{"id":3013,"date":"2017-04-28T22:24:26","date_gmt":"2017-04-28T19:24:26","guid":{"rendered":"http:\/\/www.ufukonen.com\/tr\/?p=3013"},"modified":"2021-08-03T21:54:59","modified_gmt":"2021-08-03T18:54:59","slug":"miks-dosyalarini-isimlendirme","status":"publish","type":"post","link":"https:\/\/www.ufukonen.com\/tr\/miks-dosyalarini-isimlendirme.html","title":{"rendered":"Miks Dosyalar\u0131n\u0131 \u0130simlendirme"},"content":{"rendered":"<p>Miksi tamamlay\u0131p stereo olarak bir ses dosyas\u0131na bounce ya da export ederken kullanaca\u011f\u0131n\u0131z isim veya isimlendirme sistemi b\u00fcy\u00fck \u00f6nem ta\u015f\u0131r. Eskiden mikslerin genelde bir ya da iki versiyonu olurdu. G\u00fcn\u00fcm\u00fczde ise biten ya da bitti\u011fi d\u00fc\u015f\u00fcn\u00fclen miksler \u00fczerinde bir\u00e7ok revizyon yap\u0131l\u0131yor. E\u011fer bu dosyalar\u0131 belirli bir sistematik dahilinde isimlendirmezseniz ipin ucu ka\u00e7abilir.<\/p>\n<p>\u00d6rnek olarak, a\u015fa\u011f\u0131daki gibi geli\u015fig\u00fczel isimlendirilmi\u015f dosyalar\u0131n oldu\u011fu bir klas\u00f6r bir s\u00fcre sonra i\u00e7inden \u00e7\u0131k\u0131lmaz bir hal alabilir:<\/p>\n<ul>\n<li>ParcaAdi.wav<\/li>\n<li>ParcaAdi-Yeni.wav<\/li>\n<li>ParcaAdi-Son.wav<\/li>\n<li>ParcaAdi-EnSon.wav<\/li>\n<li>ParcaAdi-EnSonYeni.wav<\/li>\n<\/ul>\n<p>Ben genelde dosya isimlendirmelerimi a\u015fa\u011f\u0131daki formatta yap\u0131yorum:<\/p>\n<p style=\"text-align: center;\"><strong>GrupAdi-ParcaAdi-YYAAGG-Notlar.wav<\/strong><\/p>\n<p>YYAAGG y\u0131l, ay ve g\u00fcn i\u00e7in kulland\u0131\u011f\u0131m k\u0131saltmalar. \u00d6rnek olarak 24 \u015eubat 2016 i\u00e7in 160224 kullan\u0131yorum. Bu \u015fekilde bilgisayarda, bir klas\u00f6r i\u00e7indeki ayn\u0131 isimle ba\u015flayan t\u00fcm dosyalar tarih s\u0131ras\u0131na g\u00f6re dizilmi\u015f oluyor, hangisi eski, hangisi yeni, bir bak\u0131\u015fta g\u00f6rmek \u00e7ok kolay bir hale geliyor. E\u011fer tarihi g\u00fcn, ay, y\u0131l (GGAAYY) olarak yazarsan\u0131z do\u011fru bir \u015fekilde s\u0131ralanm\u0131yor.<\/p>\n<p>Notlar k\u0131sm\u0131na da dosyan\u0131n i\u00e7eri\u011fi ile ilgili kolayca anlayabilece\u011fim birka\u00e7 anahtar kelime yaz\u0131yorum.<\/p>\n<p>Baz\u0131 bilgisayar i\u015fletim sistemlerinde ve \u00f6zellikle cloud servislerinde sorun \u00e7\u0131kt\u0131\u011f\u0131 i\u00e7in dosya isimlerinde T\u00fcrk\u00e7e harfler kullanm\u0131yorum.<\/p>\n<p>Siz de bu isimlendirme sistemini kullanabilir ya da kendinize g\u00f6re bir sistem geli\u015ftirebilirsiniz.<\/p>\n<p>Bu yaz\u0131\u00a0<a href=\"http:\/\/www.ufukonen.com\/tr\/muzik-produksiyonlarinda-miks-teknikleri.html\"><em><strong>Miks \u00dczerine: M\u00fczik Prod\u00fcksiyonlar\u0131nda Miks Teknikleri ve \u00c7e\u015fitli Yakla\u015f\u0131mlar<\/strong><\/em><\/a> adl\u0131 kitab\u0131mdan al\u0131nm\u0131\u015ft\u0131r.<\/p>\n<p><a href=\"http:\/\/www.ufukonen.com\/tr\/muzik-produksiyonlarinda-miks-teknikleri.html\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" class=\"aligncenter wp-image-2818\" src=\"http:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Onen_MPMT_AMEK_Background_1024x541-1024x541.jpg\" alt=\"Onen_MPMT_AMEK_Background_1024x541\" width=\"450\" height=\"238\" srcset=\"https:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Onen_MPMT_AMEK_Background_1024x541.jpg 1024w, https:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Onen_MPMT_AMEK_Background_1024x541-300x158.jpg 300w, https:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Onen_MPMT_AMEK_Background_1024x541-768x406.jpg 768w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a><\/p>\n<p>Teknik terimler i\u00e7in <a href=\"http:\/\/www.ufukonen.com\/tr\/ses-kayit-muzik-teknolojisi-terimler-sozluk.html\">m\u00fczik teknolojisi, m\u00fczik prod\u00fcksiyonu ve ses kay\u0131t terimleri s\u00f6zl\u00fc\u011f\u00fcne<\/a> g\u00f6z atabilirsiniz.<\/p>\n<p>Benzer payla\u015f\u0131mlar i\u00e7in beni <a href=\"https:\/\/www.facebook.com\/ufukonen.skmt\/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook<\/a> ve <a href=\"https:\/\/twitter.com\/UfukOnen\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter<\/a>&#8216;da takip edebilir, haberler i\u00e7in <a href=\"http:\/\/ufukonen.com\/tr\/ses-kayit-muzik-teknolojisi-terimler-sozluk.html\" target=\"_blank\" rel=\"noopener noreferrer\">mesaj listeme \u00fcye olabilirsiniz<\/a>. Te\u015fekk\u00fcrler.<\/p>\n<p>Ba\u015fl\u0131k foto\u011fraf\u0131:\u00a0<a href=\"https:\/\/www.pexels.com\/@tima-miroshnichenko?utm_content=attributionCopyText&amp;utm_medium=referral&amp;utm_source=pexels\" target=\"_blank\" rel=\"noopener noreferrer\">Tima Miroshnichenko<\/a> | <a href=\"https:\/\/www.pexels.com\/photo\/industry-internet-technology-music-4988137\/?utm_content=attributionCopyText&amp;utm_medium=referral&amp;utm_source=pexels\" target=\"_blank\" rel=\"noopener noreferrer\">Pexels<\/a><\/p>\n<p>\u00a9 2016-2017 Ufuk \u00d6nen. Her hakk\u0131 sakl\u0131d\u0131r. \u0130zinsiz kullan\u0131lamaz.<\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"post-excerpt\">Miksi tamamlay\u0131p stereo olarak bir ses dosyas\u0131na bounce ya da export ederken kullanaca\u011f\u0131n\u0131z isim veya isimlendirme sistemi b\u00fcy\u00fck \u00f6nem ta\u015f\u0131r&#8230;.<\/p>\n","protected":false},"author":2,"featured_media":6796,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[18],"tags":[],"jetpack_featured_media_url":"https:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Miks_Dosyalarini_Is\u0131mlendirme_2021_rfs.jpg","jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p3rjsG-MB","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":4836,"url":"https:\/\/www.ufukonen.com\/tr\/mikrofonlar-signal-to-noise-ratio.html","url_meta":{"origin":3013,"position":0},"title":"Mikrofonlar ve Signal-to-Noise Ratio","date":"June 3, 2019","format":false,"excerpt":"Bir \u00f6nceki hafta mikrofonlar\u0131n kendi dip g\u00fcr\u00fclt\u00fcleri ile ilgili \"Mikrofonlar ve Equivalent Noise Level\" ba\u015fl\u0131kl\u0131 bir yaz\u0131 yazm\u0131\u015f, 'self noise' olarak da bilinen bu g\u00fcr\u00fclt\u00fclerin neden olu\u015ftu\u011funu ve nas\u0131l \u00f6l\u00e7\u00fcld\u00fc\u011f\u00fcn\u00fc anlatm\u0131\u015ft\u0131m. Equivalent noise level ya da self noise seviyesi genelde A-weighting dengesi kullan\u0131larak \u00f6l\u00e7\u00fcl\u00fcyor ve dB SPL cinsinden ifade ediliyor.\u2026","rel":"","context":"In &quot;Ses ve M\u00fczik Teknolojileri&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Mikrofon_Signal_to_Noise_Ratio.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4087,"url":"https:\/\/www.ufukonen.com\/tr\/film-sesleri-2.html","url_meta":{"origin":3013,"position":1},"title":"Film Sesleri (2. B\u00f6l\u00fcm)","date":"September 3, 2018","format":false,"excerpt":"Yaz\u0131n\u0131n birinci b\u00f6l\u00fcm\u00fcn\u00fc okumak i\u00e7in t\u0131klay\u0131n\u0131z. \u00a0 Ses Efektleri (1. b\u00f6l\u00fcmden devam) Ses efektleri bunlarla s\u0131n\u0131rl\u0131 de\u011fildir. \u0130nsan ve e\u015fyalara ba\u011fl\u0131 sesler, ses efektleri i\u00e7inde ayr\u0131 bir grubu olu\u015fturur. Bu gruba \u00f6rnek olarak ayak sesleri, barda\u011f\u0131 masaya koydu\u011fumuzda \u00e7\u0131kan ses ve elbise h\u0131\u015f\u0131rt\u0131lar\u0131n\u0131 g\u00f6sterebiliriz. \u0130nsan ve e\u015fyalara ba\u011fl\u0131 sesler st\u00fcdyoda\u2026","rel":"","context":"In &quot;Ses Tasar\u0131m\u0131&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/film_sesleri_2.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":6410,"url":"https:\/\/www.ufukonen.com\/tr\/kompresorde-negatif-oran.html","url_meta":{"origin":3013,"position":2},"title":"Kompres\u00f6rde Negatif Oran","date":"February 22, 2021","format":false,"excerpt":"Kompres\u00f6r \u00fczerindeki oran parametresi, sinyal seviyesi \u00fczerinde ne kadar azaltma (gain reduction) uygulanaca\u011f\u0131n\u0131 kontrol etmek i\u00e7in kullan\u0131l\u0131r. Standart kompres\u00f6rlerde bu oran hep pozitif say\u0131d\u0131r. \u00d6rnek olarak, 1:1 oran\u0131 giri\u015f ve \u00e7\u0131k\u0131\u015f\u0131n e\u015fit oldu\u011fu, di\u011fer bir deyi\u015fle sinyalin seviyesine azaltma uygulanmad\u0131\u011f\u0131 anlam\u0131na gelmektedir. Ba\u015fka bir \u00f6rnek olarak, 4:1 oran\u0131, giri\u015f sinyali\u2026","rel":"","context":"In &quot;Ses ve M\u00fczik Teknolojileri&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Kompresorde_Negatif_Oran_00_Header.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":7611,"url":"https:\/\/www.ufukonen.com\/tr\/delay-miks.html","url_meta":{"origin":3013,"position":3},"title":"Delay Sinyalini Miksin \u0130\u00e7ine Oturtmak \u0130\u00e7in 3 Y\u00f6ntem","date":"September 19, 2022","format":false,"excerpt":"Delay efektini kullan\u0131rken bazen efektlendirdi\u011fimiz sinyalin net bir \u015fekilde duyulmas\u0131n\u0131, miksin i\u00e7ine g\u00f6m\u00fclmemesini isteriz. E\u011fer istedi\u011fimiz buysa ve kulland\u0131\u011f\u0131m\u0131z delay plug-in'i veya ayar\u0131 ile bunu elde edebiliyorsak sorun yok. Di\u011fer yandan, bazen de delay tekrarlar\u0131n\u0131n tek tek ve net bir \u015fekilde duyulmas\u0131n\u0131 de\u011fil de efektsiz sinyal ile ayn\u0131 alanda olmas\u0131n\u0131\u2026","rel":"","context":"In &quot;M\u00fczik Prod\u00fcksiyonu&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Delay_Miks_00_Header.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":5482,"url":"https:\/\/www.ufukonen.com\/tr\/eq-bandwidth-q-parametreleri.html","url_meta":{"origin":3013,"position":4},"title":"EQ \u00dczerindeki Bandwidth ve Q Parametreleri","date":"March 2, 2020","format":false,"excerpt":"Bandwidth ve Q\u2026 EQ kullan\u0131rken bu iki terimin ne oldu\u011funu ve \u00f6zellikle parametrik EQ ile \u00e7al\u0131\u015f\u0131rken kar\u015f\u0131m\u0131za \u00e7\u0131kan bu parametrelerin ne i\u015fe yarad\u0131\u011f\u0131n\u0131 mutlaka bilmek gerekiyor. Bandwidth Bandwidth genellikle oktav (octave) cinsinden ifade ediliyor. A\u015fa\u011f\u0131daki grafikte 1 kHz\u2019de +12 dB\u2019e ayarlanm\u0131\u015f 6 dB\/oktav slope\u2019a sahip bir parametrik EQ grafi\u011fi g\u00f6r\u00fcyorsunuz.\u2026","rel":"","context":"In &quot;Ses ve M\u00fczik Teknolojileri&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/EQ_Bandwidth_Q_-_FabFilter_ProQ3_MOD-3.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3112,"url":"https:\/\/www.ufukonen.com\/tr\/miks-tamamlandiktan-sonra.html","url_meta":{"origin":3013,"position":5},"title":"Miks Tamamland\u0131ktan Sonra","date":"July 3, 2017","format":false,"excerpt":"Bu yaz\u0131 \"Miksin Sonunda Yap\u0131lmas\u0131 ve Yap\u0131lmamas\u0131 Gerekenler\" ve \"Miks Dosyalar\u0131n\u0131 \u0130simlendirme\" ba\u015fl\u0131kl\u0131 yaz\u0131lar\u0131n devam\u0131d\u0131r. \u00a0 Miksi tamamlad\u0131ktan sonra bence yap\u0131lmas\u0131 gereken, yapt\u0131\u011f\u0131n\u0131z miksi objektif ve ele\u015ftirel bir bi\u00e7imde dinlemek, ihtiya\u00e7 oldu\u011funu d\u00fc\u015f\u00fcn\u00fcrseniz miksi revize etmektir. Ancak bunu sa\u011fl\u0131kl\u0131 bir \u015fekilde yapabilmek i\u00e7in kendinize biraz s\u00fcre tan\u0131mak, bu s\u00fcre i\u00e7inde\u2026","rel":"","context":"In &quot;Ses ve M\u00fczik Teknolojileri&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Miks_Tamamlandiktan_Sonra.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/3013"}],"collection":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/comments?post=3013"}],"version-history":[{"count":8,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/3013\/revisions"}],"predecessor-version":[{"id":6797,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/3013\/revisions\/6797"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media\/6796"}],"wp:attachment":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media?parent=3013"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/categories?post=3013"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/tags?post=3013"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}