![\"\"](\"http:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/DAW_Video-1024x576.jpg\")
<\/p>\n<\/p>\n
Eskiden bilgisayarda sequencer ile g\u00f6r\u00fcnt\u00fc i\u00e7in m\u00fczik \u00fczerine \u00e7al\u0131\u015f\u0131rken ya da bir ses program\u0131 kullanarak video veya film i\u00e7in ses tasar\u0131m\u0131, audio editing’ ve benzeri bir i\u015f yaparken g\u00f6r\u00fcnt\u00fc ile e\u015f zamanl\u0131 \u00e7al\u0131\u015fman\u0131n tek yolu, bilgisayar\u0131 time code ve synchronizer arac\u0131l\u0131\u011f\u0131 ile video kay\u0131t cihaz\u0131na senkronize etmekti.<\/p>\n
Ev ortam\u0131nda \u00e7al\u0131\u015f\u0131rken senkronizasyon i\u00e7in VHS bantlar\u0131n ses kanal\u0131na yaz\u0131lan time code’u kullan\u0131rd\u0131k. VHS master cihaz olurdu. Synchronizer, VHS’den gelen time code’u bilgisayara g\u00f6nderirdi ve bu sayede bilgisayar\u0131 videoya senkronize ederdik.<\/p>\n
St\u00fcdyolarda profesyonel video cihazlar\u0131 bulunurdu. Genel olarak sistemler daha karma\u015f\u0131kt\u0131. Di\u011fer yandan \u00e7al\u0131\u015fma prensibi evde kullan\u0131lan sistemlerden \u00e7ok da farkl\u0131 de\u011fildi. Video kay\u0131t cihazlar\u0131 \u00fczerinden gelen time code, st\u00fcdyodaki t\u00fcm ses ve MIDI cihazlar\u0131na da\u011f\u0131t\u0131l\u0131r, sistemdeki t\u00fcm cihazlar videoya senkronize edilirdi. Alternatif olarak baz\u0131 st\u00fcdyolarda senkronizasyon i\u00e7in ‘black burst’ veya ‘house sync’ kullan\u0131l\u0131rd\u0131. Bu sistemlerde t\u00fcm ses ve g\u00f6r\u00fcnt\u00fc cihazlar\u0131 ‘house sync generator’ taraf\u0131ndan \u00fcretilen time code’a senkronize olurdu.<\/p>\n
B\u00f6yle bir sistemle \u00e7al\u0131\u015fmam\u0131\u015f olanlar bunun ne kadar b\u00fcy\u00fck bir azap oldu\u011funu bilemezler! Bu sistemler m\u00fcthi\u015f derecede hantald\u0131 \u00e7\u00fcnk\u00fc \u00e7al\u0131\u015f\u0131rken s\u00fcrekli olarak video kaseti ileri geri sarman\u0131z gerekiyordu. Bir b\u00f6l\u00fcm\u00fcn ba\u015f\u0131na d\u00f6nmek istedi\u011finizde, her seferinde kaseti durdurup, istedi\u011finiz b\u00f6l\u00fcm\u00fcn ba\u015f\u0131na geri sar\u0131p (bu arada e\u011fer sistemde makara bant kay\u0131t cihazlar\u0131 gibi ba\u015fka bantl\u0131 cihazlar da varsa onlar\u0131n da o b\u00f6l\u00fcm\u00fcn ba\u015f\u0131na sarmas\u0131n\u0131 bekleyip), daha sonra ‘play’ tu\u015funa bas\u0131p bu sefer de sistemdeki t\u00fcm cihazlar\u0131n master konumunda olan video cihaz\u0131na ‘kilitlenmesini’ beklemeniz (ya da k\u00f6t\u00fc sistemlerde umman\u0131z) gerekiyordu.<\/p>\n
E\u011fer yukar\u0131daki c\u00fcmleyi okumak size s\u0131k\u0131nt\u0131 verdiyse bir de bu i\u015flemi g\u00fcn i\u00e7inde y\u00fczlerce defa tekrarlad\u0131\u011f\u0131n\u0131z\u0131 d\u00fc\u015f\u00fcn\u00fcn!<\/p>\n
Bilgisayarlar\u0131m\u0131z\u0131n i\u015flemcileri ve donan\u0131mlar\u0131 video ve ses i\u015flemek i\u00e7in yeterli h\u00e2le geldi\u011finde bu hantal sistemlerden kurtulduk. G\u00f6r\u00fcnt\u00fcleri video dosyas\u0131 olarak kulland\u0131\u011f\u0131m\u0131z ‘host’ program\u0131n (Pro Tools, Cubase, Logic vb.) i\u00e7ine al\u0131p, g\u00f6r\u00fcnt\u00fc\/ses\/MIDI ile tek bir platformda, tek bir bilgisayar i\u00e7inde \u00e7al\u0131\u015fmaya ba\u015flad\u0131k. \u0130leri geri sarma derdi olmadan ve cihazlar\u0131n master konumundaki video cihaz\u0131na kilitlenmesini beklemeden, k\u0131sacas\u0131 \u00e7ile \u00e7ekmeden \u00e7ok h\u0131zl\u0131 bir \u015fekilde \u00e7al\u0131\u015fabilir duruma geldik. Tabii bu bir anda olmad\u0131, bir s\u00fcre\u00e7ten ge\u00e7tik ama \u00f6zellikle 7-8 y\u0131ldan beri sorunsuz \u00e7al\u0131\u015fabiliyoruz diyebilirim.<\/p>\n
<\/p>\n
Baz\u0131lar\u0131n\u0131z\u0131n “video benim ne i\u015fime yarayacak?” diye sordu\u011funu duyabiliyorum…<\/p>\n
M\u00fczik ve ses teknolojileri \u00fczerine \u00e7al\u0131\u015fanlar\u0131n video konusunda bilgi sahibi olmas\u0131n\u0131 s\u00fcrekli tavsiye etmi\u015fimdir. G\u00f6r\u00fcnt\u00fc i\u00e7in ses tasar\u0131m\u0131, ses kurgusu ve m\u00fczik yaz\u0131m\u0131 bir\u00e7ok profesyonelin fark\u0131nda olmad\u0131\u011f\u0131 ancak asl\u0131nda maddi getirisi olan geni\u015f bir alan. Filmler, televizyon dizileri, tan\u0131t\u0131m videolar\u0131, reklamlar, e\u011fitim videolar\u0131… Daha bir\u00e7ok \u015fey saymak m\u00fcmk\u00fcn. \u00dczerine biraz e\u011filmekte fayda var.<\/p>\n
<\/p>\n
Peki DAW i\u00e7inde video ile ve video i\u00e7in neler yapabiliriz? Pro Tools ya da benzeri ‘host’ programlarda:<\/p>\n
<\/p>\n
Host programlar bir\u00e7ok video dosya format\u0131 ile \u00e7al\u0131\u015fabilir. G\u00fcn\u00fcm\u00fczde yayg\u0131n olarak QuickTime Movie (.MOV) ve MPEG-4 (.MP4) formatlar\u0131 kullan\u0131lmaktad\u0131r. Codec olarak da genelde H.264 tercih ediliyor. Dosya format\u0131 ile codec’in farkl\u0131 \u015feyler oldu\u011funa dikkatinizi \u00e7ekmek isterim.<\/p>\n
Video boyutlar\u0131 her ge\u00e7en g\u00fcn art\u0131yor. \u015eu anda en yayg\u0131n video boyutu HD (1920 x 1080) ama yava\u015f yava\u015f 4K Ultra-HD’ye (7680 x 4320) do\u011fru gidiyoruz. Sonra onu 8K takip edecek. Boyutlar b\u00fcy\u00fcyor ancak di\u011fer yandan siz DAW i\u00e7ine alaca\u011f\u0131n\u0131z video dosyas\u0131n\u0131 g\u00f6rsel referans amac\u0131yla kullanaca\u011f\u0131n\u0131z i\u00e7in boyutunun fazla b\u00fcy\u00fck olmas\u0131 gerekmez. \u00c7o\u011fu zaman 720p bile yeterli olacakt\u0131r.<\/p>\n
DAW i\u00e7inde olu\u015fturaca\u011f\u0131n\u0131z session dosyas\u0131n\u0131n time code ayar\u0131na dikkat etmeyi unutmay\u0131n. Bu ayar videonun ‘frame rate’i ile ayn\u0131 olmak zorundad\u0131r. A\u015fa\u011f\u0131da Pro Tools Session Setup ekran\u0131n g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fc inceleyebilirsiniz. Di\u011fer programlarda da buna benzer ayarlar ve pencereler bulunmaktad\u0131r.<\/p>\n
Time code ve frame rate ile ilgili olarak “G\u00f6r\u00fcnt\u00fc i\u00e7in Ses ve M\u00fczik ile \u00c7al\u0131\u015f\u0131rken Time Code\u2019un \u00d6nemi<\/a>” ba\u015fl\u0131kl\u0131 yaz\u0131m\u0131 okuyabilirsiniz.<\/p>\n <\/p>\n \u015eimdi video dosyalar\u0131n\u0131n program i\u00e7ine nas\u0131l al\u0131nd\u0131\u011f\u0131na bakal\u0131m. Ben \u00f6rnekleri Pro Tools \u00fczerinden verece\u011fim ancak di\u011fer programlarda da i\u015fleyi\u015f hemen hemen ayn\u0131.<\/p>\n Pro Tools’ta video dosyas\u0131n\u0131 program i\u00e7ine alman\u0131n en k\u0131sa yolu “File” men\u00fcs\u00fcnden “Import” > “Video” komutunu kullanmakt\u0131r (a\u015fa\u011f\u0131daki ekran g\u00f6r\u00fcnt\u00fclerini \u00fczerlerine t\u0131klayarak b\u00fcy\u00fctebilirsiniz)..<\/p>\n <\/p>\n Videoyu se\u00e7tikten sonra Pro Tools size videoyu nereye yerle\u015ftirmek istedi\u011finizi ve video dosyas\u0131 i\u00e7indeki ses kanallar\u0131n\u0131 programa almak isteyip istemedi\u011finizi soracakt\u0131r.<\/p>\n <\/p>\n Pro Tools se\u00e7ti\u011finiz video dosyas\u0131 i\u00e7in otomatik olarak bir video kanal\u0131 a\u00e7acak ve dosyay\u0131 bu kanala yerle\u015ftirecektir. Video ayr\u0131ca \u00fcstte y\u00fczen ekran olarak g\u00f6r\u00fcnt\u00fclenecektir. Video ekran\u0131n\u0131 istedi\u011finiz gibi k\u00fc\u00e7\u00fclt\u00fcp b\u00fcy\u00fctebilirsiniz.<\/p>\n <\/p>\n Video dosyas\u0131ndaki g\u00f6r\u00fcnt\u00fcler k\u00fc\u00e7\u00fck kareler halinde video kanal\u0131nda g\u00f6sterilmektedir. Bu kareleri video kanal\u0131 \u00fczerinde “frames” yerine “blocks” se\u00e7ene\u011fini kullanarak gizleyebilirsiniz. Bu kareleri gizlemek bilgisayara biraz daha az g\u00fc\u00e7 binmesini sa\u011flayacakt\u0131r.<\/p>\n <\/p>\n Yukar\u0131da da belirtti\u011fim gibi g\u00f6r\u00fcnt\u00fc i\u00e7in ses tasar\u0131m\u0131, ses kurgusu ve m\u00fczik yaz\u0131m\u0131 bir\u00e7ok profesyonelin fark\u0131nda olmad\u0131\u011f\u0131 ancak asl\u0131nda maddi getirisi olan geni\u015f bir alan. Ses ve m\u00fczik \u00fczerine \u00e7al\u0131\u015fanlar\u0131n \u00fczerine e\u011filmesi gereken bir alan. Standart m\u00fczik prod\u00fcksiyonundan \u00e7ok daha farkl\u0131 bir i\u015fleyi\u015fe sahip. Ses ve m\u00fczik \u00fczerine oldu\u011fu kadar g\u00f6r\u00fcnt\u00fc \u00fczerine de (hem teknik hem de teorik) bilgi gerekiyor.<\/p>\n Ba\u015flang\u0131\u00e7ta biraz zaman ve \u00e7aba istiyor ama sonu\u00e7ta her i\u015f \u00f6yle de\u011fil mi? Bug\u00fcn kulland\u0131\u011f\u0131n\u0131z program\u0131 a\u00e7\u0131p, program\u0131n i\u00e7ine bir video al\u0131p ilk ad\u0131m\u0131n\u0131z\u0131 atabilirsiniz.<\/p>\n <\/p>\n Konu ile ilgili olarak “Film Sesleri (1. B\u00f6l\u00fcm)<\/a>“, “Film Sesleri (2. B\u00f6l\u00fcm)<\/a>” ve “G\u00f6r\u00fcnt\u00fc i\u00e7in Ses ve M\u00fczik ile \u00c7al\u0131\u015f\u0131rken Time Code\u2019un \u00d6nemi<\/a>” ba\u015fl\u0131kl\u0131 yaz\u0131lar\u0131m\u0131 okuyabilirsiniz.<\/p>\n Film Sesleri (1. B\u00f6l\u00fcm)<\/p><\/div>\n <\/p>\n Film Sesleri (2. B\u00f6l\u00fcm)<\/p><\/div>\n <\/p>\n G\u00f6r\u00fcnt\u00fc i\u00e7in Ses ve M\u00fczik ile \u00c7al\u0131\u015f\u0131rken Time Code\u2019un \u00d6nemi<\/p><\/div>\n <\/p>\n Teknik terimler i\u00e7in m\u00fczik teknolojisi, m\u00fczik prod\u00fcksiyonu ve ses kay\u0131t terimleri s\u00f6zl\u00fc\u011f\u00fcne<\/a> g\u00f6z atabilirsiniz.<\/p>\n Benzer payla\u015f\u0131mlar i\u00e7in beni Facebook<\/a> ve Twitter<\/a>‘da takip edebilir, haberler i\u00e7in mesaj listeme \u00fcye olabilirsiniz<\/a>. Te\u015fekk\u00fcrler.<\/p>\n Ba\u015fl\u0131k foto\u011fraf\u0131:\u00a0Anthony<\/a> | Pexels<\/a><\/p>\n \u00a9 2018 Ufuk \u00d6nen. Her hakk\u0131 sakl\u0131d\u0131r. \u0130zinsiz kullan\u0131lamaz.<\/p>\n","protected":false},"excerpt":{"rendered":" Eskiden bilgisayarda sequencer ile g\u00f6r\u00fcnt\u00fc i\u00e7in m\u00fczik \u00fczerine \u00e7al\u0131\u015f\u0131rken ya da bir ses program\u0131 kullanarak video veya film i\u00e7in ses…<\/p>\n","protected":false},"author":2,"featured_media":4196,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[19],"tags":[],"jetpack_featured_media_url":"https:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/DAW_Video.jpg","jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p3rjsG-15o","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":941,"url":"https:\/\/www.ufukonen.com\/tr\/goruntu-icin-ses-ve-muzik-ile-calisirken-time-codeun-onemi.html","url_meta":{"origin":4178,"position":0},"title":"G\u00f6r\u00fcnt\u00fc i\u00e7in Ses ve M\u00fczik ile \u00c7al\u0131\u015f\u0131rken Time Code’un \u00d6nemi","date":"December 1, 2012","format":false,"excerpt":"\u00a0 G\u00f6r\u00fcnt\u00fc i\u00e7in ses ve m\u00fczik ile \u00e7al\u0131\u015f\u0131rken time code'un b\u00fcy\u00fck \u00f6nemi vard\u0131r \u00e7\u00fcnk\u00fc ses ve g\u00f6r\u00fcnt\u00fcn\u00fcn senkronize olabilmesi ve i\u015fin sonuna kadar da senkronize kalabilmesi time code sayesinde olmaktad\u0131r. Time code'u bir adres bilgisi olarak d\u00fc\u015f\u00fcnebiliriz. Bir adresi nas\u0131l \u015fehir, cadde, sokak gibi b\u00f6l\u00fcmlere ay\u0131r\u0131yorsak time code da zaman\u0131\u2026","rel":"","context":"In "Ses Tasar\u0131m\u0131"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Time_Code.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":6346,"url":"https:\/\/www.ufukonen.com\/tr\/studyo-cihazlari-acilis-kapanis.html","url_meta":{"origin":4178,"position":1},"title":"St\u00fcdyo Cihazlar\u0131n\u0131n A\u00e7\u0131l\u0131\u015f ve Kapan\u0131\u015f S\u0131ras\u0131","date":"January 25, 2021","format":false,"excerpt":"St\u00fcdyodaki cihazlar\u0131 a\u00e7\u0131p kapat\u0131rken voltaj s\u0131\u00e7ramalar\u0131n\u0131n cihazlara, \u00f6zellikle de monit\u00f6rlere, zarar vermemesi i\u00e7in a\u00e7ma ve kapama i\u015flerini belli bir s\u0131ra ile yapmak gerekiyor. A\u00e7arken Birinci ad\u0131m, bilgisayar\u0131 ve st\u00fcdyodaki t\u00fcm cihazlar\u0131 a\u00e7mak. \u0130kinci ad\u0131m, e\u011fer varsa mikseri a\u00e7mak. \u00dc\u00e7\u00fcnc\u00fc ad\u0131m, monit\u00f6rleri a\u00e7mak. E\u011fer monit\u00f6rler aktif de\u011filse (yani ayr\u0131 bir g\u00fc\u00e7\u2026","rel":"","context":"In "M\u00fczik Prod\u00fcksiyonu"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Studyo_Acilis_Kapanis_00_Header.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":164,"url":"https:\/\/www.ufukonen.com\/tr\/atmm-2012-muzik-ve-medya-icin-ses-teknolojileri-konferansi.html","url_meta":{"origin":4178,"position":2},"title":"“ATMM 2012: M\u00fczik ve Medya i\u00e7in Ses Teknolojileri Konferans\u0131”","date":"June 17, 2012","format":false,"excerpt":"1-2 Kas\u0131m 2012 tarihlerinde Ankara, Bilkent \u00dcniversitesi'nde, \u0130leti\u015fim ve Tasar\u0131m B\u00f6l\u00fcm\u00fc'n\u00fcn (COMD) ev sahipli\u011finde ger\u00e7ekle\u015ftirilen Audio Technologies for Music and Media (ATMM) konferans\u0131 ile ilgili olarak yazd\u0131\u011f\u0131m ve Sound dergisinin 2012 May\u0131s say\u0131s\u0131nda yay\u0131nlanan\u00a0\"ATMM 2012: M\u00fczik ve Medya i\u00e7in Ses Teknolojileri Konferans\u0131\" ba\u015fl\u0131kl\u0131 yaz\u0131m... \u00a0 ATMM 2012: M\u00fczik ve Medya\u2026","rel":"","context":"In "ATMM"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/ATMM-AD_20121015.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4086,"url":"https:\/\/www.ufukonen.com\/tr\/film-sesleri-1.html","url_meta":{"origin":4178,"position":3},"title":"Film Sesleri (1. B\u00f6l\u00fcm)","date":"August 20, 2018","format":false,"excerpt":"Son y\u0131llarda t\u00fcm d\u00fcnyada oldu\u011fu gibi T\u00fcrkiye\u2019de de m\u00fczisyen ve besteciler taraf\u0131ndan film, video ve dizi m\u00fcziklerine g\u00f6sterilen ilgi olduk\u00e7a artt\u0131. G\u00fcn\u00fcm\u00fcz\u00fcn dijital teknolojisi sayesinde bir bestecinin bir film, video veya dizi m\u00fczi\u011finin b\u00fcy\u00fck bir b\u00f6l\u00fcm\u00fcn\u00fc, hatta baz\u0131 durumlarda tamam\u0131n\u0131, evde kurdu\u011fu st\u00fcdyosunda \u00e7al\u0131\u015farak bitirmesi m\u00fcmk\u00fcn h\u00e2le geldi. K\u00fc\u00e7\u00fck b\u00fct\u00e7eli\u2026","rel":"","context":"In "Ses Tasar\u0131m\u0131"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/film_sesleri_1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4893,"url":"https:\/\/www.ufukonen.com\/tr\/analog-bant-emulasyon-plugin-1.html","url_meta":{"origin":4178,"position":4},"title":"Analog Bant Em\u00fclasyon Plug-in’leri (1. B\u00f6l\u00fcm)","date":"July 1, 2019","format":false,"excerpt":"Son y\u0131llarda analog bant em\u00fclasyonu yapan plug-in'lerin say\u0131s\u0131 ve bunlar\u0131n m\u00fczik prod\u00fcksiyonlar\u0131ndaki kullan\u0131m\u0131 olduk\u00e7a artt\u0131. Bu plug-in'ler \u0130ngilizcede genelde 'tape emulation', 'tape saturation' ya da k\u0131saca 'tape' plug-in olarak adland\u0131r\u0131l\u0131yor. Bir\u00e7o\u011funun \u00fczerinde \u00e7ok fazla parametre bulunmad\u0131\u011f\u0131 i\u00e7in kullan\u0131m\u0131 zor gibi g\u00f6r\u00fcnm\u00fcyor. De\u011fil de zaten. Ancak yine bu plug-in'leri (deyim yerindeyse)\u2026","rel":"","context":"In "Ses ve M\u00fczik Teknolojileri"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Analog_Bant_Emulasyon.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8096,"url":"https:\/\/www.ufukonen.com\/tr\/sounding-off-2023-bilkent_.html","url_meta":{"origin":4178,"position":5},"title":"Sounding Off 2023: Gelece\u011fin Ses Getirecek Kad\u0131nlar\u0131 \u0130le Bulu\u015ftuk","date":"June 8, 2023","format":false,"excerpt":"Benim i\u00e7in \u00e7ok \u00f6nemli olan bir projeyi hayata ge\u00e7irmenin mutlulu\u011funu ya\u015f\u0131yorum: Sounding Off: The Next Generation of Women in Sound \ud83d\ude0e https:\/\/youtu.be\/KewMIfioGOw Film ve televizyon i\u00e7in ses ve m\u00fczik, streaming platformlar\u0131n\u0131n yayg\u0131nla\u015fmas\u0131yla birlikte T\u00fcrkiye ve d\u00fcnyada h\u0131zla geli\u015fen bir alan. Kurgu, film, belgesel, dizi, animasyon dahil her t\u00fcr g\u00f6rsel medya\u2026","rel":"","context":"In "Ders & Workshop"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Sounding_Off_2023_00_Header_2.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/4178"}],"collection":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/comments?post=4178"}],"version-history":[{"count":13,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/4178\/revisions"}],"predecessor-version":[{"id":4199,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/4178\/revisions\/4199"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media\/4196"}],"wp:attachment":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media?parent=4178"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/categories?post=4178"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/tags?post=4178"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"http:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/DAW_Video_01.jpg\")
<\/a><\/p>\nVideo Dosyalar\u0131n\u0131n DAW \u0130\u00e7ine Al\u0131nmas\u0131<\/h3>\n
<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\n<\/a><\/p>\nSon olarak…<\/h3>\n
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