![\"\"](\"http:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Muzik_Endustrisine_Bakis_6-1024x576.jpg\")
<\/p>\n<\/p>\n
Birinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z<\/a> – \u0130kinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z<\/a><\/p>\n \u00dc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z<\/a>\u00a0– D\u00f6rd\u00fcnc\u00fc\u00a0b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z<\/a><\/p>\n Be\u015finci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z<\/a><\/p>\n “M\u00fczik End\u00fcstrisine Bak\u0131\u015f”\u00a0adl\u0131 yaz\u0131 dizimin bu b\u00f6l\u00fcm\u00fcnde IFPI<\/a> (International Federation of the Phonographic Industry) 2018 Global M\u00fczik Raporu\u2019ndaki 2017 y\u0131l\u0131 verilerini inceleyip, 2014, 2015 ve 2016 y\u0131llar\u0131n\u0131n verileri ile kar\u015f\u0131la\u015ft\u0131raca\u011f\u0131m.<\/p>\n Yaz\u0131 dizimin daha \u00f6nceki b\u00f6l\u00fcmlerinde de bahsetti\u011fim gibi, 1999 y\u0131l\u0131ndan beri s\u00fcrekli d\u00fc\u015f\u00fc\u015fte olan global m\u00fczik gelirleri y\u0131llar sonra ilk defa, 2015 y\u0131l\u0131nda, \u00e7ok az da olsa bir art\u0131\u015f sergilemi\u015fti. 2016 ve 2017 y\u0131llar\u0131nda bu art\u0131\u015f devam etti ve ge\u00e7ti\u011fimiz y\u0131l global m\u00fczik gelirleri 17.3 milyar dolara ula\u015ft\u0131.<\/p>\n Gelirlerdeki bu art\u0131\u015f elbette \u00e7ok olumlu bir geli\u015fme ancak 2017 y\u0131l\u0131ndaki gelirler toplam\u0131n\u0131n 1999 y\u0131l\u0131ndaki gelirler toplam\u0131n\u0131n hala %68.4’\u00fc oldu\u011funu unutmamakta fayda var. \u00d6zet olarak m\u00fczik end\u00fcstrisi eski zenginli\u011fine hen\u00fcz daha yakla\u015famad\u0131.<\/p>\n A\u015fa\u011f\u0131daki grafikte m\u00fczik end\u00fcstrisinin 1999-2017 y\u0131llar\u0131 aras\u0131ndaki global gelirlerini bulabilirsiniz.<\/p>\n 1999-2017 M\u00fczik End\u00fcstrisi Global Gelirler<\/p><\/div>\n Daha \u00f6nceki b\u00f6l\u00fcmlerde yazm\u0131\u015ft\u0131m ama buraya da ekleyeyim… Global gelirler d\u00f6rt kalemden olu\u015fuyor: \u2018Physical\u2019, \u2018digital\u2019, \u2018performance rights\u2019 ve \u2018synchronization\u2019.<\/p>\n IFPI\u2019nin (2017 y\u0131l\u0131n\u0131n verilerini kapsayan) 2018 Global M\u00fczik Raporu\u2019nda gelirlerin da\u011f\u0131l\u0131m\u0131 \u015fu \u015fekilde:<\/p>\n Plak ve CD sat\u0131\u015flar\u0131n\u0131n d\u00fc\u015f\u00fc\u015f\u00fc devam ediyor. Bu, zaten beklenilen bir durum, o y\u00fczden \u015fa\u015f\u0131rt\u0131c\u0131 de\u011fil. Di\u011fer yandan fiziksel sat\u0131\u015flar\u0131n t\u00fcm gelirlerin hala %30’unu olu\u015fturdu\u011funu unutmamak gerekir. Bu az\u0131msanacak bir y\u00fczde de\u011fil.<\/p>\n Plak sat\u0131\u015flar\u0131 artmaya devam etse de art\u0131k hemen hemen tepe noktas\u0131na ula\u015ft\u0131\u011f\u0131 tahmin ediliyor. Bundan sonraki y\u0131llarda fazla bir art\u0131\u015f olmas\u0131 beklenmiyor. Zaten her ne kadar ortada \u00e7ok fazla plak sat\u0131l\u0131yormu\u015f gibi bir alg\u0131 olsa da, asl\u0131nda plak sat\u0131\u015flar\u0131 global gelirlerin sadece %3.7’sini olu\u015fturuyor.<\/p>\n Di\u011fer dikkat edilmesi gereken bir konu da bu y\u00fczdelerin global da\u011f\u0131l\u0131m\u0131 temsil etti\u011fi. Y\u00fczdeler \u00fclkeden \u00fclkeye de\u011fi\u015fkenlik g\u00f6steriyor. \u00d6rnek olarak fiziksel formatlar global olarak t\u00fcm gelirlerin %30’unu olu\u015ftururken bu oran Almanya’da %43, Japonya’da %72! Evet, Japonlar hala fiziksel format\u0131, \u00f6zellikle de CD’yi tercih ediyorlar.<\/p>\n \u2018Performance right\u2019 ve \u2018synchronization\u2019 gelirlerinin toplam\u0131, t\u00fcm gelirlerin %16\u2019s\u0131n\u0131 olu\u015fturuyor.<\/p>\n Fiziksel ve dijital gelirler ilk defa 2014 y\u0131l\u0131nda e\u015fitlenmi\u015fti. Bu sebepten dolay\u0131 2014 \u00f6nemli bir y\u0131ld\u0131r. 2015 y\u0131l\u0131nda dijital gelirler az farkl\u0131 fiziksel gelirlerin \u00f6n\u00fcne ge\u00e7mi\u015fti. 2016 ve 2017 y\u0131llar\u0131nda dijital gelirlerin art\u0131\u015f\u0131 devam etti.<\/p>\n 2016 y\u0131l\u0131 i\u00e7inde toplam gelirin %50’sini olu\u015fturan dijital gelirler, 2017 y\u0131l\u0131nda %8’lik bir art\u0131\u015fla %54’e \u00e7\u0131kt\u0131.<\/p>\n Dijital gelirlerin kendi i\u00e7indeki da\u011f\u0131l\u0131m\u0131na bakt\u0131\u011f\u0131m\u0131zda streaming gelirlerinin keskin bir art\u0131\u015fla t\u00fcm dijital gelirlerin %70’ini olu\u015fturdu\u011funu g\u00f6r\u00fcyoruz. Bunun yan\u0131 s\u0131ra streaming gelirleri global gelirlerin %38’ini olu\u015fturuyor ki bu oran tek ba\u015f\u0131na toplam fiziksel gelirlerin oran\u0131ndan y\u00fcksek.<\/p>\n Son d\u00f6rt y\u0131l i\u00e7inde \u2018performance right\u2019 ve \u2018synchronization\u2019 gelirlerinde bir de\u011fi\u015fiklik g\u00f6r\u00fclm\u00fcyor. 2014, 2015 ve 2016 y\u0131llar\u0131nda oldu\u011fu gibi 2017 y\u0131l\u0131nda da bu gelirler ayn\u0131 oranda devam ediyor.<\/p>\n Spotify ve di\u011fer streaming servislerini \u00fccretli kullananlar\u0131n say\u0131s\u0131 2014 y\u0131l\u0131nda 4 milyon, 2015 y\u0131l\u0131nda ise 68 milyondu. 2016 y\u0131l\u0131nda bu say\u0131 97 milyona (aile aboneliklerini dikkate ald\u0131\u011f\u0131m\u0131zda 112 milyona) \u00e7\u0131kt\u0131. 2017 y\u0131l\u0131nda \u00fccretli kullan\u0131c\u0131larda b\u00fcy\u00fck bir art\u0131\u015f oldu ve say\u0131 176 milyona \u00e7\u0131kt\u0131!<\/p>\n 2017 y\u0131l\u0131 gelirleri \u00fclkelere b\u00f6l\u00fcnd\u00fc\u011f\u00fc zaman a\u015fa\u011f\u0131daki gibi bir tablo ile kar\u015f\u0131la\u015f\u0131yoruz.<\/p>\n 1- Amerika Birle\u015fik Devletleri G\u00f6r\u00fcnen o ki m\u00fczik end\u00fcstrisi streaming sayesinde bir hareket kazand\u0131. Streaming servisleri ile m\u00fczik dinlemek, CD, plak ve download se\u00e7eneklerine g\u00f6re \u00e7ok daha kolay. \u0130nsanlar her zaman (her zaman olmasa bile \u00e7o\u011fu zaman) tercihlerini kolay olandan yana kullan\u0131yorlar. \u00dccretli kullan\u0131c\u0131 say\u0131lar\u0131n\u0131n art\u0131\u015f\u0131na bakt\u0131\u011f\u0131m\u0131zda insanlar\u0131n bu kolayl\u0131k i\u00e7in para \u00f6demeye raz\u0131 olduklar\u0131n\u0131 g\u00f6r\u00fcyoruz.<\/p>\n Tabii unutmamak gerekir ki YouTube hala en b\u00fcy\u00fck streaming platformu ve bedava! Bu belki dinleyiciler i\u00e7in iyi bir \u015fey olabilir ama sanat\u00e7\u0131lar, besteciler, firmalar ve genel olarak m\u00fczik end\u00fcstrisinde \u00e7al\u0131\u015fan profesyoneller i\u00e7in (en az\u0131ndan telif \u00f6demeleri a\u00e7\u0131s\u0131ndan) \u00e7ok da iyi bir \u015fey de\u011fil.<\/p>\n IFPI’nin 2018 raporunda okudu\u011fuma g\u00f6re 2017 y\u0131l\u0131nda Spotify’\u0131n kullan\u0131c\u0131 ba\u015f\u0131na yap\u0131mc\u0131 firmalara \u00f6dedi\u011fi miktar 20 dolar, YouTube’un \u00f6dedi\u011fi miktar ise sadece 1 dolarm\u0131\u015f!<\/p>\n Tabii her madalyonun iki y\u00fcz\u00fc var… Telif olarak gelir kayb\u0131 gibi g\u00f6z\u00fckse de di\u011fer yandan YouTube \u00e7ok ciddi bir pazarlama platformu.<\/p>\n 2018 y\u0131l\u0131 i\u00e7inde streaming servislerinin daha da yayg\u0131nla\u015fmas\u0131n\u0131, fiziksel formatlardan elde edilen gelirlerin azalmas\u0131n\u0131 ve YouTube \u00fczerinde yap\u0131lan tart\u0131\u015fmalar\u0131n devam edece\u011fini tahmin etmek pek zor de\u011fil.<\/p>\n > Yedinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z<\/strong><\/a><\/p>\n Kaynaklar: IFPI 2015, 2016, 2017, 2018 Global Music Report.<\/p>\n Teknik terimler i\u00e7in m\u00fczik teknolojisi, m\u00fczik prod\u00fcksiyonu ve ses kay\u0131t terimleri s\u00f6zl\u00fc\u011f\u00fcne<\/a> g\u00f6z atabilirsiniz.<\/p>\n Benzer payla\u015f\u0131mlar i\u00e7in beni Facebook<\/a> ve Twitter<\/a>‘da takip edebilir, haberler i\u00e7in mesaj listeme \u00fcye olabilirsiniz<\/a>. Te\u015fekk\u00fcrler.<\/p>\n Ba\u015fl\u0131k foto\u011fraf\u0131: theglassdesk<\/a> | Pixabay<\/a><\/p>\n \u00a9 2018 Ufuk \u00d6nen. Her hakk\u0131 sakl\u0131d\u0131r. \u0130zinsiz kullan\u0131lamaz.<\/p>\n","protected":false},"excerpt":{"rendered":" Birinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z – \u0130kinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z \u00dc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z\u00a0– D\u00f6rd\u00fcnc\u00fc\u00a0b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z Be\u015finci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z…<\/p>\n","protected":false},"author":2,"featured_media":3926,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[17],"tags":[],"jetpack_featured_media_url":"https:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Muzik_Endustrisine_Bakis_6.jpg","jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p3rjsG-10Z","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":3120,"url":"https:\/\/www.ufukonen.com\/tr\/muzik-endustrisine-bakis-5.html","url_meta":{"origin":3905,"position":0},"title":"M\u00fczik End\u00fcstrisine Bak\u0131\u015f (5. B\u00f6l\u00fcm)","date":"July 10, 2017","format":false,"excerpt":"Birinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z - \u0130kinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z \u00dc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z\u00a0- D\u00f6rd\u00fcnc\u00fc\u00a0b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z \"M\u00fczik End\u00fcstrisine Bak\u0131\u015f\" adl\u0131 yaz\u0131 dizimin 20 May\u0131s 2016 tarihinde yay\u0131mlad\u0131\u011f\u0131m d\u00f6rd\u00fcnc\u00fc b\u00f6l\u00fcm\u00fcnde, streaming gelirlerinin 2013 y\u0131l\u0131ndan itibaren t\u00fcm d\u00fcnyada artmaya ba\u015flad\u0131\u011f\u0131ndan bahsetmi\u015ftim. Bu b\u00f6l\u00fcmde IFPI (International Federation of the Phonographic Industry) 2017 Global\u2026","rel":"","context":"In "M\u00fczik End\u00fcstrisi"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Muzik_Endustrisine_Bakis_5_Alt_w.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":5000,"url":"https:\/\/www.ufukonen.com\/tr\/muzik-endustrisine-bakis-7.html","url_meta":{"origin":3905,"position":1},"title":"M\u00fczik End\u00fcstrisine Bak\u0131\u015f (7. B\u00f6l\u00fcm)","date":"September 2, 2019","format":false,"excerpt":"Birinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z - \u0130kinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z \u00dc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z\u00a0- D\u00f6rd\u00fcnc\u00fc\u00a0b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z Be\u015finci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z -\u00a0Alt\u0131nc\u0131 b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z \"M\u00fczik End\u00fcstrisine Bak\u0131\u015f\"\u00a0adl\u0131 yaz\u0131 dizimin yedinci b\u00f6l\u00fcm\u00fcnde IFPI (International Federation of the Phonographic Industry) 2019 Global M\u00fczik Raporu\u2019ndaki 2018 y\u0131l\u0131 verilerini inceleyip, ge\u00e7mi\u015f y\u0131llar\u0131n verileri ile\u2026","rel":"","context":"In "M\u00fczik End\u00fcstrisi"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Muzik_Endustrisine_Bakis_7_720.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2516,"url":"https:\/\/www.ufukonen.com\/tr\/muzik-endustrisine-bakis-3.html","url_meta":{"origin":3905,"position":2},"title":"M\u00fczik End\u00fcstrisine Bak\u0131\u015f (3. B\u00f6l\u00fcm)","date":"May 13, 2016","format":false,"excerpt":"Birinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z - \u0130kinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z \u00a0 M\u00fczik 2.0: Internet \u00c7a\u011f\u0131 Owsinki, 2.0'\u0131n ba\u015flang\u0131\u00e7\u0131n\u0131n 1994, yani mp3 dosyalar\u0131n\u0131n ilk payla\u015f\u0131ld\u0131\u011f\u0131 y\u0131l oldu\u011funu s\u00f6yl\u00fcyor. M\u00fczik CD'leri i\u00e7in kullan\u0131lan s\u0131k\u0131\u015ft\u0131r\u0131lmam\u0131\u015f dijital dosya format\u0131nda bir dakikal\u0131k mono ses kayd\u0131 5 MB, bir dakikal\u0131k stereo ses kayd\u0131 ise 10 MB yer\u2026","rel":"","context":"In "M\u00fczik End\u00fcstrisi"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Muzik_Endustrisine_Bakis_3_alt_2.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8554,"url":"https:\/\/www.ufukonen.com\/tr\/mikrofon-hocalarda-2025.html","url_meta":{"origin":3905,"position":3},"title":"Kay\u0131tta m\u0131s\u0131n? – Mikrofon Hocalarda (YouTube Serisi)","date":"July 15, 2025","format":false,"excerpt":"Bir YouTube serisine ba\u015flad\u0131m: KAYITTA MISIN? Bu serinin ilk sezonunun ad\u0131 M\u0130KROFON HOCALARDA. T\u00fcrkiye\u2019deki \u00e7e\u015fitli \u00fcniversitelerin m\u00fczik teknolojisi b\u00f6l\u00fcmlerinden hocalarla sohbet ediyorum. Her b\u00f6l\u00fcmde \u015fu konulara de\u011finiyoruz: B\u00f6l\u00fcm yap\u0131lar\u0131E\u011fitim i\u00e7erikleriGiri\u015f s\u0131navlar\u0131Adaylarda aranan \u00f6zellikler Yeni b\u00f6l\u00fcmler geldik\u00e7e bu sayfaya ekleyece\u011fim. Takipte kal\u0131n! Ses Kay\u0131t ve M\u00fczik Teknolojileri E\u011fitim Program\u0131'n\u0131n yeni d\u00f6nemi\u2026","rel":"","context":"In "Ses ve M\u00fczik Teknolojileri"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Mikrofon-Hocalarda-YouTube-Thumbnail-YTU-1080-Compressed.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2536,"url":"https:\/\/www.ufukonen.com\/tr\/muzik-endustrisine-bakis-4.html","url_meta":{"origin":3905,"position":4},"title":"M\u00fczik End\u00fcstrisine Bak\u0131\u015f (4. B\u00f6l\u00fcm)","date":"May 20, 2016","format":false,"excerpt":"Birinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z - \u0130kinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z\u00a0- \u00dc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z \u00a0 M\u00fczik 3.0: Arac\u0131n\u0131n Ortadan Kalkmas\u0131 M\u00fczik 1.0 modelinde sanat\u00e7\u0131 sadece plak \u015firketi ile ba\u011flant\u0131l\u0131yd\u0131, dinleyici ile (imza g\u00fcnleri ve benzeri etkinlikleri saymazsak) do\u011frudan ileti\u015fimi yoktu. Plak \u015firketi satmak istedikleri \u00fcr\u00fcnlerin (alb\u00fcm ve single'lar\u0131n) tan\u0131t\u0131m\u0131n\u0131 radyo, televizyon\u2026","rel":"","context":"In "M\u00fczik End\u00fcstrisi"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Muzik_Endustrisine_Bakis_4_alt_3.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4313,"url":"https:\/\/www.ufukonen.com\/tr\/monitor-kalibrasyon-seviyeleri-3.html","url_meta":{"origin":3905,"position":5},"title":"Monit\u00f6r Kalibrasyon Seviyeleri \u00dczerine… (3. B\u00f6l\u00fcm)","date":"November 19, 2018","format":false,"excerpt":"Bu yaz\u0131 dizisi \u00fc\u00e7 b\u00f6l\u00fcmden olu\u015fmaktad\u0131r. Birinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z. \u0130kinci b\u00f6l\u00fcm i\u00e7in t\u0131klay\u0131n\u0131z. \u00a0 K\u00fc\u00e7\u00fck St\u00fcdyolar, Televizyon ve Video \u0130\u00e7in Kalibrasyon Seviyeleri K\u00fc\u00e7\u00fck st\u00fcdyolar ve evler i\u00e7in haz\u0131rlanan televizyon ve video programlar\u0131 i\u00e7in kalibrasyon seviyeleri biraz daha farkl\u0131. Dinleme yap\u0131lan mek\u00e2nlar k\u00fc\u00e7\u00fck oldu\u011fu i\u00e7in yukar\u0131da belirtilen seviyeler fazla y\u00fcksek\u2026","rel":"","context":"In "Ses ve M\u00fczik Teknolojileri"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Monitor_Kalibrasyon_Seviyeleri_3.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/3905"}],"collection":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/comments?post=3905"}],"version-history":[{"count":14,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/3905\/revisions"}],"predecessor-version":[{"id":5862,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/3905\/revisions\/5862"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media\/3926"}],"wp:attachment":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media?parent=3905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/categories?post=3905"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/tags?post=3905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Global Gelirler<\/h3>\n
![\"\"](\"http:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/music_industry_revenues_1999-2017-1024x495.png\")
<\/a>\n
Gelirlerin Da\u011f\u0131l\u0131m\u0131<\/h3>\n
\n
Ge\u00e7mi\u015f Y\u0131llarla Kar\u015f\u0131la\u015ft\u0131rma<\/h3>\n
![\"\"](\"http:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/muzik_endustrisi_streaming_2014-2017_01-1024x524.png\")
<\/a><\/p>\n![\"\"](\"http:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/muzik_endustrisi_streaming_2014-2017_02-1024x304.png\")
<\/a><\/p>\nStreaming Servisleri ve \u00dccretli Kullan\u0131c\u0131lar<\/h3>\n
En B\u00fcy\u00fck Pazarlar<\/h3>\n
![\"\"](\"http:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/music_industry_top_markets_20_cropped-e1526140932385-1024x593.png\")
<\/a><\/p>\n
\n2- Japonya
\n3- Almanya
\n4- \u0130ngiltere
\n5- Fransa
\n6- G\u00fcney Kore
\n7- Kanada
\n8- Avustralya
\n9- Brezilya
\n10- \u00c7in<\/p>\nDe\u011ferlendirme<\/h3>\n