ad\u0131mdan olu\u015fuyor. \u0130lk ad\u0131mda master dosyan\u0131n sample rate’i SRC (Sample Rate Conversion) ile 44.1 kHz’e \u00e7evriliyor veya d\u00fc\u015f\u00fcr\u00fcl\u00fcyor. Bu i\u015flemin \u00e7\u0131k\u0131\u015f\u0131ndaki dosyan\u0131n 32-bit floating-point olmas\u0131 olas\u0131 bozulmalar\u0131 engelliyor. \u0130kinci ad\u0131mda, bu \u00e7\u0131k\u0131\u015f encoder’a (AAC kodlay\u0131c\u0131ya) g\u00f6nderiliyor. Apple, kodlay\u0131c\u0131ya g\u00f6nderilen dosyan\u0131n 32-bit floating point olmas\u0131n\u0131n hem kaliteli sonu\u00e7lar almak hem de 24-bit dinamik alan hacmini dithering i\u015flemi uygulamadan korumak ad\u0131na \u00e7ok \u00f6nemli oldu\u011funu belirtiyor.<\/p>\n

 <\/p>\n

Apple’\u0131n Mastering i\u00e7in \u00d6nerileri<\/strong><\/p>\n

Apple, mastering i\u00e7in bir tak\u0131m \u00f6nerilerde bulunuyor. Eskiden mastering ile ilgili teknik konular sadece mastering m\u00fchendislerinin alan\u0131yd\u0131. Ben hala mastering’in farkl\u0131 bir kulvar oldu\u011funu ve bu i\u015flemin mastering m\u00fchendisleri taraf\u0131ndan yap\u0131lmas\u0131 gerekti\u011fini savunuyorum ancak hem ucuzlayan ve yayg\u0131nla\u015fan dijital teknoloji hem de i\u015f tan\u0131mlar\u0131n\u0131n birbirlerine girmesi sebebiyle art\u0131k baz\u0131 par\u00e7a ve alb\u00fcmlerin mastering’lerinin kay\u0131t ve\/veya miks m\u00fchendisleri hatta m\u00fczisyenler taraf\u0131ndan yap\u0131ld\u0131\u011f\u0131na \u015fahit oluyoruz. Durum b\u00f6yle olunca Apple’\u0131n mastering \u00f6nerileri sadece mastering m\u00fchendislerini ilgilendirmiyor.<\/p>\n

 <\/p>\n

Kodlama i\u00e7in Dosya Format\u0131<\/strong><\/p>\n

Apple, g\u00fcn\u00fcm\u00fczde ideal dosya format\u0131n\u0131n 24-bit 96 kHz oldu\u011funu belirtiyor ancak Apple, iTunes i\u00e7in yap\u0131lacak kodlama i\u00e7in dosyan\u0131n en y\u00fcksek \u00e7\u00f6z\u00fcn\u00fcrl\u00fcl\u00fckteki versiyonunun kullan\u0131lmas\u0131n\u0131 \u00f6neriyor. \u00d6rnek olarak master dosyan\u0131z 24 bit 192 kHz ise iTunes kodlamas\u0131 i\u00e7in bu dosyay\u0131 kullanmal\u0131s\u0131n\u0131z. Apple, dosyan\u0131n oldu\u011fundan daha y\u00fcksek bir \u00e7\u00f6z\u00fcn\u00fcrl\u00fc\u011fe d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesinin bir i\u015fe yaramayaca\u011f\u0131n\u0131n \u00f6zellikle alt\u0131n\u0131 \u00e7iziyor. \u00d6rnek olarak, orijinal dosyan\u0131z 24 bit 96 kHz ise, bunu 24 bit 192 kHz’e \u00e7evirmek \u00e7\u00f6z\u00fcn\u00fcrl\u00fc\u011f\u00fc artt\u0131rmayacakt\u0131r. Di\u011fer yandan kodlama i\u00e7in CD’ye yaz\u0131lmak \u00fczere dither kullan\u0131larak bit derinli\u011fi d\u00fc\u015f\u00fcr\u00fclm\u00fc\u015f dosyalar\u0131n da kullan\u0131lmamas\u0131 gerekti\u011fi \u00f6zellikle vurgulan\u0131yor.<\/p>\n

 <\/p>\n

Seviyeler<\/strong><\/p>\n

Master dosyalar\u0131n seviyelerinin \u00fcst noktalar\u0131 genelde -0.1 dBFS ile -0.2 dBFS (decibel full scale) aras\u0131nda tutulur ancak Apple ve baz\u0131 mastering m\u00fchendisleri en az 1 dB’lik bir marj b\u0131rakman\u0131n, di\u011fer bir deyi\u015fle \u00fcst seviyeyi maksimum -1 dBFS’te tutman\u0131n emniyet a\u00e7\u0131s\u0131ndan daha do\u011fru oldu\u011funu s\u00f6yl\u00fcyor. Baz\u0131 dijital-analog \u00e7eviricilerin \u00e7\u0131k\u0131\u015f\u0131 y\u00fcksek olabilir, 1 veya 2 dB’lik bir marj sesin bozulmas\u0131n\u0131 (“seste ‘distortion’ olmas\u0131n\u0131”) engeller. Bildi\u011finiz gibi dijitalde 0 dBFS en \u00fcst noktad\u0131r, bunun \u00fczerinde \u00e7\u0131k\u0131labilecek bir alan yoktur.<\/p>\n

 <\/p>\n

Sound Check ve Di\u011fer Seviye Kontrol Teknolojileri<\/strong><\/p>\n

Sound Check, iTunes program\u0131nda ve t\u00fcm iOS cihazlar\u0131nda bulunan, dinleyicilerin par\u00e7alar\u0131 yakla\u015f\u0131k olarak e\u015fit seviyelerde dinlemesini sa\u011flayan bir \u00f6zellik. Bu \u00f6zellik sayesinde program, par\u00e7an\u0131n genel seviyesini (vol\u00fcm\u00fc) tespit ediyor ve bu bilgiyi sakl\u0131yor. Par\u00e7alar \u00e7al\u0131n\u0131rken bu bilgi do\u011frultusunda seviyeleri azalt\u0131l\u0131yor veya \u00e7o\u011falt\u0131l\u0131yor, b\u00f6ylelikle dinleyicinin s\u00fcrekli olarak vol\u00fcm d\u00fc\u011fmesi ile seviye ayar\u0131 yapmas\u0131na gerek kalm\u0131yor. Sound Check, seviye ayar\u0131n\u0131 par\u00e7alar \u00fczerinde yapabildi\u011fi gibi alb\u00fcm baz\u0131nda da ger\u00e7ekle\u015ftiriyor. Benzer \u00f6zellikler di\u011fer formatlar i\u00e7in de mevcut. \u00d6rnek olarak Replay Gain \u00f6zelli\u011fi MP3 i\u00e7in ayn\u0131 i\u015flevi g\u00f6r\u00fcyor.<\/p>\n

Bu \u00f6zellik asl\u0131nda mastering a\u00e7\u0131s\u0131ndan \u00e7ok kritik \u00e7\u00fcnk\u00fc \u00e7ok y\u00fcksek seviyelerde master edilmi\u015f par\u00e7alar ve alb\u00fcmler (\u00f6zellikle mastering s\u0131ras\u0131nda kompres\u00f6r ve limiter ile dinamik alan\u0131 \u00e7ok daralt\u0131lm\u0131\u015f olanlar) Sound Check \u00f6zelli\u011fi olan oynat\u0131c\u0131larda di\u011fer par\u00e7alara g\u00f6re daha d\u00fc\u015f\u00fck vol\u00fcmle \u00e7al\u0131n\u0131yor! Bu, belki de y\u0131llardan beri s\u00fcren ‘loudness war’ (kaba tabirle “arka arkaya \u00e7al\u0131nd\u0131\u011f\u0131nda kimin par\u00e7as\u0131n\u0131n daha y\u00fcksek vol\u00fcmde duyulaca\u011f\u0131n\u0131 sava\u015f\u0131”) a\u00e7\u0131s\u0131ndan en \u00f6nemli noktalardan biri \u00e7\u00fcnk\u00fc s\u0131rf bu y\u00fczden baz\u0131 firma, yap\u0131mc\u0131 ve sanat\u00e7\u0131lar CD ve radyodan farkl\u0131 olarak dijital dosyalar i\u00e7in ayr\u0131 mastering yapma karar\u0131 al\u0131yorlar.<\/p>\n

 <\/p>\n

iTunes Kodlamalar\u0131 i\u00e7in Programlar<\/strong><\/p>\n

Apple, mastering konusunda sadece \u00f6neriler vermekle yetinmeyip iTunes Store’da sat\u0131lacak par\u00e7alar\u0131n kodlanmas\u0131na yard\u0131mc\u0131 olmak i\u00e7in k\u00fc\u00e7\u00fck programlardan olu\u015fan bir de paket haz\u0131rlam\u0131\u015f. Paketin i\u00e7indekilere h\u0131zl\u0131ca bakal\u0131m:<\/p>\n

\u00a0Master for iTunes Droplet<\/em> par\u00e7alar\u0131n\u0131z\u0131 iTunes Plus format\u0131nda kodlayan bir program. AIFF veya WAVE dosyalar\u0131n\u0131z\u0131 tek tek (veya bu dosyalar\u0131n\u0131z\u0131 i\u00e7eren klas\u00f6r\u00fcn tamam\u0131n\u0131) basit\u00e7e program\u0131n \u00fczerine s\u00fcr\u00fckleyerek par\u00e7alar\u0131n\u0131z\u0131 AAC format\u0131nda kodlayabilirsiniz.<\/p>\n

afconvert<\/em> de par\u00e7alar\u0131n\u0131z\u0131 AAC format\u0131na \u00e7eviriyor ancak bu ara\u00e7 Mac OS X’te bulunan Terminal program\u0131 alt\u0131nda \u00e7al\u0131\u015f\u0131yor ve kullanmak i\u00e7in kod dizeleri yazman\u0131z gerekiyor.<\/p>\n

afclip<\/em> ses dosyalar\u0131n\u0131zda ‘clip’ (y\u00fcksek seviyeden kaynaklanan bozulma) olup olmad\u0131\u011f\u0131 kontrol eden, Terminal program\u0131 alt\u0131nda \u00e7al\u0131\u015fan ve kod dizeleri ile \u00e7al\u0131\u015fan bir ara\u00e7.<\/p>\n

AURoundTripAAC Audio Unit<\/em> ise kodlanan iTunes Plus dosyas\u0131n\u0131 orijinal dosya ile kar\u015f\u0131la\u015ft\u0131ran k\u00fc\u00e7\u00fck bir program.<\/p>\n

Programlar\u0131 Apple’\u0131n sitesinden \u00fccretsiz olarak indirebilirsiniz.<\/p>\n

\"masteredituneslogo20120217\"<\/p>\n

 <\/p>\n

 <\/p>\n

\"@UfukOnen<\/p>\n

Ses ve m\u00fczik teknolojileri, m\u00fczik prod\u00fcksiyonu, ses tasar\u0131m\u0131 ve benzeri alanlar ile ilgili haberler, d\u00fc\u015f\u00fcnceler ve payla\u015f\u0131mlar i\u00e7in beni Twitter’da takip edebilirsiniz:\u00a0https:\/\/twitter.com\/UfukOnen<\/a>
\n
\n<\/a>\"Sound_2012_04_Nisan\"<\/a>Bu yaz\u0131\u00a0Sound<\/em>\u00a0dergisinin Nisan 2012 say\u0131s\u0131nda yay\u0131nlanm\u0131\u015ft\u0131r. \u00a9 2012 Ufuk \u00d6nen. Bu yaz\u0131n\u0131n t\u00fcm haklar\u0131 sakl\u0131d\u0131r. \u0130zinsiz olarak kullan\u0131lamaz, kaynak g\u00f6sterilmeden ve link verilmeden al\u0131nt\u0131 yap\u0131lamaz.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Y\u0131llar boyunca m\u00fczi\u011fin da\u011f\u0131t\u0131m\u0131 ve sat\u0131\u015f\u0131 plak, kaset ve CD’lerle yap\u0131ld\u0131. Son y\u0131llarda prestij i\u00e7in veya koleksiyoncular ile merakl\u0131lar\u0131na y\u00f6nelik…<\/p>\n","protected":false},"author":2,"featured_media":572,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[16,18],"tags":[],"jetpack_featured_media_url":"https:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/masteredituneslogo20120217.png","jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p3rjsG-1F","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2516,"url":"https:\/\/www.ufukonen.com\/tr\/muzik-endustrisine-bakis-3.html","url_meta":{"origin":103,"position":0},"title":"M\u00fczik End\u00fcstrisine Bak\u0131\u015f (3. B\u00f6l\u00fcm)","date":"May 13, 2016","format":false,"excerpt":"Birinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z - \u0130kinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z \u00a0 M\u00fczik 2.0: Internet \u00c7a\u011f\u0131 Owsinki, 2.0'\u0131n ba\u015flang\u0131\u00e7\u0131n\u0131n 1994, yani mp3 dosyalar\u0131n\u0131n ilk payla\u015f\u0131ld\u0131\u011f\u0131 y\u0131l oldu\u011funu s\u00f6yl\u00fcyor. M\u00fczik CD'leri i\u00e7in kullan\u0131lan s\u0131k\u0131\u015ft\u0131r\u0131lmam\u0131\u015f dijital dosya format\u0131nda bir dakikal\u0131k mono ses kayd\u0131 5 MB, bir dakikal\u0131k stereo ses kayd\u0131 ise 10 MB yer\u2026","rel":"","context":"In "M\u00fczik End\u00fcstrisi"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Muzik_Endustrisine_Bakis_3_alt_2.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2464,"url":"https:\/\/www.ufukonen.com\/tr\/muzik-endustrisine-bakis-1.html","url_meta":{"origin":103,"position":1},"title":"M\u00fczik End\u00fcstrisine Bak\u0131\u015f (1. B\u00f6l\u00fcm)","date":"April 22, 2016","format":false,"excerpt":"\"M\u00fczik Prod\u00fcksiyonu i\u00e7in Alternatif Y\u00f6ntemler ve Amanda Palmer \u00d6rne\u011fi\" ba\u015fl\u0131kl\u0131 yaz\u0131m olduk\u00e7a ilgi toplam\u0131\u015ft\u0131. Anla\u015f\u0131lan o ki m\u00fczik prod\u00fcksiyonu, finansman, da\u011f\u0131t\u0131m ve benzeri konularda yeni ve alternatif y\u00f6ntemler bir\u00e7ok m\u00fczisyenin ve m\u00fczik prod\u00fckt\u00f6r\u00fcn\u00fcn ilgisini \u00e7ekiyor. Ba\u015flang\u0131c\u0131ndan sonra uzun y\u0131llar ayn\u0131 \u015fekilde devam edem m\u00fczik end\u00fcstrisinde son 10-15 y\u0131lda b\u00fcy\u00fck de\u011fi\u015fimler\u2026","rel":"","context":"In "M\u00fczik End\u00fcstrisi"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Muzik_Endustrisine_Bakis_1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":969,"url":"https:\/\/www.ufukonen.com\/tr\/muzik-produksiyonlari-icin-alternatif-yontemler-ve-amanda-palmer-ornegi.html","url_meta":{"origin":103,"position":2},"title":"M\u00fczik Prod\u00fcksiyonlar\u0131 i\u00e7in Alternatif Y\u00f6ntemler ve Amanda Palmer \u00d6rne\u011fi","date":"February 1, 2013","format":false,"excerpt":"\u00a0Eskiden alb\u00fcm yapmak i\u00e7in izlenecek yol belliydi. E\u011fer herhangi bir plak \u015firketine ba\u011fl\u0131 de\u011filseniz ilk \u00f6nce bir demo yap\u0131p sizinle anla\u015fma imzalayacak bir firma arard\u0131n\u0131z. Plak \u015firketi bulup anla\u015fma imzalad\u0131ktan sonra (ya da zaten anla\u015fman\u0131z varsa) firma size bir prod\u00fckt\u00f6r bulur, st\u00fcdyoyu ayarlar, siz de alb\u00fcm\u00fcn\u00fcz\u00fc kaydederdiniz. Daha sonra plak\u2026","rel":"","context":"In "M\u00fczik End\u00fcstrisi"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Amanda_Palmer_We-Are-The-Media.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2536,"url":"https:\/\/www.ufukonen.com\/tr\/muzik-endustrisine-bakis-4.html","url_meta":{"origin":103,"position":3},"title":"M\u00fczik End\u00fcstrisine Bak\u0131\u015f (4. B\u00f6l\u00fcm)","date":"May 20, 2016","format":false,"excerpt":"Birinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z - \u0130kinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z\u00a0- \u00dc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z \u00a0 M\u00fczik 3.0: Arac\u0131n\u0131n Ortadan Kalkmas\u0131 M\u00fczik 1.0 modelinde sanat\u00e7\u0131 sadece plak \u015firketi ile ba\u011flant\u0131l\u0131yd\u0131, dinleyici ile (imza g\u00fcnleri ve benzeri etkinlikleri saymazsak) do\u011frudan ileti\u015fimi yoktu. Plak \u015firketi satmak istedikleri \u00fcr\u00fcnlerin (alb\u00fcm ve single'lar\u0131n) tan\u0131t\u0131m\u0131n\u0131 radyo, televizyon\u2026","rel":"","context":"In "M\u00fczik End\u00fcstrisi"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Muzik_Endustrisine_Bakis_4_alt_3.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2483,"url":"https:\/\/www.ufukonen.com\/tr\/muzik-endustrisine-bakis-2.html","url_meta":{"origin":103,"position":4},"title":"M\u00fczik End\u00fcstrisine Bak\u0131\u015f (2. B\u00f6l\u00fcm)","date":"April 29, 2016","format":false,"excerpt":"Yaz\u0131 dizisinin birinci b\u00f6l\u00fcm\u00fcne buradan ula\u015fabilirsiniz: Giri\u015f \/ M\u00fczik 0.5: Ba\u015flang\u0131\u00e7 \/ M\u00fczik 1.0: \"Klasik\" Model M\u00fczik 1.5: MTV, CD ve B\u00fcy\u00fck Sermaye 1980'lerin ba\u015f\u0131ndan 1990'lar\u0131n ortas\u0131na kadar uzanan 1.5, m\u00fczik end\u00fcstrisinin alt\u0131n \u00e7a\u011f\u0131 olarak kabul edilebilir. Bu s\u00fcre zarf\u0131nda olduk\u00e7a b\u00fcy\u00fck de\u011fi\u015fimler oldu ve ba\u015fta plak \u015firketleri olmak \u00fczere\u2026","rel":"","context":"In "M\u00fczik End\u00fcstrisi"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Muzik_Endustrisine_Bakis_2.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3905,"url":"https:\/\/www.ufukonen.com\/tr\/muzik-endustrisine-bakis-6.html","url_meta":{"origin":103,"position":5},"title":"M\u00fczik End\u00fcstrisine Bak\u0131\u015f (6. B\u00f6l\u00fcm)","date":"May 21, 2018","format":false,"excerpt":"Birinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z - \u0130kinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z \u00dc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z\u00a0- D\u00f6rd\u00fcnc\u00fc\u00a0b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z Be\u015finci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z \"M\u00fczik End\u00fcstrisine Bak\u0131\u015f\"\u00a0adl\u0131 yaz\u0131 dizimin bu b\u00f6l\u00fcm\u00fcnde IFPI (International Federation of the Phonographic Industry) 2018 Global M\u00fczik Raporu\u2019ndaki 2017 y\u0131l\u0131 verilerini inceleyip, 2014, 2015 ve 2016 y\u0131llar\u0131n\u0131n verileri ile kar\u015f\u0131la\u015ft\u0131raca\u011f\u0131m.\u2026","rel":"","context":"In "M\u00fczik End\u00fcstrisi"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Muzik_Endustrisine_Bakis_6.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/103"}],"collection":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/comments?post=103"}],"version-history":[{"count":16,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/103\/revisions"}],"predecessor-version":[{"id":855,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/103\/revisions\/855"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media\/572"}],"wp:attachment":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media?parent=103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/categories?post=103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/tags?post=103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}