{"id":2866,"date":"2016-12-22T15:34:19","date_gmt":"2016-12-22T12:34:19","guid":{"rendered":"http:\/\/www.ufukonen.com\/tr\/?p=2866"},"modified":"2016-12-22T15:34:19","modified_gmt":"2016-12-22T12:34:19","slug":"miksin-sonunda-yapilmasi-ve-yapilmamasi-gerekenler","status":"publish","type":"post","link":"https:\/\/www.ufukonen.com\/tr\/miksin-sonunda-yapilmasi-ve-yapilmamasi-gerekenler.html","title":{"rendered":"Miksin Sonunda Yap\u0131lmas\u0131 ve Yap\u0131lmamas\u0131 Gerekenler"},"content":{"rendered":"

\"Miks_Sonunda\"<\/p>\n

 <\/p>\n

Miksin sonunda prod\u00fcksiyon zincirinde son halka olan mastering i\u015flemini g\u00f6z \u00f6n\u00fcne almak gerekir. Bir st\u00fcdyoya g\u00f6nderecek de olsan\u0131z, kendiniz yapacak da olsan\u0131z baz\u0131 i\u015fler mastering a\u015famas\u0131na b\u0131rak\u0131lmal\u0131d\u0131r. Benim tecr\u00fcbelerime ve fikirlerime g\u00f6re miksin sonunda yap\u0131lmas\u0131 ve yap\u0131lmamas\u0131 gerekenler \u015f\u00f6yle…<\/p>\n

 <\/p>\n

Fade Out<\/h3>\n

Miksi bounce ya da export ederken par\u00e7an\u0131n sonunu uzun b\u0131rak\u0131n, reverb\u2019lerin kuyruklar\u0131n\u0131 kesmeyin veya fade out etmeyin. E\u011fer par\u00e7a vol\u00fcm\u00fc azalarak (fade out ile) bitiyorsa olsa bile fade out\u2019u siz yapmay\u0131n, bu i\u015fi mastering a\u015famas\u0131na b\u0131rak\u0131n. Mastering m\u00fchendisleri, fade out i\u015flemini mastering s\u0131ras\u0131nda kullan\u0131lan kompres\u00f6r, limiter gibi t\u00fcm dinamik i\u015flemcilerden sonra yapmay\u0131 tercih ederler. Di\u011fer yandan par\u00e7an\u0131n sonundaki fade out’un, di\u011fer bir deyi\u015fle par\u00e7an\u0131n kapan\u0131\u015f\u0131n\u0131n yarat\u0131c\u0131 bir karar oldu\u011funu da unutmamak gerekir. \u00c7ok farkl\u0131 \u015fekillerde fade out yapmak m\u00fcmk\u00fcn (hem s\u00fcre hem de e\u011fri\u00a0olarak), \u00f6nemli olan fade out’un par\u00e7an\u0131n yap\u0131s\u0131na ve esteti\u011fine uymas\u0131. E\u011fer bu yarat\u0131c\u0131 karar mastering m\u00fchendisine b\u0131rak\u0131lmay\u0131p\u00a0miks s\u0131ras\u0131nda verilecekse, istenilen fade out s\u00fcresi ve e\u011frisi\u00a0ile bir dosya haz\u0131rlan\u0131p \u00f6rnek olarak mastering m\u00fchendisine g\u00f6nderilebilir.<\/p>\n

\"Pro

Pro Tools Fade Out E\u011frileri<\/p><\/div>\n

 <\/p>\n

Genel Seviye<\/h3>\n

Bitmi\u015f miks \u00fczerinde genel seviyeyi y\u00fckseltmek i\u00e7in gain, normalization\u00a0veya benzeri i\u015flemler uygulamay\u0131n.\u00a0DSP ile yap\u0131lan bu i\u015flemlerde i\u00e7 hesaplamalar genelde 24\u2013bit\u2019ten daha b\u00fcy\u00fck kelime uzunluklar\u0131 (word length) ile\u00a0yap\u0131l\u0131r\u00a0ve sonra dither uygulanarak word length tekrar eski haline indirilir.\u00a0Ayn\u0131 i\u015flemin bir de mastering a\u015famas\u0131nda yap\u0131laca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcrsek bu, gereksiz yere dither kullanmak demektir. Seviye\u00a0ayarlar\u0131n\u0131\u00a0mastering st\u00fcdyosuna b\u0131rak\u0131n.<\/p>\n

 <\/p>\n

Dinamik \u0130\u015flemciler<\/h3>\n

Limiter ya da benzeri plug\u2013in\u2019ler veya programlar kullanmay\u0131n. K\u0131saca (e\u011fer yapt\u0131\u011f\u0131n\u0131zdan ger\u00e7ekten emin de\u011filseniz) bitmi\u015f miks \u00fczerinde i\u015flem yapmay\u0131n. Bunun istisnalar\u0131 var elbette.\u00a0Miks \u00dczerine: M\u00fczik Prod\u00fcksiyonlar\u0131nda Miks Teknikleri ve \u00c7e\u015fitli Yakla\u015f\u0131mlar<\/a>\u00a0adl\u0131 kitab\u0131mdaki r\u00f6portajlarda okuyabilece\u011finiz gibi, baz\u0131 miks m\u00fchendisleri mikslerinin ana \u00e7\u0131k\u0131\u015f\u0131nda kompres\u00f6r kullan\u0131yorlar ve bunu miksin bir par\u00e7as\u0131 olarak ele al\u0131yorlar.<\/p>\n

 <\/p>\n

Sample Rate ve Bit Depth<\/h3>\n

Miks s\u0131ras\u0131nda y\u00fcksek sample rate ve bit depth ile \u00e7al\u0131\u015f\u0131lm\u0131\u015fsa bunlara dokunmadan, azaltma uygulamadan miksi WAVE yada AIFF gibi s\u0131k\u0131\u015ft\u0131rma kullan\u0131lmayan bir dosya format\u0131na yaz\u0131n. Sample rate ve bit depth azaltmas\u0131 mastering s\u0131ras\u0131nda yap\u0131lmal\u0131d\u0131r. Sample rate, Nyquist\u00a0Theorem, oversampling, bit depth, quantization ve dither konular\u0131 i\u00e7in Ses Kay\u0131t ve M\u00fczik Teknolojileri<\/a> adl\u0131 kitab\u0131m\u0131n “Dijital Ses Teknolojisi” ba\u015fl\u0131kl\u0131 b\u00f6l\u00fcm\u00fcn\u00fc okuyabilirsiniz.<\/p>\n

 <\/p>\n

Teknik terimler i\u00e7in m\u00fczik teknolojisi, m\u00fczik prod\u00fcksiyonu ve ses kay\u0131t terimleri s\u00f6zl\u00fc\u011f\u00fcne<\/a> g\u00f6z atabilirsiniz.<\/p>\n

Benzer payla\u015f\u0131mlar i\u00e7in beni Facebook<\/a> ve Twitter<\/a>‘da takip edebilir, haberler i\u00e7in mesaj listeme \u00fcye olabilirsiniz<\/a>. Te\u015fekk\u00fcrler.<\/p>\n

 <\/p>\n

G\u00f6rsel:\u00a0‘Front of house’ audio mixer at the Bull & Gate pub in Kentish Town, North London, Biggerbyfar~commonswiki, Wikimedia Commons<\/a>.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

  Miksin sonunda prod\u00fcksiyon zincirinde son halka olan mastering i\u015flemini g\u00f6z \u00f6n\u00fcne almak gerekir. Bir st\u00fcdyoya g\u00f6nderecek de olsan\u0131z, kendiniz…<\/p>\n","protected":false},"author":2,"featured_media":2882,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[18],"tags":[],"jetpack_featured_media_url":"https:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Miks_Sonunda.jpg","jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p3rjsG-Ke","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":3112,"url":"https:\/\/www.ufukonen.com\/tr\/miks-tamamlandiktan-sonra.html","url_meta":{"origin":2866,"position":0},"title":"Miks Tamamland\u0131ktan Sonra","date":"July 3, 2017","format":false,"excerpt":"Bu yaz\u0131 \"Miksin Sonunda Yap\u0131lmas\u0131 ve Yap\u0131lmamas\u0131 Gerekenler\" ve \"Miks Dosyalar\u0131n\u0131 \u0130simlendirme\" ba\u015fl\u0131kl\u0131 yaz\u0131lar\u0131n devam\u0131d\u0131r. \u00a0 Miksi tamamlad\u0131ktan sonra bence yap\u0131lmas\u0131 gereken, yapt\u0131\u011f\u0131n\u0131z miksi objektif ve ele\u015ftirel bir bi\u00e7imde dinlemek, ihtiya\u00e7 oldu\u011funu d\u00fc\u015f\u00fcn\u00fcrseniz miksi revize etmektir. Ancak bunu sa\u011fl\u0131kl\u0131 bir \u015fekilde yapabilmek i\u00e7in kendinize biraz s\u00fcre tan\u0131mak, bu s\u00fcre i\u00e7inde\u2026","rel":"","context":"In "Ses ve M\u00fczik Teknolojileri"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Miks_Tamamlandiktan_Sonra.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":7505,"url":"https:\/\/www.ufukonen.com\/tr\/dither-ne-zaman-kullanilir.html","url_meta":{"origin":2866,"position":1},"title":"Dither Ne Zaman Kullan\u0131l\u0131r?","date":"July 18, 2022","format":false,"excerpt":"\"POW-r Dither Algoritmalar\u0131\" ba\u015fl\u0131kl\u0131 yaz\u0131m\u0131 okuyanlardan mesaj at\u0131p soranlar oldu: \"Dither ne zaman kullan\u0131l\u0131r?\" \"Export al\u0131rken ya da bounce ederken mutlaka dither kullanmal\u0131 m\u0131y\u0131z?\" Bu sorular \u00fczerine ben bu yaz\u0131y\u0131 yazmaya karar verdim. Mutlaka Dither Kullanmal\u0131 m\u0131y\u0131z? Bu sorunun cevab\u0131 \u00e7ok basit ve net: Hay\u0131r! Her zaman dither kullanmamal\u0131s\u0131n\u0131z! Diyeceksiniz\u2026","rel":"","context":"In "Ses ve M\u00fczik Teknolojileri"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Dither_Ne_Zaman_Kullanilir_00_Header.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":7793,"url":"https:\/\/www.ufukonen.com\/tr\/delay-soru-cevap.html","url_meta":{"origin":2866,"position":2},"title":"Delay Hakk\u0131nda 2 Soru 2 Cevap","date":"December 5, 2022","format":false,"excerpt":"Y\u0131llar i\u00e7inde delay kullan\u0131m\u0131 ile ilgili olarak bana yaz\u0131l\u0131 veya s\u00f6zl\u00fc olarak bir\u00e7ok soru soruldu. Bunlar i\u00e7inde en \u00e7ok sorulan ve sorulmaya devam eden iki soruyu bu yaz\u0131mda cevaplar\u0131yla birlikte sizlerle payla\u015fmak istiyorum. Soru #1: \"Delay s\u00fcresini her zaman par\u00e7an\u0131n temposuna g\u00f6re mi ayarlamal\u0131y\u0131m?\" Hay\u0131r. \u00c7o\u011fu zaman delay s\u00fcresini par\u00e7an\u0131n\u2026","rel":"","context":"In "M\u00fczik Prod\u00fcksiyonu"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Delay_Soru_Cevap_00_Header.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4974,"url":"https:\/\/www.ufukonen.com\/tr\/mikste-referans-parca-kullanimi.html","url_meta":{"origin":2866,"position":3},"title":"Mikste Referans Par\u00e7a Kullan\u0131m\u0131","date":"August 19, 2019","format":false,"excerpt":"Miks s\u0131ras\u0131nda yapt\u0131\u011f\u0131m\u0131z i\u015fi, kalitesinden emin oldu\u011fumuz bir prod\u00fcksiyon ile k\u0131yaslamak amac\u0131yla kulland\u0131\u011f\u0131m\u0131z par\u00e7alara referans par\u00e7a ad\u0131 veriliyor. Baz\u0131lar\u0131 referans par\u00e7alar\u0131 sadece amat\u00f6rlerin ya da i\u015fe yeni ba\u015flayan miks m\u00fchendislerinin kulland\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyor, ancak bu do\u011fru de\u011fil. Referans par\u00e7alar deneyimli miks m\u00fchendisleri taraf\u0131ndan da s\u0131kl\u0131kla kullan\u0131l\u0131yor. Referans par\u00e7a kullan\u0131m\u0131 \u00e7al\u0131\u015fmakta oldu\u011funuz\u2026","rel":"","context":"In "M\u00fczik Prod\u00fcksiyonu"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Mikste_Referans_Parca_Kullanimi_720.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3708,"url":"https:\/\/www.ufukonen.com\/tr\/loudness-range-lra.html","url_meta":{"origin":2866,"position":4},"title":"Loudness Range (LRA)","date":"February 26, 2018","format":false,"excerpt":"\u00a0 Loudness Range (LRA), makroskopik (iri \u00f6l\u00e7ekli) bir zaman aral\u0131\u011f\u0131nda sinyaldeki alg\u0131lanan seviye de\u011fi\u015fimlerini istatiksel olarak \u00f6l\u00e7en bir y\u00f6ntemidir. Basite indirgeyecek olursak, Loudness Range, sesin g\u00fcrl\u00fc\u011f\u00fcn\u00fcn aral\u0131\u011f\u0131, di\u011fer bir deyi\u015fle sesteki en g\u00fcr nokta ile en yumu\u015fak noktan\u0131n fark\u0131d\u0131r. Loudness Range (LRA) y\u00f6nteminde hesaplamalar istatiksel da\u011f\u0131l\u0131ma g\u00f6re yap\u0131ld\u0131\u011f\u0131 i\u00e7in \u00e7ok\u2026","rel":"","context":"In "Ses ve M\u00fczik Teknolojileri"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/loudness_range_1280x720.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8272,"url":"https:\/\/www.ufukonen.com\/tr\/miks-referans-parca-karsilastirirken.html","url_meta":{"origin":2866,"position":5},"title":"Miksinizi Referans Par\u00e7a \u0130le Kar\u015f\u0131la\u015ft\u0131r\u0131rken Dikkat Etmeniz Gereken 4 Nokta","date":"February 5, 2024","format":false,"excerpt":"Yapt\u0131\u011f\u0131m\u0131z miksi referans ald\u0131\u011f\u0131m\u0131z bir par\u00e7a ile kar\u015f\u0131la\u015ft\u0131rmak hepimizin s\u0131kl\u0131kla uygulad\u0131\u011f\u0131 bir y\u00f6ntem. Peki, bunu yaparken nelere dikkat etmeliyiz? Bu yaz\u0131mda miksinizi referans par\u00e7a ile kar\u015f\u0131la\u015ft\u0131r\u0131rken dikkat etmeniz gereken d\u00f6rt noktay\u0131 sizlerle payla\u015fmak istiyorum. 1- Vokal Amat\u00f6r ve profesyonel miksleri birbirlerinden ay\u0131ran en belirgin farklardan biri vokalin miksteki yeridir. Amat\u00f6r\u2026","rel":"","context":"In "M\u00fczik Prod\u00fcksiyonu"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Miks_Referans_Parca_Karsilastirirken_00_Header.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/2866"}],"collection":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/comments?post=2866"}],"version-history":[{"count":20,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/2866\/revisions"}],"predecessor-version":[{"id":2888,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/2866\/revisions\/2888"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media\/2882"}],"wp:attachment":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media?parent=2866"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/categories?post=2866"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/tags?post=2866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}