{"id":941,"date":"2012-12-01T17:46:00","date_gmt":"2012-12-01T15:46:00","guid":{"rendered":"http:\/\/ufukonen.com\/tr\/?p=941"},"modified":"2018-09-16T23:28:06","modified_gmt":"2018-09-16T20:28:06","slug":"goruntu-icin-ses-ve-muzik-ile-calisirken-time-codeun-onemi","status":"publish","type":"post","link":"https:\/\/www.ufukonen.com\/tr\/goruntu-icin-ses-ve-muzik-ile-calisirken-time-codeun-onemi.html","title":{"rendered":"G\u00f6r\u00fcnt\u00fc i\u00e7in Ses ve M\u00fczik ile \u00c7al\u0131\u015f\u0131rken Time Code&#8217;un \u00d6nemi"},"content":{"rendered":"<div id=\"attachment_957\" style=\"width: 563px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-957\" loading=\"lazy\" class=\" wp-image-957 \" src=\"http:\/\/ufukonen.com\/tr\/wp-content\/uploads\/Time_Code-1024x524.jpg\" alt=\"Time Code pencereli video (&quot;Light&quot; adl\u0131 filmden)\" width=\"553\" height=\"283\" srcset=\"https:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Time_Code-1024x524.jpg 1024w, https:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Time_Code-300x153.jpg 300w, https:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Time_Code.jpg 1739w\" sizes=\"(max-width: 553px) 100vw, 553px\" \/><p id=\"caption-attachment-957\" class=\"wp-caption-text\">Time Code pencereli video (&#8220;Light&#8221; adl\u0131 filmden)<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>G\u00f6r\u00fcnt\u00fc i\u00e7in ses ve m\u00fczik ile \u00e7al\u0131\u015f\u0131rken time code&#8217;un b\u00fcy\u00fck \u00f6nemi vard\u0131r \u00e7\u00fcnk\u00fc ses ve g\u00f6r\u00fcnt\u00fcn\u00fcn senkronize olabilmesi ve i\u015fin sonuna kadar da senkronize kalabilmesi time code sayesinde olmaktad\u0131r. Time code&#8217;u bir adres bilgisi olarak d\u00fc\u015f\u00fcnebiliriz. Bir adresi nas\u0131l \u015fehir, cadde, sokak gibi b\u00f6l\u00fcmlere ay\u0131r\u0131yorsak time code da zaman\u0131 d\u00f6rt ayr\u0131 b\u00f6l\u00fcme ay\u0131r\u0131r: Saat, dakika, saniye ve kare (frame). Time code bilgisi, genellikle her b\u00f6l\u00fcm aras\u0131nda iki nokta \u00fcst \u00fcste (:) kullan\u0131larak 00:00:00:00 \u015feklinde g\u00f6r\u00fcnt\u00fclenir, baz\u0131 formatlarda iki nokta \u00fcst\u00fc \u00fcste yerine noktal\u0131 virg\u00fcl (;) kullan\u0131ld\u0131\u011f\u0131 da olur. Time code ile \u00e7al\u0131\u015f\u0131rken en hassas konu &#8220;frame rate&#8221; olarak adland\u0131r\u0131lan bir saniye i\u00e7indeki kare say\u0131s\u0131d\u0131r. Time code formatlar\u0131 birbirlerine benzer ancak senkronizasyon s\u0131ras\u0131nda sistemdeki t\u00fcm ses ve g\u00f6r\u00fcnt\u00fc cihazlar\u0131nda ayn\u0131 &#8220;frame rate&#8221; kullan\u0131lmazsa senkronizasyon (e\u015fleme) sa\u011flanamaz. &#8220;Frame rate&#8221;, k\u0131saca &#8220;fps&#8221; (frames-per-second; bir saniyedeki kare say\u0131s\u0131) olarak da ifade edilir.<\/p>\n<p>Time code formatlar\u0131na ge\u00e7meden \u00f6nce video ve yay\u0131n standartlar\u0131na k\u0131saca bakmakta fayda var. D\u00fcnyada yayg\u0131n olarak kullan\u0131lan iki standart vard\u0131r: NTSC (National Television System Committee) ve PAL (Phase Alternating Line). Amerika Birle\u015fik Devletleri, Kanada ve Japonya NTSC; Fransa hari\u00e7 olmak \u00fczere Avrupa&#8217;n\u0131n hemen hemen tamam\u0131 ve Avustralya PAL standard\u0131n\u0131 kullan\u0131r. T\u00fcrkiye&#8217;de de yay\u0131nlar PAL standard\u0131 kullan\u0131larak yap\u0131l\u0131r. Frans\u0131zlar kendilerinin geli\u015ftirmi\u015f oldu\u011fu SECAM (Sequential Couleur Avec Memoire) standard\u0131n\u0131 kullanmaktad\u0131rlar. PAL standard\u0131nda g\u00f6r\u00fcnt\u00fcde 625, NTSC standard\u0131nda ise 525 sat\u0131r (line) bulunur.<\/p>\n<p>Time code formatlar\u0131, saniyedeki kare say\u0131s\u0131na g\u00f6re \u00e7e\u015fitlilik g\u00f6sterir. Bu formatlar Amerika&#8217;da SMPTE (Society of Motion Picture and Television Engineers) ve Avrupa&#8217;da EBU (European Broadcasting Union) taraf\u0131ndan standart haline getirilmi\u015ftir. Yayg\u0131n olarak kullan\u0131lan alt\u0131 adet time code format\u0131 vard\u0131r:<\/p>\n<ul>\n<li>24 fps<\/li>\n<li>25 fps<\/li>\n<li>30 fps<\/li>\n<li>29.97 fps<\/li>\n<li>29.97 fps (drop-frame)<\/li>\n<li>30 fps (drop frame)<\/li>\n<\/ul>\n<p>24 fps, film end\u00fcstrisinde standart olarak kullan\u0131lan formatt\u0131r. Bir saniyede 24 kare bulunur. Di\u011fer bir deyi\u015fle her saniye 24 e\u015fit par\u00e7aya b\u00f6l\u00fcn\u00fcr ve her bir par\u00e7a i\u00e7in farkl\u0131 bir adres belirlenir. 25 fps time code format\u0131nda, ad\u0131ndan da anla\u015f\u0131labilece\u011fi gibi, bir saniyede 25 kare bulunur. EBU (PAL ve SECAM) standartlar\u0131 bu time code format\u0131n\u0131 kullan\u0131r.<\/p>\n<p>30 fps, g\u00fcn\u00fcm\u00fczde video ve televizyon yay\u0131nlar\u0131 i\u00e7in kullan\u0131lan bir format de\u011fildir. Saniyede 30 kare olmas\u0131ndan ve time code \u00fczerinde g\u00f6r\u00fcnen zaman\u0131n ger\u00e7ek zamanla kar\u015f\u0131la\u015ft\u0131r\u0131l\u0131p okunmas\u0131 kolay oldu\u011fundan dolay\u0131 bu format, g\u00f6r\u00fcnt\u00fc cihazlar\u0131n\u0131n olmad\u0131\u011f\u0131 sistemlerde, ses cihazlar\u0131n\u0131n birbirlerine senkronize edilmesi i\u00e7in kullan\u0131l\u0131r.<\/p>\n<p>Renkli televizyon \u00f6ncesinde siyah beyaz NTSC yay\u0131nlar\u0131 30 fps oran\u0131nda yap\u0131l\u0131yordu. 1953 y\u0131l\u0131nda Amerika&#8217;da renkli yay\u0131na ge\u00e7ildi\u011finde, yeni yay\u0131nlar\u0131n eski televizyonla uyumlu olabilmesi i\u00e7in m\u00fchendisler televizyon sinyali \u00fczerinde ufak bir de\u011fi\u015fiklik yap\u0131p saniyedeki kare say\u0131s\u0131n\u0131 %0.1 (binde bir) oran\u0131nda azaltt\u0131lar. B\u00f6ylelikle ortaya bir saniyede 29.97 kare bulunan yeni bir format \u00e7\u0131kt\u0131. Bu formatta, time code \u00fczerindeki zaman ile ger\u00e7ek zaman uyu\u015fmaz. Her saniyede 0.03 kare fark oldu\u011fundan yola \u00e7\u0131karsak 29.97 fps, bir saatte (60 dakikada) 60 X 60 X 0.03 = 108 kare fazla okur, di\u011fer bir deyi\u015fle ger\u00e7ek zaman\u0131n 3.6 saniye gerisinde kal\u0131r. Time code ile ger\u00e7ek zaman aras\u0131ndaki fark\u0131 ortadan kald\u0131rmak i\u00e7in (00, 10, 20 gibi) her on dakika ba\u015f\u0131nda hari\u00e7 olmak \u00fczere di\u011fer t\u00fcm dakikalar\u0131n ba\u015f\u0131ndaki ilk iki kare at\u0131l\u0131r. Dolay\u0131s\u0131yla, onluk dakikalar\u0131 \u00e7\u0131kartt\u0131\u011f\u0131m\u0131zda, 54 dakikada, dakika ba\u015f\u0131na iki kare olmak \u00fczere bir saatlik s\u00fcre i\u00e7inde toplam 108 kare at\u0131lm\u0131\u015f olur. Bu \u015fekilde sayan format &#8220;drop-frame&#8221; olarak adland\u0131r\u0131l\u0131r. 29.97 fps drop-frame&#8217;in yan\u0131 s\u0131ra baz\u0131 g\u00f6r\u00fcnt\u00fc transferlerinde kullan\u0131lan 30 fps drop-frame format\u0131 da bulunmaktad\u0131r. Drop-frame ile ilgili olarak dikkat edilmesi gereken nokta, ger\u00e7ekte karelerin at\u0131lmad\u0131\u011f\u0131 veya atlanmad\u0131\u011f\u0131, ge\u00e7en zamanda bir de\u011fi\u015fiklik olmad\u0131\u011f\u0131, sadece say\u0131l\u0131rken kare numaralar\u0131n\u0131n atlan\u0131ld\u0131\u011f\u0131d\u0131r. E\u011fer time code ile daha \u00f6nce \u00e7al\u0131\u015fmam\u0131\u015fsan\u0131z muhtemelen \u015fu anda kafan\u0131z \u00e7ok kar\u0131\u015fm\u0131\u015ft\u0131r. Bu \u00e7ok normal \u00e7\u00fcnk\u00fc 29.97 fps ve 29.97 fps drop-frame, i\u015fleyi\u015f mant\u0131\u011f\u0131 olarak, \u00e7ok kar\u0131\u015f\u0131k formatlard\u0131r. 24 fps, 25 fps ve 30 fps (non-drop) formatlar\u0131 ek bir i\u015fleme gerek kalmadan ger\u00e7ek zaman ile uyu\u015ftu\u011fundan dolay\u0131, 29.97 fps ve 29.97 drop-frame gibi kafa kar\u0131\u015ft\u0131r\u0131c\u0131 de\u011fildir.<\/p>\n<p>Time code, video ve ses bantlar\u0131 \u00fczerine kare dalgalardan olu\u015fan, kesintisiz, di\u011fer bir deyi\u015fle s\u00fcrekli ses sinyali olarak yaz\u0131l\u0131r. Bu ses sinyali, cihazlar taraf\u0131ndan adres bilgisine d\u00f6n\u00fc\u015ft\u00fcr\u00fclerek okunur. Bu \u015fekilde banda yaz\u0131lan time code LTC (Longitudinal Time Code) olarak adland\u0131r\u0131l\u0131r. Banda time code kaydetme i\u015flemi \u0130ngilizcede &#8220;time code striping&#8221;, bant \u00fczerindeki mevcut time codu&#8217;un silinip yeniden time code yaz\u0131lmas\u0131 i\u015flemine de &#8220;time code restriping&#8221; olarak adland\u0131r\u0131l\u0131r.<\/p>\n<p>Longitudinal Time Code&#8217;un yan\u0131 s\u0131ra sadece video kay\u0131t ve okuma cihazlar\u0131nda bulunan ve VITC (Vertical Interval Time Code) ad\u0131 verilen farkl\u0131 bir time code yazma metodu daha bulunur. VITC, &#8220;vit-si&#8221; olarak telaffuz edilir. Bu metodda time code, video band\u0131n \u00fczerindeki time code i\u00e7in \u00f6zel ayr\u0131lm\u0131\u015f kanala veya herhangi bir ses kanal\u0131na de\u011fil, video sinyali \u00fczerinde bulunan ve &#8220;field&#8221; olarak adland\u0131r\u0131lan \u00f6zel bir alana yaz\u0131l\u0131r. VITC hem avantajlara hem de dezavantajlara sahiptir. VITC&#8217;nin en b\u00fcy\u00fck avantaj\u0131, video bant yava\u015f oynat\u0131l\u0131rken veya g\u00f6r\u00fcnt\u00fc donduruldu\u011funda ya da durduruldu\u011funda time code&#8217;un okunabilmesidir. Bu, post prod\u00fcksiyon s\u0131ras\u0131nda b\u00fcy\u00fck kolayl\u0131k ve rahatl\u0131k sa\u011flayan bir \u00f6zelliktir. LTC, video bant yava\u015f oynat\u0131ld\u0131\u011f\u0131nda ya da g\u00f6r\u00fcnt\u00fc donduruldu\u011funda veya bant durduruldu\u011funda time code okuyucusu taraf\u0131ndan okunamaz. VITC&#8217;nin en b\u00fcy\u00fck dezavantaj\u0131 ise, time code video sinyali i\u00e7indeki &#8220;field&#8221;a yaz\u0131ld\u0131\u011f\u0131 i\u00e7in, video bant \u00fczerindeki mevcut time code&#8217;un de\u011fi\u015ftirilememesidir. VITC&#8217;nin tersine, LTC, time code ses kanal\u0131na ses sinyali olarak yaz\u0131ld\u0131\u011f\u0131 i\u00e7in, istenirse sonradan silinip de\u011fi\u015ftirilebilir.<\/p>\n<p>SMPTE ve EBU time code formatlar\u0131na ek olarak bir de k\u0131saca MTC olarak adland\u0131r\u0131lan MIDI Time Code vard\u0131r. SMPTE ve EBU time code formatlar\u0131nda adres bilgisi saat, dakika, saniye ve bir saniyedeki kare say\u0131s\u0131 ile ifade edilir. MIDI ise m\u00fczikal \u00f6l\u00e7\u00fcleri temel al\u0131r. SMPTE ve EBU time code formatlar\u0131 &#8220;absolute&#8221; (kesin); MIDI ise, par\u00e7a i\u00e7inde tempo ve \u00f6l\u00e7\u00fc de\u011fi\u015fiklikleri olabilece\u011finden dolay\u0131, &#8220;relative&#8221; (ba\u011f\u0131nt\u0131l\u0131) olarak tabir edilir. MIDI Time Code SMPTE ve EBU ile MIDI aras\u0131nda bir k\u00f6pr\u00fc g\u00f6revi g\u00f6r\u00fcr. G\u00f6r\u00fcnt\u00fc ve ses cihazlar\u0131 ile MIDI cihaz ve enstr\u00fcmanlar\u0131n\u0131n bulundu\u011fu bir sistemde master cihazdan gelen SMPTE veya EBU format\u0131ndaki time code adres bilgisini &#8216;synchronizer&#8217; ve MTC arac\u0131l\u0131\u011f\u0131 ile MIDI mesajlar\u0131na \u00e7evrilir. \u00d6rnek olarak, bilgisayar \u00fczerinde \u00e7al\u0131\u015fan bir &#8216;sequencer&#8217; MTC arac\u0131l\u0131\u011f\u0131 ile bir video kay\u0131t cihaz\u0131na senkronize edilebilir.<\/p>\n<p>E\u011fer g\u00f6r\u00fcnt\u00fc i\u00e7in ses ve m\u00fczik \u00fczerine \u00e7al\u0131\u015f\u0131yorsan\u0131z ya da \u00e7al\u0131\u015fmay\u0131 planl\u0131yorsan\u0131z, t\u00fcm i\u015flerinizi tek bir bilgisayar i\u00e7inde yap\u0131yor olsan\u0131z bile, senkronizasyon ve time code ile ilgili temel bilgileri bilmekte b\u00fcy\u00fck yarar vard\u0131r. Bu arada \u015funu da eklemekte fayda var; g\u00f6r\u00fcnt\u00fc i\u00e7in ses ve m\u00fczik \u00fczerine \u00e7al\u0131\u015f\u0131rken ister istemez bir noktada video teknolojisinin de i\u00e7ine girmeniz gerekiyor, buna haz\u0131rl\u0131kl\u0131 olmak, bu alanda da bir temel olu\u015fturmak do\u011fru bir karar olacakt\u0131r.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/twitter.com\/UfukOnen\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" class=\"alignleft\" src=\"http:\/\/ufukonen.com\/tr\/wp-content\/uploads\/twitter.png\" alt=\"@UfukOnen (Twitter)\" width=\"43\" height=\"43\" \/><\/a>Ses ve m\u00fczik teknolojileri, m\u00fczik prod\u00fcksiyonu, ses tasar\u0131m\u0131 ve benzeri alanlar ile ilgili haberler, d\u00fc\u015f\u00fcnceler ve payla\u015f\u0131mlar i\u00e7in beni Twitter\u2019da takip edebilirsiniz:\u00a0<a href=\"https:\/\/twitter.com\/UfukOnen\" target=\"_blank\" rel=\"noopener\">https:\/\/twitter.com\/UfukOnen<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" class=\"alignleft wp-image-945\" src=\"http:\/\/ufukonen.com\/tr\/wp-content\/uploads\/Sound_2012_10_Kasim.jpg\" alt=\"Sound_2012_10_Kasim\" width=\"104\" height=\"138\" srcset=\"https:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Sound_2012_10_Kasim.jpg 362w, https:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Sound_2012_10_Kasim-226x300.jpg 226w\" sizes=\"(max-width: 104px) 100vw, 104px\" \/>Bu yaz\u0131 Sound dergisinin Kas\u0131m 2012 say\u0131s\u0131nda yay\u0131nlanm\u0131\u015ft\u0131r. \u00a9 2012 Ufuk \u00d6nen. Bu yaz\u0131n\u0131n t\u00fcm haklar\u0131 sakl\u0131d\u0131r. \u0130zinsiz olarak kullan\u0131lamaz, kaynak g\u00f6sterilmeden ve link verilmeden al\u0131nt\u0131 yap\u0131lamaz.<\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"post-excerpt\">&nbsp; G\u00f6r\u00fcnt\u00fc i\u00e7in ses ve m\u00fczik ile \u00e7al\u0131\u015f\u0131rken time code&#8217;un b\u00fcy\u00fck \u00f6nemi vard\u0131r \u00e7\u00fcnk\u00fc ses ve g\u00f6r\u00fcnt\u00fcn\u00fcn senkronize olabilmesi ve&#8230;<\/p>\n","protected":false},"author":2,"featured_media":957,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[19],"tags":[],"jetpack_featured_media_url":"https:\/\/www.ufukonen.com\/tr\/wp-content\/uploads\/Time_Code.jpg","jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p3rjsG-fb","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":4178,"url":"https:\/\/www.ufukonen.com\/tr\/daw-video.html","url_meta":{"origin":941,"position":0},"title":"DAW \u0130\u00e7inde Video Dosyalar\u0131 ile \u00c7al\u0131\u015fmak","date":"September 17, 2018","format":false,"excerpt":"Eskiden bilgisayarda sequencer ile g\u00f6r\u00fcnt\u00fc i\u00e7in m\u00fczik \u00fczerine \u00e7al\u0131\u015f\u0131rken ya da bir ses program\u0131 kullanarak video veya film i\u00e7in ses tasar\u0131m\u0131, audio editing' ve benzeri bir i\u015f yaparken g\u00f6r\u00fcnt\u00fc ile e\u015f zamanl\u0131 \u00e7al\u0131\u015fman\u0131n tek yolu, bilgisayar\u0131 time code ve synchronizer arac\u0131l\u0131\u011f\u0131 ile video kay\u0131t cihaz\u0131na senkronize etmekti. Ev ortam\u0131nda \u00e7al\u0131\u015f\u0131rken\u2026","rel":"","context":"In &quot;Ses Tasar\u0131m\u0131&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/DAW_Video.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":5929,"url":"https:\/\/www.ufukonen.com\/tr\/kulaklik-miks-eksiklik.html","url_meta":{"origin":941,"position":1},"title":"Kulakl\u0131kla Miks Yaparken Eksikli\u011fini Duydu\u011fum \u0130ki Nokta","date":"July 13, 2020","format":false,"excerpt":"Kulakl\u0131kla miks yapmak \u00e7ok tart\u0131\u015f\u0131lan bir konu. Baz\u0131lar\u0131 kulakl\u0131kla miks yapmaya sert bir bi\u00e7imde kar\u015f\u0131 \u00e7\u0131k\u0131yor, baz\u0131lar\u0131 ise kulakl\u0131k ile gayet iyi miksler \u00e7\u0131kt\u0131\u011f\u0131n\u0131 savunuyor. Benim bu yaz\u0131da bu tart\u0131\u015fmaya kat\u0131lmak veya bu tart\u0131\u015fmada bir taraf olmak gibi bir amac\u0131m yok ancak kulakl\u0131kla \u00e7al\u0131\u015f\u0131rken \u015fahsi olarak eksik kald\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm iki\u2026","rel":"","context":"In &quot;Ses ve M\u00fczik Teknolojileri&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.ufukonen.com\/tr\/wp-content\/uploads\/Kulaklik_Miks_Header_Filter_Crop.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":6836,"url":"https:\/\/www.ufukonen.com\/tr\/daw-latency.html","url_meta":{"origin":941,"position":2},"title":"DAW ve Latency","date":"August 23, 2021","format":false,"excerpt":"Bilgisayar tabanl\u0131 ve di\u011fer dijital sistemlerde sinyalin sisteme giri\u015finde ve \u00e7\u0131k\u0131\u015f\u0131nda gecikme olu\u015fur. Bu gecikmeye \u0130ngilizcede 'latency' ad\u0131 verilir. Latency, milisaniye (ms) cinsinden ifade edilir. 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Bandwidth Bandwidth genellikle oktav (octave) cinsinden ifade ediliyor. 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