{"id":290,"date":"2013-01-11T23:13:50","date_gmt":"2013-01-11T21:13:50","guid":{"rendered":"http:\/\/blog.ufukonen.com\/?p=290"},"modified":"2014-06-03T18:52:48","modified_gmt":"2014-06-03T15:52:48","slug":"atmm-2012nin-ardindan","status":"publish","type":"post","link":"https:\/\/www.ufukonen.com\/tr\/atmm-2012nin-ardindan.html","title":{"rendered":"ATMM 2012’nin Ard\u0131ndan…"},"content":{"rendered":"
\"ATMM<\/a>

ATMM 2012<\/p><\/div>\n

ATMM<\/a> (Audio Technologies for Music and Media – M\u00fczik ve Medya i\u00e7in Ses Teknolojileri) konferans\u0131n\u0131n birincisi 1-2 Kas\u0131m 2012 tarihlerinde G\u00fczel Sanatlar, Tasar\u0131m ve Mimarl\u0131k Fak\u00fcltesi, \u0130leti\u015fim ve Tasar\u0131m B\u00f6l\u00fcm\u00fc<\/a>‘n\u00fcn ev sahipli\u011finde, Bilkent \u00dcniversitesi<\/a>‘nde ger\u00e7ekle\u015fti. Konferans fikrini ortaya ilk att\u0131\u011f\u0131m\u0131zda bunu tek seferlik de\u011fil, her sene tekrar edecek bir organizasyon olarak d\u00fc\u015f\u00fcnm\u00fc\u015ft\u00fck; ba\u015far\u0131l\u0131 olaca\u011f\u0131n\u0131 tahmin ediyorduk, bunun i\u00e7in ger\u00e7ekten b\u00fcy\u00fck \u00e7aba harcamaya haz\u0131rd\u0131k ama tecr\u00fcbe etmeden emin olam\u0131yorduk. ATMM fikrinin nas\u0131l ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 di\u011fer bir yaz\u0131da anlatm\u0131\u015ft\u0131m, okumak i\u00e7in t\u0131klay\u0131n\u0131z<\/a>. San\u0131r\u0131m art\u0131k ATMM 2012’yi ‘birinci’ olarak nitelendirmekte bir sorun yok \u00e7\u00fcnk\u00fc 1-2 Kas\u0131m tarihlerinde g\u00f6rd\u00fc\u011f\u00fcm\u00fcz tabloya bakarak bunun devam\u0131n\u0131n gelece\u011fini s\u00f6yleyebiliriz… Hatta organizasyon komitesi olarak 2013’\u00fcn planlar\u0131n\u0131 yapmaya ba\u015flad\u0131k bile.<\/p>\n

ATMM 2012, alan\u0131nda T\u00fcrkiye’de ilk defa yap\u0131lan bir konferans. ATMM, ses ve m\u00fczik teknolojileri ile g\u00f6rsel-i\u015fitsel ara\u00e7lar\u0131n farkl\u0131 y\u00f6nlerine odaklanan, ses, m\u00fczik, g\u00f6r\u00fcnt\u00fc ve insan etkile\u015fimi gibi konular\u0131n birbirleri ile olan etkile\u015fimlerini hem \u2018geleneksel\u2019 hem de \u2018yeni\u2019 medya a\u00e7\u0131s\u0131ndan inceleyen disiplinleraras\u0131 bir konferans. Bir di\u011fer \u00f6zelli\u011fi ise sadece akademisyenlere y\u00f6nelik olmamas\u0131. ATMM’in ama\u00e7lar\u0131ndan biri de akademi ile end\u00fcstriyi bir araya getirmektir. Bu sebepten dolay\u0131 ATMM, sadece akademisyenlere ve \u00f6\u011frencilere de\u011fil, profesyonellere ve bu alanda \u00e7al\u0131\u015fmak, kariyer yapmak isteyen ya da bu alana ilgi duyan herkese a\u00e7\u0131kt\u0131r.<\/p>\n

\"Abdullah<\/a>

Abdullah Atalar<\/p><\/div>\n

ATMM 2012’yi 1 Kas\u0131m Per\u015fembe sabah\u0131 Teoman Pasinlio\u011flu ile birlikte yapt\u0131\u011f\u0131m\u0131z k\u0131sa bir konu\u015fmayla a\u00e7t\u0131k. Ard\u0131ndan Bilkent \u00dcniversitesi rekt\u00f6r\u00fc Abdullah Atalar<\/a> bir konu\u015fma yapt\u0131. Yakla\u015f\u0131k 10:00’da k\u00fcrs\u00fcy\u00fc ATMM 2012’nin ana konu\u015fmac\u0131s\u0131 (‘keynote speaker’) Bobby Owsinski<\/a>‘ye b\u0131rakt\u0131k. Owsinski, ses kay\u0131t, m\u00fczik prod\u00fcksiyonu, m\u00fczik end\u00fcstrisi ve benzer konularla ilgilenenlerin yak\u0131ndan tan\u0131d\u0131\u011f\u0131; 16 kitap yazm\u0131\u015f; aralar\u0131nda Elvis Presley, Jimmy Hendrix, The Who, Willie Nelson, Neil Young, The Ramones ve Chicago gibi sanat\u00e7\u0131lar\u0131n da bulundu\u011fu say\u0131lar\u0131 100’den fazla olan ‘surround sound’ projesinde imzas\u0131 bulunan; Berklee School of Music ve Trebas Recording Institute’da ses kay\u0131t ve multimedya prod\u00fcksiyonu dersleri vermi\u015f ve d\u00fcnya \u00e7ap\u0131nda bir\u00e7ok okulu konuk konu\u015fmac\u0131 olarak ziyaret etmi\u015f \u00e7ok \u00f6nemli bir isim. Owsinski’nin konu\u015fmas\u0131n\u0131n ba\u015fl\u0131\u011f\u0131 “The Music Industry Is NOT Dying” (“M\u00fczik End\u00fcstrisi \u00d6lm\u00fcyor”) idi. Owsinski konu\u015fmas\u0131nda m\u00fczik end\u00fcstrisinin g\u00fcn\u00fcm\u00fczdeki durumuna ve sosyal medyan\u0131n \u00f6nemine de\u011findi. Yapm\u0131\u015f oldu\u011fu g\u00f6zlem ve tespitleri bizlerle payla\u015ft\u0131, k\u0131yaslamalar yapt\u0131, \u00f6rnekler verdi, sosyal medya kullan\u0131m\u0131 konusunda tavsiyelerde bulundu. Basmakal\u0131p olmaktan \u00e7ok uzak, etkileyici, s\u00fcr\u00fckleyici ve bilgilendirici bir konu\u015fma oldu. Owsinski, ikinci g\u00fcn, konferans\u0131n kapan\u0131\u015f\u0131nda, m\u00fczisyenleri st\u00fcdyoda kayda haz\u0131rlama konusunu ele alan bir de workshop yapt\u0131. Kat\u0131l\u0131mc\u0131lar\u0131n b\u00fcy\u00fck ilgisini \u00e7eken workshop’ta sahnede Owsinski’ye Giray Bayer (vokal\/gitar), Mira\u00e7 At\u0131c\u0131 (klavye), Sercan Atl\u0131 (bas gitar) ve Ger\u00e7ek Dorman (perk\u00fcsyon) kat\u0131ld\u0131.<\/p>\n

\"Bobby<\/a>

Bobby Owsinski<\/p><\/div>\n

ATMM 2012’de, a\u00e7\u0131l\u0131\u015f konu\u015fmalar\u0131 ve ana konu\u015fma hari\u00e7, toplam 24 sunum yap\u0131ld\u0131. Sunum yapanlardan d\u00f6rd\u00fc d\u0131\u015f \u00fclkelerdendi. Yurt i\u00e7inden ise Ankara, \u0130stanbul, \u0130zmir, Ni\u011fde, Malatya, Aksaray ve \u00c7ank\u0131r\u0131 olmak \u00fczere yedi farkl\u0131 \u015fehirlerden kat\u0131l\u0131mc\u0131lar vard\u0131. ATMM, sadece sunum yap\u0131lan bir konferans de\u011fil, tan\u0131\u015fmalar\u0131n ya\u015fand\u0131\u011f\u0131 ve yeni projelerin temellerinin at\u0131ld\u0131\u011f\u0131 bir platform haline d\u00f6n\u00fc\u015ft\u00fc, zaten bizim de istedi\u011fimiz ba\u015f\u0131ndan beri buydu. T\u00fcm kat\u0131l\u0131mc\u0131lar samimi ve al\u00e7ak g\u00f6n\u00fcll\u00fcyd\u00fc, harika bir ortam vard\u0131.<\/p>\n

Sunumlar\u0131n yan\u0131 s\u0131ra iki performans ve bir de panel vard\u0131: Performanslardan birincisi ilk g\u00fcn U\u011fur Sat\u0131lm\u0131\u015f ve \u0130sra \u00d6zsalar, ikincisi de ikinci g\u00fcn Dr. G\u00f6k\u00e7e Altay taraf\u0131ndan ger\u00e7ekle\u015ftirildi. Panelin ba\u015fl\u0131\u011f\u0131 “T\u00fcrkiye’de Ses ve M\u00fczik Teknolojileri E\u011fitimi” idi. Panelde ben, Tolga Tolun (SAE Institute), Arda Eden (\u0130n\u00f6n\u00fc \u00dcniversitesi) ve Bora Uslusoy T\u00fcrkiye’de ses ve m\u00fczik teknolojileri alanlar\u0131ndaki e\u011fitim programlar\u0131, bu programlardaki m\u00fczik ve teknik alanlar\u0131n dengesi ve benzeri konular \u00fczerine konu\u015ftuk, tart\u0131\u015ft\u0131k, izleyicilerden gelen sorular\u0131 yan\u0131tlad\u0131k.<\/p>\n

\"Teoman<\/a>

Teoman Pasinlio\u011flu<\/p><\/div>\n

ATMM (Audio Technologies for Music and Media) 2012 konferans\u0131n\u0131 mutlu bir \u015fekilde bitirdik. Bilgi de\u011fi\u015fimi oldu, tan\u0131\u015fmalar oldu, projeler i\u00e7in temeller at\u0131ld\u0131. T\u00fcm kat\u0131l\u0131mc\u0131lar son derece samimi ve al\u00e7akg\u00f6n\u00fcll\u00fcyd\u00fc, harika bir ortam vard\u0131. ‘Keynote speaker’\u0131m\u0131z (ana konu\u015fmac\u0131m\u0131z) Bobby Owsinski harika bir konu\u015fma ve etkileyici bir workshop yapt\u0131. Kendisi de ATMM’den \u00e7ok memnun kalm\u0131\u015f, t\u00fcm d\u00fcnyadan bir\u00e7ok ki\u015finin ziyaret etti\u011fi blog’unda harika \u015feyler yazm\u0131\u015f…<\/p>\n

http:\/\/bobbyowsinski.blogspot.com\/2012\/11\/the-atmm-conference-at-bilkent.html<\/a><\/p>\n

ATMM 2012’nin organizasyon komitesi Ufuk \u00d6nen (Bilkent \u00dcniversitesi), Teoman Pasinlio\u011flu, Mustafa Ertan (InterElektro), Ahmet G\u00fcrata (Bilkent \u00dcniversitesi), \u00d6zlem \u00d6m\u00fcr (Ankara \u00dcniversitesi), B\u00fclent B\u0131y\u0131ko\u011flu (KV331 Audio) ve K\u00fcr\u015fat Pasinlio\u011flu (Voispectra); de\u011ferlendirme komitesi ise Teoman Pasinlio\u011flu, Mahcem \u00d6zt\u00fcrk (M\u00fcziktek), Server Acim (\u0130n\u00f6n\u00fc \u00dcniversitesi), Arda Eden (\u0130n\u00f6n\u00fc \u00dcniversitesi), Pieter Verstraete (University of Exeter ve Sabanc\u0131 \u00dcniversitesi), K\u00fcr\u015fat Pasinlio\u011flu, Ersan Ocak (Bilkent \u00dcniversitesi) ve B\u00fclent B\u0131y\u0131ko\u011flu (KV331 Audio) taraf\u0131ndan olu\u015fuyordu. Kendilerine \u00e7ok te\u015fekk\u00fcr ediyorum, bu isimlerle birlikte \u00e7al\u0131\u015fmak ger\u00e7ekten bir zevkti. Organizasyon komitesi asistanlar\u0131m\u0131z Mira\u00e7 At\u0131c\u0131, U\u011fur Sat\u0131lm\u0131\u015f ve Giray Bayer’di; \u00fc\u00e7\u00fc de hem konferans \u00f6ncesi hem de konferans s\u0131ras\u0131nda m\u00fcthi\u015f performans sergilediler, ayr\u0131 ayr\u0131 hepsine \u00e7ok te\u015fekk\u00fcr ediyorum. Afi\u015f, program kitap\u00e7\u0131\u011f\u0131 ve benzer bas\u0131l\u0131 materyallerimizin tamam\u0131n\u0131n tasar\u0131m\u0131n\u0131 yapan Funda \u015eenova Tunal\u0131’ya da ne kadar te\u015fekk\u00fcr etsek azd\u0131r.<\/p>\n

Bilkent \u00dcniversitesi<\/a>, Amerikan B\u00fcy\u00fckel\u00e7ili\u011fi<\/a>, SAE Institute<\/a>, Sinerji-Vass<\/a>, M\u00fcziktek<\/a>, Sound<\/a> dergisi ve \u00c7a\u011fda\u015f Sanat Merkezi<\/a> (Ankara)… Organizasyon komitesi ad\u0131na kendilerine buradan \u00e7ok te\u015fekk\u00fcr ediyorum, destekleri olmasayd\u0131 ATMM 2012’yi asla ger\u00e7ekle\u015ftiremezdik.<\/p>\n

\"Ufuk<\/a>

Ufuk \u00d6nen<\/p><\/div>\n

 <\/p>\n

\"@UfukOnen<\/a><\/p>\n

 <\/p>\n

Ses ve m\u00fczik teknolojileri, m\u00fczik prod\u00fcksiyonu, ses tasar\u0131m\u0131 ve benzeri alanlar ile ilgili haberler, d\u00fc\u015f\u00fcnceler ve payla\u015f\u0131mlar i\u00e7in beni Twitter’da takip edebilirsiniz:\u00a0https:\/\/twitter.com\/UfukOnen<\/a><\/p>\n

 <\/p>\n

\"Sound_2012_12_Aralik\"<\/a>\u00a0Bu yaz\u0131 Sound<\/em> dergisinin Aral\u0131k 2012 say\u0131s\u0131nda yay\u0131nlanm\u0131\u015ft\u0131r. \u00a9 2012 Ufuk \u00d6nen. Bu yaz\u0131n\u0131n t\u00fcm haklar\u0131 sakl\u0131d\u0131r. \u0130zinsiz olarak kullan\u0131lamaz, kaynak g\u00f6sterilmeden ve link verilmeden al\u0131nt\u0131 yap\u0131lamaz.<\/p>\n","protected":false},"excerpt":{"rendered":"

ATMM (Audio Technologies for Music and Media – M\u00fczik ve Medya i\u00e7in Ses Teknolojileri) konferans\u0131n\u0131n birincisi 1-2 Kas\u0131m 2012 tarihlerinde…<\/p>\n","protected":false},"author":2,"featured_media":496,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[3,21],"tags":[],"jetpack_featured_media_url":"https:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/ATMM_Closing-2.jpg","jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p3rjsG-4G","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":880,"url":"https:\/\/www.ufukonen.com\/tr\/atmm-2013-bilkent-ankara-31-ekim-1-kasim.html","url_meta":{"origin":290,"position":0},"title":"ATMM 2013, Bilkent, Ankara (31 Ekim – 1 Kas\u0131m)","date":"November 3, 2013","format":false,"excerpt":"ATMM (Audio Technologies for Music and Media - M\u00fczik ve Medya i\u00e7in Ses Teknolojileri), ses ve m\u00fczik teknolojileri ile g\u00f6rsel-i\u015fitsel ara\u00e7lar\u0131n farkl\u0131 y\u00f6nlerine odaklanan, ses, m\u00fczik, g\u00f6r\u00fcnt\u00fc ve insan etkile\u015fimi gibi konular\u0131n birbirleri ile olan etkile\u015fimlerini hem 'geleneksel' hem de 'yeni' medya a\u00e7\u0131s\u0131ndan inceleyen disiplinleraras\u0131 ve uluslararas\u0131 bir konferanst\u0131r. ATMM\u2026","rel":"","context":"In "ATMM"","img":{"alt_text":"ATMM 2013 - Audio Technologies for Music and Media International Conference - Ufuk \u00d6nen","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/ATMM_2013_Poster_131012_s.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":164,"url":"https:\/\/www.ufukonen.com\/tr\/atmm-2012-muzik-ve-medya-icin-ses-teknolojileri-konferansi.html","url_meta":{"origin":290,"position":1},"title":"“ATMM 2012: M\u00fczik ve Medya i\u00e7in Ses Teknolojileri Konferans\u0131”","date":"June 17, 2012","format":false,"excerpt":"1-2 Kas\u0131m 2012 tarihlerinde Ankara, Bilkent \u00dcniversitesi'nde, \u0130leti\u015fim ve Tasar\u0131m B\u00f6l\u00fcm\u00fc'n\u00fcn (COMD) ev sahipli\u011finde ger\u00e7ekle\u015ftirilen Audio Technologies for Music and Media (ATMM) konferans\u0131 ile ilgili olarak yazd\u0131\u011f\u0131m ve Sound dergisinin 2012 May\u0131s say\u0131s\u0131nda yay\u0131nlanan\u00a0\"ATMM 2012: M\u00fczik ve Medya i\u00e7in Ses Teknolojileri Konferans\u0131\" ba\u015fl\u0131kl\u0131 yaz\u0131m... \u00a0 ATMM 2012: M\u00fczik ve Medya\u2026","rel":"","context":"In "ATMM"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/ATMM-AD_20121015.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1478,"url":"https:\/\/www.ufukonen.com\/tr\/atmm-ekibe-katilmak-ister-misiniz.html","url_meta":{"origin":290,"position":2},"title":"ATMM 2014: Ekibe Kat\u0131lmak \u0130ster misiniz?","date":"June 6, 2014","format":false,"excerpt":"ATMM (Audio Technologies for Music and Media \u2013 M\u00fczik ve Medya i\u00e7in Ses Teknolojileri), ses ve m\u00fczik teknolojileri ile g\u00f6rsel-i\u015fitsel ara\u00e7lar\u0131n farkl\u0131 y\u00f6nlerine odaklanan, ses, m\u00fczik, g\u00f6r\u00fcnt\u00fc ve insan etkile\u015fimi gibi konular\u0131n birbirleri ile olan etkile\u015fimlerini hem \u2018geleneksel\u2019 hem de \u2018yeni\u2019 medya a\u00e7\u0131s\u0131ndan inceleyen disiplinleraras\u0131 ve uluslararas\u0131 bir konferanst\u0131r. Web\u2026","rel":"","context":"In "ATMM"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/cropped-ATMM_2014_INT_Header_2_960px.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2008,"url":"https:\/\/www.ufukonen.com\/tr\/atmm-2014.html","url_meta":{"origin":290,"position":3},"title":"ATMM 2014: 12-13 Kas\u0131m Ankara, 14 Kas\u0131m \u0130stanbul","date":"September 28, 2014","format":false,"excerpt":"ATMM (Audio Technologies for Music and Media \u2013 M\u00fczik ve Medya i\u00e7in Ses Teknolojileri), ses ve m\u00fczik teknolojileri ile g\u00f6rsel-i\u015fitsel ara\u00e7lar\u0131n farkl\u0131 y\u00f6nlerine odaklanan, ses, m\u00fczik, g\u00f6r\u00fcnt\u00fc ve insan etkile\u015fimi gibi konular\u0131n birbirleri ile olan etkile\u015fimlerini hem \u2018geleneksel\u2019 hem de \u2018yeni\u2019 medya a\u00e7\u0131s\u0131ndan inceleyen disiplinleraras\u0131 ve uluslararas\u0131 bir konferanst\u0131r. ATMM\u2026","rel":"","context":"In "ATMM"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/ATMM_2014_TwitterPost_1024x512_140922.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2027,"url":"https:\/\/www.ufukonen.com\/tr\/aes-137th-los-angeles-2014.html","url_meta":{"origin":290,"position":4},"title":"AES 137th Convention (Los Angeles, 2014)","date":"October 19, 2014","format":false,"excerpt":"Audio Engineering Society (AES), 1948 y\u0131l\u0131nda New York'ta kurulmu\u015f olan bir birlik. \u015eu anda d\u00fcnyaya yay\u0131lm\u0131\u015f 75 yerel \u015fubesi ve toplamda 14 bin \u00fcyesi var. AES, biri Amerika di\u011feri ise Avrupa'da olmak \u00fczere her y\u0131l iki b\u00fcy\u00fck kongre yap\u0131yor. Bu kongreler i\u00e7inde fuarlar da yer al\u0131yor. Bunun yan\u0131 s\u0131ra y\u0131l\u2026","rel":"","context":"In "Konferans"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/AES_137th_Alan_Parsons.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2464,"url":"https:\/\/www.ufukonen.com\/tr\/muzik-endustrisine-bakis-1.html","url_meta":{"origin":290,"position":5},"title":"M\u00fczik End\u00fcstrisine Bak\u0131\u015f (1. B\u00f6l\u00fcm)","date":"April 22, 2016","format":false,"excerpt":"\"M\u00fczik Prod\u00fcksiyonu i\u00e7in Alternatif Y\u00f6ntemler ve Amanda Palmer \u00d6rne\u011fi\" ba\u015fl\u0131kl\u0131 yaz\u0131m olduk\u00e7a ilgi toplam\u0131\u015ft\u0131. Anla\u015f\u0131lan o ki m\u00fczik prod\u00fcksiyonu, finansman, da\u011f\u0131t\u0131m ve benzeri konularda yeni ve alternatif y\u00f6ntemler bir\u00e7ok m\u00fczisyenin ve m\u00fczik prod\u00fckt\u00f6r\u00fcn\u00fcn ilgisini \u00e7ekiyor. Ba\u015flang\u0131c\u0131ndan sonra uzun y\u0131llar ayn\u0131 \u015fekilde devam edem m\u00fczik end\u00fcstrisinde son 10-15 y\u0131lda b\u00fcy\u00fck de\u011fi\u015fimler\u2026","rel":"","context":"In "M\u00fczik End\u00fcstrisi"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Muzik_Endustrisine_Bakis_1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/290"}],"collection":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/comments?post=290"}],"version-history":[{"count":37,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/290\/revisions"}],"predecessor-version":[{"id":1366,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/290\/revisions\/1366"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media\/496"}],"wp:attachment":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media?parent=290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/categories?post=290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/tags?post=290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}