{"id":3639,"date":"2018-02-05T01:00:21","date_gmt":"2018-02-04T22:00:21","guid":{"rendered":"http:\/\/www.ufukonen.com\/tr\/?p=3639"},"modified":"2018-01-13T23:28:41","modified_gmt":"2018-01-13T20:28:41","slug":"reverb-decay-pre-delay","status":"publish","type":"post","link":"https:\/\/www.ufukonen.com\/tr\/reverb-decay-pre-delay.html","title":{"rendered":"Reverb \u00dczerindeki Decay ve Pre-Delay Parametrelerinin Ayarlanmas\u0131"},"content":{"rendered":"

\"\"<\/p>\n

Reverb \u00fczerindeki decay ve pre-delay parametreleri par\u00e7an\u0131n temposuna g\u00f6re ayarlan\u0131rsa reverb’\u00fcn sesi \u00e7amurlu bir hale getirmeden ve mikste kar\u0131\u015f\u0131kl\u0131k yaratmadan m\u00fczi\u011fin i\u00e7ine oturmas\u0131 \u00e7ok daha kolay olur. Profesyonel miks m\u00fchendisleri mikslerinde reverb kullan\u0131rken \u00f6zellikle bu iki parametreye \u00e7ok dikkat ederler.<\/p>\n

 <\/p>\n

Decay<\/h3>\n

Decay parametresini par\u00e7an\u0131n temposuna g\u00f6re ayarlaman\u0131n iki yolu vard\u0131r. Birincisi, kulak ile; ikincisi, hesaplayarak.<\/p>\n

E\u011fer kulak ile ayarlamak isterseniz \u015fu y\u00f6ntemi kullanabilirsiniz:<\/p>\n

– Reverb plug-in’ini bir auxiliary kanal\u0131na insert olarak yerle\u015ftirin. Bu arada, e\u011fer okumad\u0131ysan\u0131z “Plug-in’lerin ‘Insert’ ve ‘Send’ olarak Kullan\u0131mlar\u0131<\/a>” ba\u015fl\u0131kl\u0131 yaz\u0131m\u0131 okuman\u0131z\u0131 tavsiye ederim.<\/p>\n

– Trampet ya da vuru\u015fu belirgin bir enstr\u00fcman\u0131 reverb kanal\u0131na g\u00f6nderin. Send seviyesini reverb efektini rahat\u00e7a duyabilece\u011finiz bir \u015fekilde y\u00fckseltin.<\/p>\n

– Reverb \u00fczerindeki decay parametresini reverb’\u00fcn kuyru\u011fu bir sonraki trampet vuru\u015fundan hemen \u00f6nce s\u00f6necek ya da bitecek \u015fekilde ayarlay\u0131n.<\/p>\n

 <\/p>\n

Decay parametresini par\u00e7an\u0131n temposuna g\u00f6re ayarlaman\u0131n di\u011fer bir yolu ise delay s\u00fcresi form\u00fcl\u00fcn\u00fc kullanmakt\u0131r.<\/p>\n

\u00c7eyrek (1\/4) nota i\u00e7in milisaniye cinsinden delay s\u00fcresi form\u00fcl\u00fc a\u015fa\u011f\u0131daki gibidir:<\/p>\n

Delay s\u00fcresi (ms) = (60 \/ bpm) x 1000<\/p>\n

\u00d6rnek olarak temposu 120 bpm olan bir par\u00e7a i\u00e7in \u00e7eyrek nota delay s\u00fcresi 500 milisaniyedir.<\/p>\n

Bu say\u0131y\u0131 iki ile \u00e7arparak yar\u0131m (1\/2) nota, d\u00f6rt ile \u00e7arparak tam nota de\u011ferlerini bulabilirsiniz.<\/p>\n

Ayn\u0131 \u015fekilde bu say\u0131y\u0131 ikiye b\u00f6lerek sekizlik nota (1\/8), bu de\u011feri de yine ikiye b\u00f6lerek on alt\u0131l\u0131k nota (1\/16) ve bu \u015fekilde devam ederek di\u011fer nota de\u011ferlerini hesap edebilirsiniz.<\/p>\n

Ses Kay\u0131t ve M\u00fczik Teknolojileri<\/a> adl\u0131 kitab\u0131m\u0131n “Editing, Miks ve Sonras\u0131” ba\u015fl\u0131kl\u0131 b\u00f6l\u00fcm\u00fcnde triplet ve noktal\u0131 de\u011ferler de dahil olmak \u00fczere hesaplamalar\u0131n nas\u0131l yap\u0131ld\u0131\u011f\u0131n\u0131 detayl\u0131 bir \u015fekilde anlatm\u0131\u015ft\u0131m.<\/p>\n

Kitab\u0131n sonunda 40 bpm ile 300 bpm aras\u0131ndaki delay s\u00fcrelerinin milisaniye kar\u015f\u0131l\u0131klar\u0131n\u0131 g\u00f6steren “Tempo ve Nota De\u011ferlerine G\u00f6re Delay S\u00fcreleri” ba\u015fl\u0131kl\u0131 bir de tablo bulunuyor.<\/p>\n

Form\u00fclle hesaplad\u0131\u011f\u0131n\u0131z ya da tablodan ald\u0131\u011f\u0131n\u0131z milisaniye cinsinden delay s\u00fcresini reverb plug-in’iniz \u00fczerindeki decay parametresine girerek bu parametreyi par\u00e7an\u0131n temposuna g\u00f6re ayarlayabilirsiniz.<\/p>\n

 <\/p>\n

Pre-Delay<\/h3>\n

Reverb efektleri \u00fczerinde bulunan ve milisaniye cinsinden ifade edilen pre-delay parametresi orijinal ses ile efektin ba\u015flamas\u0131 aras\u0131ndaki ge\u00e7en s\u00fcredir. Di\u011fer bir deyi\u015fler pre-delay, ses kayna\u011f\u0131ndan kula\u011f\u0131m\u0131za ula\u015fan direkt ses ile ilk yans\u0131malar\u0131n bize ula\u015fmas\u0131 aras\u0131nda ge\u00e7en zamand\u0131r.<\/p>\n

Pre-delay s\u00fcreleri decay s\u00fcrelerine g\u00f6re \u00e7ok daha k\u0131sa oldu\u011fu i\u00e7in kulak ile ayarlamas\u0131 zordur. Bu sebepten dolay\u0131 hesaplama y\u00f6ntemi kullanmak \u00e7ok daha pratik bir \u00e7\u00f6z\u00fcmd\u00fcr.<\/p>\n

Pre-delay s\u00fcresini par\u00e7an\u0131n temposuna g\u00f6re ayarlarken kullan\u0131lan de\u011ferler (her zaman olmasa da genel olarak) 1\/64 ve 1\/32 nota de\u011ferleridir.<\/p>\n

 <\/p>\n

Deneyin!<\/h3>\n

Reverb kullan\u0131rken decay ve pre-delay parametrelerini yukar\u0131 anlatt\u0131\u011f\u0131m \u015fekilde par\u00e7an\u0131n temposuna g\u00f6re ayarlay\u0131n ve tempoya g\u00f6re ayarlanmam\u0131\u015f reverb ile kar\u015f\u0131la\u015ft\u0131r\u0131n. Aradaki fark\u0131 duyacak ve b\u00fcy\u00fck ihtimalle bundan sonra bu parametreleri bu \u015fekilde kullanmay\u0131 tercih edeceksiniz.<\/p>\n

 <\/p>\n

Teknik terimler i\u00e7in m\u00fczik teknolojisi, m\u00fczik prod\u00fcksiyonu ve ses kay\u0131t terimleri s\u00f6zl\u00fc\u011f\u00fcne<\/a> g\u00f6z atabilirsiniz.<\/p>\n

Benzer payla\u015f\u0131mlar i\u00e7in beni Facebook<\/a> ve Twitter<\/a>‘da takip edebilir, haberler i\u00e7in mesaj listeme \u00fcye olabilirsiniz<\/a>. Te\u015fekk\u00fcrler.<\/p>\n

Ba\u015fl\u0131k\u00a0foto\u011fraf\u0131: Brandon Daniel<\/a>\u00a0| Wikimedia Commons sitesinden indirilmi\u015ftir<\/a>.<\/p>\n

\u00a9 2018 Ufuk \u00d6nen. Her hakk\u0131 sakl\u0131d\u0131r. \u0130zinsiz kullan\u0131lamaz.<\/p>\n","protected":false},"excerpt":{"rendered":"

Reverb \u00fczerindeki decay ve pre-delay parametreleri par\u00e7an\u0131n temposuna g\u00f6re ayarlan\u0131rsa reverb’\u00fcn sesi \u00e7amurlu bir hale getirmeden ve mikste kar\u0131\u015f\u0131kl\u0131k yaratmadan…<\/p>\n","protected":false},"author":2,"featured_media":3642,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[16],"tags":[],"jetpack_featured_media_url":"https:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Reverb_Decay_Pre-Delay.jpg","jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p3rjsG-WH","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":6157,"url":"https:\/\/www.ufukonen.com\/tr\/trampet-reverb-bir-tuyo.html","url_meta":{"origin":3639,"position":0},"title":"Trampet ve Reverb: Bir T\u00fcyo","date":"November 2, 2020","format":false,"excerpt":"Bir\u00e7ok mikste en y\u00fcksek seviyeli \u00f6gelerden biri trampet oluyor. Kendi seviyesi oldu\u011fu kadar reverb seviyesi de olduk\u00e7a y\u00fcksek oluyor. Bu durumda trampet i\u00e7in kulland\u0131\u011f\u0131n\u0131z reverb'\u00fcn miksi \u00e7amurlu bir hale getirmesini ve kar\u0131\u015f\u0131kl\u0131\u011fa yol a\u00e7mas\u0131n\u0131 \u00f6nlemek \u00e7ok \u00f6nemli bir hale geliyor. Bu noktada kulland\u0131\u011f\u0131n\u0131z reverb program\u0131n\u0131n reverb s\u00fcresi (reverb time) devreye\u2026","rel":"","context":"In "M\u00fczik Prod\u00fcksiyonu"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Trampet_Reverb_Bir_Tuyo_0_Header.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":7793,"url":"https:\/\/www.ufukonen.com\/tr\/delay-soru-cevap.html","url_meta":{"origin":3639,"position":1},"title":"Delay Hakk\u0131nda 2 Soru 2 Cevap","date":"December 5, 2022","format":false,"excerpt":"Y\u0131llar i\u00e7inde delay kullan\u0131m\u0131 ile ilgili olarak bana yaz\u0131l\u0131 veya s\u00f6zl\u00fc olarak bir\u00e7ok soru soruldu. Bunlar i\u00e7inde en \u00e7ok sorulan ve sorulmaya devam eden iki soruyu bu yaz\u0131mda cevaplar\u0131yla birlikte sizlerle payla\u015fmak istiyorum. Soru #1: \"Delay s\u00fcresini her zaman par\u00e7an\u0131n temposuna g\u00f6re mi ayarlamal\u0131y\u0131m?\" Hay\u0131r. \u00c7o\u011fu zaman delay s\u00fcresini par\u00e7an\u0131n\u2026","rel":"","context":"In "M\u00fczik Prod\u00fcksiyonu"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Delay_Soru_Cevap_00_Header.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":6447,"url":"https:\/\/www.ufukonen.com\/tr\/vokal-miksi-rehber-2.html","url_meta":{"origin":3639,"position":2},"title":"Vokal Miksi i\u00e7in Mini Rehber (2. B\u00f6l\u00fcm)","date":"March 22, 2021","format":false,"excerpt":"Bu yaz\u0131mda vokal miksi i\u00e7in kullanabilece\u011finiz sekiz ba\u015fl\u0131ktan olu\u015fan bir mini rehber haz\u0131rlad\u0131m. Her ba\u015fl\u0131\u011f\u0131n alt\u0131nda ilgili yaz\u0131lar\u0131n linklerini ekledim. \u0130lk olarak 22 Mart 2021'de yay\u0131nlanm\u0131\u015f olan bu mini rehber, 8 A\u011fustos 2022, 28 Kas\u0131m 2022, 20 Mart 2023 ve 7 A\u011fustos 2025 tarihlerinde g\u00fcncellenmi\u015ftir. Filtre ve EQKompres\u00f6rEQDe-esserSidechain Kompres\u00f6r Kullan\u0131m\u0131Saturation,\u2026","rel":"","context":"In "M\u00fczik Prod\u00fcksiyonu"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Vokal_Miksi_Mini_Rehber_00_Header.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4913,"url":"https:\/\/www.ufukonen.com\/tr\/reverb-delay-birlikte-kullanirken.html","url_meta":{"origin":3639,"position":3},"title":"Reverb ve Delay Efektlerini Birlikte Kullan\u0131rken…","date":"July 15, 2019","format":false,"excerpt":"Reverb ve delay, m\u00fczik prod\u00fcksiyonunda s\u00fcrekli kulland\u0131\u011f\u0131m\u0131z iki efekt. Yerine g\u00f6re, baz\u0131 enstr\u00fcmanlar i\u00e7in sadece reverb, baz\u0131 enstr\u00fcmanlar i\u00e7in sadece delay, di\u011ferleri i\u00e7in ise ayn\u0131 anda hem reverb hem de delay kullan\u0131yoruz. Reverb ve delay'i birlikte kullan\u0131rken tercih etti\u011fimiz sinyal ak\u0131\u015f\u0131n\u0131n ald\u0131\u011f\u0131m\u0131z sonu\u00e7 \u00fczerinde bir etkisi oluyor. Bu etki bazen\u2026","rel":"","context":"In "M\u00fczik Prod\u00fcksiyonu"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Reverb_Delay_Birlikte_Kullanirken_1280x720.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":254,"url":"https:\/\/www.ufukonen.com\/tr\/plug-inlerin-insert-ve-send-olarak-kullanimlari.html","url_meta":{"origin":3639,"position":4},"title":"Plug-in’lerin ‘Insert’ ve ‘Send’ Olarak Kullan\u0131mlar\u0131","date":"November 16, 2012","format":false,"excerpt":"Analog mikserler ve \u0130ngilizce'de 'outboard gear' olarak adland\u0131r\u0131lan 'hardware' ses i\u015flemci ve efekt \u00fcniteleri i\u00e7in \u015f\u00f6yle bir prensip vard\u0131r: Kompres\u00f6r, equalizer, noise gate gibi ses i\u015flemciler mikserde herhangi bir kanala 'insert' noktas\u0131 arac\u0131l\u0131\u011f\u0131 ile ba\u011flan\u0131r; reverb, delay gibi efektler i\u00e7in ise 'send' y\u00f6ntemi kullan\u0131l\u0131r. Kompres\u00f6r ve equalizer gibi sinyal i\u015flemciler\u2026","rel":"","context":"In "M\u00fczik Prod\u00fcksiyonu"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Onen-Send-Insert-Sekil-07.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":6435,"url":"https:\/\/www.ufukonen.com\/tr\/cift-reverb-kullanimi.html","url_meta":{"origin":3639,"position":5},"title":"\u00c7ift Reverb Kullan\u0131m\u0131: Bir T\u00fcyo","date":"March 8, 2021","format":false,"excerpt":"Bu yaz\u0131mda sizlerle \u00e7ift reverb kullan\u0131m\u0131 ile ilgili bir t\u00fcyo payla\u015fmak istiyorum. Bu, daha \u00e7ok hem d\u00fczenleme hem de tempo a\u00e7\u0131s\u0131ndan bo\u015f alan bulunan par\u00e7alarda kullan\u0131labilecek bir t\u00fcyo. Herhangi bir sese stereo reverb ekledi\u011fimizde geni\u015f bir etki elde ediyoruz. A\u015fa\u011f\u0131daki \u00f6rnekte trampete Pro Tools'un stok plug-in'i D-Verb ile reverb ekledim.\u2026","rel":"","context":"In "M\u00fczik Prod\u00fcksiyonu"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Cift_Reverb_Kullanimi_Bir_Tuyo_00_Header.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/3639"}],"collection":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/comments?post=3639"}],"version-history":[{"count":7,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/3639\/revisions"}],"predecessor-version":[{"id":3650,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/3639\/revisions\/3650"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media\/3642"}],"wp:attachment":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media?parent=3639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/categories?post=3639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/tags?post=3639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}