![\"\"](\"http:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Tab_to_Transients_01-1024x327.jpg\"){kind=spacer}
<\/figure>\n\n\n\nBu \u00f6zelli\u011fi k\u0131sa yol ile a\u00e7\u0131p kapatmak da m\u00fcmk\u00fcn:<\/p>\n\n\n\n
- Mac: Command + Option (Alt) + Tab<\/li>
- Win: Control + Alt + Tab<\/li><\/ul>\n\n\n\n
Bu \u00f6zellik a\u00e7\u0131kken tab tu\u015funa bast\u0131\u011f\u0131n\u0131zda imle\u00e7 bir sonraki transient noktas\u0131 gider. Shift tu\u015fu bas\u0131l\u0131yken tab tu\u015funa basarsan\u0131z bulundu\u011funuz noktadan ba\u015flayarak bir sonraki transient noktas\u0131na kadar se\u00e7im yapm\u0131\u015f olursunuz.<\/p>\n\n\n\n
\u00d6rnek olarak trampet kanal\u0131nda sadece bir trampet vuru\u015funu se\u00e7mek istiyorsunuz. Trampet vuru\u015funun ba\u015f\u0131n\u0131 bulmak i\u00e7in tab tu\u015funa bas\u0131n. \u0130mle\u00e7 trampet vuru\u015funun ba\u015f\u0131na gider. Shift’e basarken tekrar tab tu\u015funa bas\u0131n. \u0130mle\u00e7 bir sonraki trampet vuru\u015funun ba\u015f\u0131na gider (arada ba\u015fka transient noktalar\u0131 varsa, bir sonraki trampet vuru\u015funun ba\u015f\u0131na kadar gelmek i\u00e7in shift tu\u015funa bas\u0131l\u0131yken tab tu\u015funa basmaya devam edin). Bu \u015fekilde se\u00e7mek istedi\u011finiz trampet vuru\u015funu kolayca ve \u00e7ok hassas bir \u015fekilde se\u00e7mi\u015f olursunuz.<\/p>\n\n\n\n
![\"\"](\"http:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Tab_to_Transients_02-1024x362.jpg\")
<\/figure>\n\n\n\n<\/div>\n\n\n\nTransient noktalar\u0131 aras\u0131nda imlecin yerini de\u011fi\u015ftirirken sadece ileri de\u011fil, geri gitmek de m\u00fcmk\u00fcn. Bunun i\u00e7in a\u015fa\u011f\u0131daki tu\u015f kombinasyonlar\u0131n\u0131 kullanabilirsiniz:<\/p>\n\n\n\n
- Mac: Option (Alt) + Tab<\/li>
- Win: Control + Tab<\/li><\/ul>\n\n\n\n<\/div>\n\n\n\n
Tab to transients \u00f6zelli\u011fi Studio One i\u00e7inde de var. Tab tu\u015funa bast\u0131\u011f\u0131n\u0131zda imle\u00e7, Pro Tools’ta oldu\u011fu gibi, bir sonraki transient noktas\u0131na gidiyor. Se\u00e7im yaparak ilerlemek isterseniz yine Pro Tools’ta oldu\u011fu gibi shift tu\u015fu bas\u0131l\u0131yken tab tu\u015funa basabilirsiniz.<\/p>\n\n\n\n
Studio One’da, bir sonraki transient noktas\u0131na gitmek yerine bir \u00f6ncekine (yani geriye) gitmek isterseniz \u015fu tu\u015f kombinasyonunu kullanman\u0131z gerekiyor:<\/p>\n\n\n\n
- Mac: Command + Backspace<\/li>
- Win: Control + Backspace<\/li><\/ul>\n\n\n\n
Pro Tools’taki ileri ve geri gitme mant\u0131\u011f\u0131 bence d\u00fcmd\u00fcz. Transient noktalar\u0131 aras\u0131nda ileri gitmek i\u00e7in tab; geri gitmek i\u00e7in alt + tab [Mac] \/ control + tab [Win] tu\u015flar\u0131na bas\u0131yoruz. Studio One’\u0131n ileri ve geri k\u0131sa yollar\u0131 bana \u00e7ok ters geldi. Tab ile ileri giderken, geri gitmek i\u00e7in tamamen farkl\u0131 tu\u015flara basmak gerekiyor. Studio One’da buna benzer ba\u015fka \u00f6rnekler de var. Ben de bu sebepten dolay\u0131 Studio One i\u00e7inde Pro Tools k\u0131sa yol da\u011f\u0131l\u0131m\u0131n\u0131 kullan\u0131yorum. Bunu Preferences alt\u0131nda kolayca ayarlayabiliyorsunuz. Pro Tools k\u0131sa yol da\u011f\u0131l\u0131m\u0131n\u0131n yan\u0131 s\u0131ra Cubase ve Logic gibi ba\u015fka se\u00e7enekler de var.<\/p>\n\n\n\n
![\"\"](\"http:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Tab_to_Transients_03-1024x600.jpg\")
<\/figure>\n\n\n\nKulland\u0131\u011f\u0131n\u0131z DAW i\u00e7inde bu \u00f6zelli\u011fin olup olmad\u0131\u011f\u0131n\u0131 kullan\u0131m k\u0131lavuzuna bakarak bulabilirsiniz. Bug\u00fcn hemen hemen t\u00fcm modern DAW’lar kullan\u0131c\u0131lar\u0131na benzer se\u00e7enekler sunuyorlar. <\/p>\n\n\n\n
Tab to transients \u00f6zelli\u011fini mutlaka deneyin! \u0130\u015finizi \u00e7ok kolayla\u015ft\u0131racak!<\/p>\n\n\n\n
<\/div>\n\n\n\n<\/p>\n\n\n\n
Teknik terimler i\u00e7in m\u00fczik teknolojisi, m\u00fczik prod\u00fcksiyonu ve ses kay\u0131t terimleri s\u00f6zl\u00fc\u011f\u00fcne<\/a> g\u00f6z atabilirsiniz.<\/p>\n\n\n\n
Benzer payla\u015f\u0131mlar i\u00e7in beni Facebook<\/a>, Instagram<\/a> ve Twitter<\/a>‘da takip edebilir, haberler i\u00e7in mesaj listeme \u00fcye olabilirsiniz<\/a>. Te\u015fekk\u00fcrler.<\/p>\n\n\n\n
Ba\u015fl\u0131k foto\u011fraf\u0131: James Pond<\/a> on Unsplash<\/a><\/p>\n\n\n\n
\u00a9 2020 Ufuk \u00d6nen. Her hakk\u0131 sakl\u0131d\u0131r. \u0130zinsiz kullan\u0131lamaz.<\/p>\n","protected":false},"excerpt":{"rendered":"
DAW i\u00e7inde davul, gitar, vokal ya da herhangi bir enstr\u00fcman veya ses kanal\u0131 \u00fczerinde \u00e7al\u0131\u015f\u0131rken transient noktalar\u0131n\u0131 g\u00f6rebiliyoruz. Hatta bu…<\/p>\n","protected":false},"author":2,"featured_media":5651,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[16],"tags":[],"jetpack_featured_media_url":"https:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Tab_to_Transients_00_Header.jpg","jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p3rjsG-1sR","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":5419,"url":"https:\/\/www.ufukonen.com\/tr\/kompresor-teknikleri-3-sidechain.html","url_meta":{"origin":5633,"position":0},"title":"Kompres\u00f6r Teknikleri – 3. B\u00f6l\u00fcm: Sidechain Kompres\u00f6r Kullan\u0131m\u0131","date":"February 10, 2020","format":false,"excerpt":"Bu yaz\u0131 dizisi \u00fc\u00e7 b\u00f6l\u00fcmden olu\u015fmaktad\u0131r. \u015eu anda okumakta oldu\u011funuz \u00fc\u00e7\u00fcnc\u00fc b\u00f6l\u00fcm sidechain kompres\u00f6r kullan\u0131m\u0131 \u00fczerine. Di\u011fer iki b\u00f6l\u00fcme a\u015fa\u011f\u0131daki linklerden ula\u015fabilirsiniz: Kompres\u00f6r Teknikleri - 1. B\u00f6l\u00fcm: Paralel Kompres\u00f6r Kullan\u0131m\u0131 Kompres\u00f6r Teknikleri - 2. B\u00f6l\u00fcm: Seri Kompres\u00f6r Kullan\u0131m\u0131 Bu teknikleri DAW i\u00e7inde nas\u0131l uygulayaca\u011f\u0131n\u0131z\u0131 Pro Tools ve Studio One ekran\u2026","rel":"","context":"In "M\u00fczik Prod\u00fcksiyonu"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Kompresor_Teknikleri_00_Header.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":7572,"url":"https:\/\/www.ufukonen.com\/tr\/vokal-kaydinda-kulaklik-reverb-delay.html","url_meta":{"origin":5633,"position":1},"title":"Vokal Kayd\u0131nda Kulakl\u0131k \u0130\u00e7in Reverb ve Delay Kullan\u0131m\u0131","date":"September 5, 2022","format":false,"excerpt":"\"DAW ve Latency\" ba\u015fl\u0131kl\u0131 yaz\u0131mda kay\u0131t yapan m\u00fczisyenin kendini kulakl\u0131kta gecikmeli duymamas\u0131 i\u00e7in \u00e7\u00f6z\u00fcm yollar\u0131ndan birinin ses kart\u0131n\u0131n \u00fczerinde bulunan \"zero latency monitoring\" ya da \"input monitoring\" olarak adland\u0131r\u0131lan \u00f6zelli\u011fini kullanmak oldu\u011funu yazm\u0131\u015ft\u0131m. Diyelim ki zero latency monitoring \u00f6zelli\u011fini kullanarak vokal kayd\u0131 yap\u0131yorsunuz ve vokalist kulakl\u0131\u011f\u0131na reverb istedi\u2026. E\u011fer ses\u2026","rel":"","context":"In "M\u00fczik Prod\u00fcksiyonu"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Vokal_Kaydi_Kulaklik_Reverb_Delay_00_Header.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4178,"url":"https:\/\/www.ufukonen.com\/tr\/daw-video.html","url_meta":{"origin":5633,"position":2},"title":"DAW \u0130\u00e7inde Video Dosyalar\u0131 ile \u00c7al\u0131\u015fmak","date":"September 17, 2018","format":false,"excerpt":"Eskiden bilgisayarda sequencer ile g\u00f6r\u00fcnt\u00fc i\u00e7in m\u00fczik \u00fczerine \u00e7al\u0131\u015f\u0131rken ya da bir ses program\u0131 kullanarak video veya film i\u00e7in ses tasar\u0131m\u0131, audio editing' ve benzeri bir i\u015f yaparken g\u00f6r\u00fcnt\u00fc ile e\u015f zamanl\u0131 \u00e7al\u0131\u015fman\u0131n tek yolu, bilgisayar\u0131 time code ve synchronizer arac\u0131l\u0131\u011f\u0131 ile video kay\u0131t cihaz\u0131na senkronize etmekti. Ev ortam\u0131nda \u00e7al\u0131\u015f\u0131rken\u2026","rel":"","context":"In "Ses Tasar\u0131m\u0131"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/DAW_Video.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8327,"url":"https:\/\/www.ufukonen.com\/tr\/delta-solo.html","url_meta":{"origin":5633,"position":3},"title":"Delta Solo: Plug-in’lerin Ger\u00e7ek Etkilerini A\u00e7\u0131\u011fa \u00c7\u0131kar\u0131n","date":"September 9, 2024","format":false,"excerpt":"Miks ve mastering s\u00fcre\u00e7lerinde, plug-in'lerin ses sinyallerine nas\u0131l m\u00fcdahale etti\u011fini do\u011fru bir \u015fekilde anlamak b\u00fcy\u00fck \u00f6nem ta\u015f\u0131r. Bu ba\u011flamda delta solo, orijinal sinyal ile i\u015flenmi\u015f sinyal aras\u0131ndaki fark\u0131 duyabilmenizi sa\u011flayan etkili bir tekniktir. Bu makalede, delta solonun ne oldu\u011funu, neden \u00f6nemli oldu\u011funu ve bu y\u00f6ntemin hem yerle\u015fik hem de her\u2026","rel":"","context":"In "Ses ve M\u00fczik Teknolojileri"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Delta_Solo-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":6380,"url":"https:\/\/www.ufukonen.com\/tr\/daw-sarki-sozu-kanali.html","url_meta":{"origin":5633,"position":4},"title":"DAW \u0130\u00e7inde \u015eark\u0131 S\u00f6z\u00fc Kanal\u0131 Olu\u015fturmak","date":"February 8, 2021","format":false,"excerpt":"Hi\u00e7 \"ke\u015fke kulland\u0131\u011f\u0131m DAW i\u00e7inde bir de \u015fark\u0131 s\u00f6z\u00fc kanal\u0131 olsayd\u0131, par\u00e7a \u00fczerinde \u00e7al\u0131\u015f\u0131rken ya da miks yaparken s\u00f6zleri takip edebilseydim\" dedi\u011finiz oldu mu? E\u011fer olduysa \u015fimdi verece\u011fim t\u00fcyo olduk\u00e7a i\u015finize yarayacak. \u00d6zellikle vokal a\u011f\u0131rl\u0131kl\u0131 par\u00e7alar i\u00e7in\u2026 Bu arada, hemen belirteyim, bu t\u00fcyo bana ait de\u011fil. Miks m\u00fchendisi Craig Bauer\u2026","rel":"","context":"In "Ses ve M\u00fczik Teknolojileri"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/DAW-Sarki_Sozu_Kanali_00_Header.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":6887,"url":"https:\/\/www.ufukonen.com\/tr\/multichannel-multimono-plugin.html","url_meta":{"origin":5633,"position":5},"title":"Multichannel ve Multi-Mono Plug-in Kullan\u0131mlar\u0131 Aras\u0131ndaki Fark","date":"September 27, 2021","format":false,"excerpt":"Plug-in'ler, stereo kanallarda bir\u00e7ok ki\u015fi taraf\u0131ndan genelde multichannel olarak kullan\u0131l\u0131yor. Bu, baz\u0131lar\u0131 taraf\u0131ndan bilin\u00e7li olarak yap\u0131lan bir se\u00e7im ancak di\u011ferleri ise multi-mono ad\u0131 verilen ba\u015fka bir se\u00e7enek daha oldu\u011funun fark\u0131nda de\u011fil. Di\u011fer se\u00e7ene\u011fin fark\u0131na varanlarda ise ilk ba\u015fta bir kafa kar\u0131\u015f\u0131kl\u0131\u011f\u0131 oluyor. Multichannel ve multi-mono aras\u0131nda ne fark oldu\u011funu soruyorlar.\u2026","rel":"","context":"In "Ses ve M\u00fczik Teknolojileri"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Multichannel_MultiMono_Plugin_00_Header.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/5633"}],"collection":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/comments?post=5633"}],"version-history":[{"count":5,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/5633\/revisions"}],"predecessor-version":[{"id":6813,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/posts\/5633\/revisions\/6813"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media\/5651"}],"wp:attachment":[{"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/media?parent=5633"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/categories?post=5633"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ufukonen.com\/tr\/wp-json\/wp\/v2\/tags?post=5633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}